The 7 most famous operas in history

Mozart, Verdi, Puccini, Wagner... are names that will undoubtedly ring a bell, even if you are not opera fans. And it is that these composers have left us authentic musical monuments, authentic masterpieces that deserve to be rescued.

We propose a tour of 7 famous operas in history. Obviously, many, many are missing; If at the end of the article you still want to know more, do not hesitate to continue investigating: there are many musical gems to discover.

What are the most famous operas in history?

Below, you will find a list of 7 of the most famous operas in the history of music. The criteria that have been followed have been based, among other things, on the success of the performances, the quality of the compositions and the legend or fame that could be behind them. As always, we warn you that the article may contain spoilers.

1. roughby Giacomo Puccini

For many, it is the Italian composer's masterpiece. The original work, intended for the theater, was written by the playwright Victorien Sardou and was released in 1887. Puccini went to see her in Milan, where the famous actress Sarah Bernhardt was playing the role of the heroine, Floria Tosca. The composer was so taken with the work that he wanted to set the story to music, a fact that was not got until 1896, since until then the rights were held by the composer Alberto Franchetti. Finally,

Puccini's opera premiered at the Teatro Constanzi in Rome in January 1900, incidentally, amid rumors of a possible anarchist attack.

Tosca is part of the so-called "Italian verismo", which incorporates brutal scenes of everyday life into the opera (murders, suicides, blackmail, torture...). The action takes place in Rome in 1800, just when the news reaches the city that Napoleonic troops have defeated the Austrians in the battle of Marengo. Mario Cavaradossi, Floria Tosca's lover, is imprisoned and tortured to make him testify about a political enemy. The evil Scarpia, head of the Roman police, promises Tosca that Cavaradossi will not be shot if she surrenders to him. Tosca will have to debate between her love for Mario and the disgust she feels for Scarpia...

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2. la traviataby Giuseppe Verdi

the script of la traviata It is based on the novel by Alexandre Dumas Jr. The Lady of the Camellias which, in turn, is inspired by the relationship the writer had with Alphonsine 'Marie' Duplessis, a famous French luxury courtesan. Dumas's version is obviously sweetened, since the life of this woman was, in reality, quite miserable, she was forced by her father to prostitute herself when she was only 12 years old.

In la traviata, the courtesan protagonist is called Violeta Valéry, with whom Alfredo falls madly in love, a passionate young man from a rich family. Violeta reciprocates her love, but when Alfredo's family finds out about the affair, he forces Violeta to abandon her lover for the good of the family. The tragic events are chained until the fateful end, in which Violeta, deathly ill, succumbs in Alfredo's arms.

One of the arias of this opera, Libiamo ne'lieti calici (better known as the "Toast") is probably one of the most famous and most repeated operatic pieces in history. In it, Alfredo raises his glass and sings a praise to love and beauty, with his eyes fixed on Violeta. Immediately, the party guests join in the singing. It is an aria of extraordinary strength and a great joy of life.

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3. The Barber of Sevilleby Gioachino Rossini

It is commonly thought that opera is always tragic, and this is not the case. Rossini is, along with Mozart, one of the best composers of opera buffa, that is, comic opera. His Barber of Seville, premiered at the Teatro Argentina in Rome in 1816 with the title Almaviva or useless precaution, is one of the best examples of the genre, considered by many as the best opera buffa of history.

The plot is based on the play by Pierre-Agustin de Beaumarchais, premiered in 1775 at the Comédie-Française in Paris. The barber It is the first part of the trilogy that Beaumarchais wrote about Figaro, a cunning barber with the soul of a pimp. The second part, The Marriage of Figaro, was also turned into an opera (on this occasion, by the no less magnificent Mozart).

The plot is the classic one in the comedies of the time: a story of entanglements and misunderstandings that, finally, has a happy ending. It narrates the adventures of Rosina, a young woman from Seville, and the Count of Almaviva, with whom she is in love and who corresponds to her love. The young woman's tutor, the dark Bartolo, also wants her and opposes her love affair with Almaviva. In all this mess, Figaro, the barber, has a prominent role, who is in charge of bringing and carrying messages from the lovers and promoting their romance.

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4. The Marriage of Figaroby Wolfgang Amadeus Mozart

Beaumarchais wrote The weddings as the second part of the trilogy dedicated to Figaro, and today it is known as one of the most famous operas. At that time there was already an operatic version of the first part, composed by Paisiello, but it was still thirty years before Rossini presented his own version. Admiring the success that Paisiello's opera was achieving, Mozart decided to put music to the second part of the trilogy, not without certain difficulties due to the political and social charge of the plot..

The Marriage of Figaro It takes us back to Seville at the end of the 18th century, after the marriage of Rosina and Count Almaviva. On this occasion, it is Figaro himself who is preparing his wedding with Susanna, Rosina's maid. But Count Almaviva has had enough of his wife, and now he tirelessly pursues the girl, to the horror of the young woman herself, the countess, and her fiancée. To finish curling her curl, Cherubino, the count's page, is in love with the countess and intends to win her over. As we can see, again the typical delicious plot of entanglements that was so popular at the time but which, deep down, is a social criticism of the aristocrats' abuse of the people.

5. Carmenby Georges Bizet

When Bizet died at the age of 36, on June 3, 1875, of a sudden heart attack, he could not have known that his opera Carmen would be a resounding success and would become one of the most famous and most performed operas in the history. And it is that its premiere, which took place at the Paris Opéra-Comique three months earlier, had been a true failure, to the point that the theater reconsidered the suspension of performances. Probably, such an upset had a lot to do with the sudden and premature death of the composer.

As usual in operas, Carmen's libretto is based on a novel. In this case, she was inspired by the story that Prosper Mérimée had written in 1845. The plot revolves around a beautiful gypsy from Seville, Carmen, who awakens passions wherever she goes. But Carmen is a free creature and she doesn't want to feel tied to anyone. This is what he says in his famous aria L'amour est un oiseau rebelle (Love is a rebellious bird), probably, together with the aria of the bullfighter Escamillo, the most famous in the opera.

6. Tristan and Isoldeby Richard Wagner

Any self-respecting opera lover knows that German opera is very different from Italian. While the latter tends to be light and very focused on the brilliance of the singers (the well-known Italian bel canto), German opera is much more expressive and, to put it in some way, much more "thick" Wagner is a clear example of this. All opera singers know that you have to have a lot of vocal power to be able to sing arias from Wagner, since the instrument acquires an indisputable leading role in the composer's works.

the script of Tristan and Isolde was personally written by Richard Wagner, inspired by Godfrey of Strasbourg's story which, in turn, included a medieval legend of an Arthurian nature. It tells the love story between Tristán, a Breton knight, and Isolde, an Irish princess who must marry Tristán's father. The impossibility of their love, fostered by a loving concoction given to them by Isolde's maiden, unleashes the tragedy. Isolde's final aria, the famous Liebestod (the “death of love”) is quite simply one of the most impressive and powerful operatic moments in music history.

7. The magic Fluteby Wolfgang Amadeus Mozart

It is the last opera of the Austrian genius and probably his masterpiece. Its fantastic story has given rise to numerous interpretations, including explanations of a Masonic nature. (which may not be unreasonable, since it seems that both Mozart and the librettist of the opera were Freemasons). It premiered at the Theater auf der Wieden in Vienna on September 30, 1791, just two months before the composer's death.

The magic Flute constitutes a singular opera, since is treated in the manner of singspiel, the German folk operetta that was much lighter in tone and combined music with spoken scenes. To get an idea, it would be comparable to the Spanish zarzuela. One of the best-known arias that exemplifies this popular tone is Der Vogelfanger bin ich ja, the catchy little song performed by Papageno, a singular bird hunter. Despite this, we also find tremendous moments in The Magic Flute, such as the famous aria Der Holle Rache, which sings the Queen of the Night.

The story revolves around Prince Tamino, who is in love with Princess Pamina, daughter of the powerful Queen of the Night. As the young woman is a prisoner of Sarastro, a priest of Isis, the queen asks him to go rescue her from her, for which she gives him an enigmatic magic flute. The young Tamino, accompanied by Papageno, will begin a true journey of initiation that will culminate in a happy ending.