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Heroes of David Bowie: analysis, meaning, context and curiosities

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To music Heroes by David Bowie was released as a homonymous album in 1977, or the second day called Berlim's trilogy. With the collaboration of Brian Eno on the lyrics and with the production of Tony Visconti, it is two of the most famous songs by the singer.

Embora did not have a great success when it was released, the song became a hino and attached a motto for various gerações de ouvintes by the world abroad.

Capa do disco Heroes by David Bowie (1977).
Capa do disco Heroes by David Bowie (1977).

During the recordings, Visconti gradually played Bowie's mike, faze as his voice took on as he shouted. O effect provoked by this cry, at the courageous denouncement of the oppressive system and the hope that it accompanies despite all the obstacles.

Bowie was living in Berlim and producing music during the period in which Germany was divided into two parts. The musician lived in the first row two events and the climate of repression instituted.

Full music

David Bowie - Heroes

Original lyrics

Heroes

I, I will be king
And you, you will be queen
Though nothing, will drive them away

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We can beat them, just for one day
We can be heroes, just for one day
And you, you can be mean
And I, I'll drink all the time
'Cause we're lovers, and that is a fact
Yes we're lovers, and that is that
Though nothing, will keep us together
We could steal time, just for one day
We can be heroes, forever and ever
What d'you say?
I, I wish you could swim
Like the dolphins, like dolphins can swim
Though nothing, nothing will keep us together
We can beat them, forever and ever
Oh we can be heroes, just for one day
I, I will be king
And you, you will be queen
Though nothing, will drive them away
We can be heroes, just for one day
We can be us, just for one day
I, I can remember (I remember)
Standing, by the wall (by the wall)
And the guns, shot above our heads (over our heads)
And we kissed, as though nothing could fall (nothing could fall)
And the shame, was on the other side
Oh we can beat them, forever and ever
Then we could be heroes, just for one day
We can be heroes
We can be heroes
We can be heroes, just for one day
We can be heroes
We're nothing, and nothing will help us
Maybe we're lying, then you better not stay
But we could be safer, just for one day
Oh-oh-oh-ohh, oh-oh-oh-ohh, just for one day

Translation

Heroes

Eu, eu serei rei
E você, você will be rainha
Embora nothing you worried about us
We can beat them, at least for one day
We can be heroes, at least for one day

E você, você can be ruim
E eu, eu beberei o tempo todo
Because we are lovers, isso é um fato
Sim, we are lovers, he isso e soon

Embora nothing come to keep us together
We could cheat or tempo, just for one day
We can be heroes, for all or forever
Or what are you here?

Eu, eu gostaria that you can swim
As you golfinhos,
as you golfinhos nadam
Embora nothing, nothing keeps us together
We can beat them,
for all or always
Oh! we can be heroes
at least for a day

Eu, eu serei rei
E você,
você will be rainha
Embora
you didn't worry about us
We can be heroes,
just for one day
We can be ourselves
at least for a day

Eu, eu me lembro (eu me lembro)
Of being standing
lying down na parede (na parede)
As weapons atiravam on our heads (on our heads)
And we beijávamos,
How do I know nothing can fall (can fall)


E a shame, I was on the side of the
Oh we can beat them
for all or always
Then we could be heroes
at least for a day
We can be heroes
We can be heroes
We can be heroes
At least for a day

We can be heroes
We are nothing,
and nothing will help us
We may be lying
Então é melhor você não ficar
But we could not be safer
At least for a day

Analyze the lyrics

Refrão

Eu, eu serei rei
E você, você will be rainha
Embora nothing you worried about us
We can beat them, at least for one day
We can be heroes, at least for one day

A letter comes with a positive message, a future forum that would be favorable, where it would all be. How not end of um count of fadas, or little guy would be rei and his beloved would be rainha. From the very first verses, let us perceive or wish that childish quase that you are certain, that you may end up being happy, against you and against everyone.

Paradoxically to this feeling of love, there is um dam climate, an iminent ameaça that weighs on our shoulders of the house. The same, or subject, accredits that his country will triumph, that he will be able to overcome the odds, even temporarily.

This fantasy of the little subject is or refrão gives music, a verse that is repeated to give encouragement to the loved one, as it is used message of hope to convince himself.

Stanza 1

E você, você can be ruim
E eu, eu beberei o tempo todo
Because we are lovers, isso é um fato
Sim, we are lovers, he isso e soon

Longe to be an idyllic relationship, a perfect love, or a little person unbelievable or involved with sincerity, showing that people are still missing and continue to be.

I don't need to pretend, both times and a paixão seem to be destined for or failure, but a feeling that unites you and unconditionally, "é um fato" consummate.

Stanza 2

Embora nothing come to keep us together
We could cheat or tempo, just for one day
We can be heroes, for all or forever
Or what are you here?

This stanza, is more explicitly assumed to be durarem's impossibilidade, to awareness of the nature of the relationship. Or little guy knows that I devem "cheat or tempo", create an event and take advantage of what you are experiencing at the moment.

Defying our own destiny, we can be heroes "for everything or always", create some kind of change or impact that may influence the course of history. These verses suggest that the song does not just fall from a forbidden love but also, and mainly, it carries with it a political and social vision.

Suggesting that we stay together, he faces a proposition to the woman he loves, as he does to challenge all chances, to fight for a different reality that he can never claim. Even aware of everything that is wrong and separates you, she continues to nurture the possibility of victory in the end, as you do.

Stanza 3

Eu, eu gostaria that you can swim
As you golfinhos,
as you golfinhos nadam
Embora nothing, nothing keeps us together
We can beat them,
for all or always
Oh! we can be heroes
at least for a day

Contrary to the rules that confine us humans, or his lyrical squeezes his vontade from being able to take his love to "swim like you golfinhos", living in a freedom with no restrictions. Na natureza, living like two animais, I can have a simpler and happier life, side by side.

From one verse to another, there is an abrupt passagem: first an image of peace and, depois logo, until we continue to work on a battle. He insists that even if they don't live together, we can win "for everything or forever", making part of the move just as she ends up being skewed.

Refrão

Eu, eu serei rei
E você,
você will be rainha
Embora
you didn't worry about us
We can be heroes,
just for one day
We can be ourselves
at least for a day

Nesta repetição, or the lyrical accent that one day will be able to "be ourselves", living their identities autonomously, with the imposition of doutrines or behaviors. Even as they continue to be persecuted, even Sonham with a world where they can circulate and express themselves the way they want.

Stanza 4

Eu, eu me lembro (eu me lembro)
Of being standing
lying down na parede (na parede)
As weapons atiravam on our heads (on our heads)
And we beijávamos,
How do I know nothing can fall (can fall)

This verse arises from the image that inspired the composition, a house of lovers that embraces itself from the Berlim wall. Here, or little subject reignites or moment when the beloved is lying on the wall, despite two shots that arose in his direction.

What screaming contrast between violence and love, or even it seems quase untouchable, invincible, as if nothing can be machucá-los. A posture tem um great, heroic character, as I know to paixão the conferisse superpowers and tivessem left to fear.

This is the moment that They will challenge the authority and follow their hearts It was remarkable, like a lufada of fresh ar that I saw hope renewed. A remembrance of a symbol of its rebellion It gives the possibility of living in a way that defies all the rules.

Stanza 5

E a shame was on the side of the
Oh we can beat them
for all or always
Then we could be heroes
at least for a day
We can be heroes
We can be heroes
We can be heroes
At least for a day

A purity and força of the moment I leave you in love with bankrupt to current order, leaving shame "on the side of the". Or little subject intends to show that either I was not wrong or his love for her more than violence two soldiers, metaphor for repression and instavel social climate.

Aware that I am on my side, I am certain, because I just want freedom, or little subject continues repeating that you are going to be victorious.

Stanza 6

We can be heroes
We are nothing,
and nothing will help us
We may be lying
Então é melhor você não ficar
But we could not be safer
At least for a day

A final stanza tem uma dysphoric load evident, especially not second and not third verse. Here, assume your despair, to the knowledge that they are insignificant remaining or the rest of the world, to the feeling of being abandoned and deliver to your own lot.

You verses, however, can have a double meaning. Com "nothing will help us", seems to want to say that precisely be liberated sozinhos, just as no credit or value of them.

On the other hand, it places possibility that all hope is illusory, considering that the relationship could be a deception and that they should separate. He shows that he was aware that they are destined to separate, and that provavel or relationship will not be certain, but he insists.

How did you turn to if and find yourself again or rumor, logo depois continue dreaming with a world where power is more secure and stable, same was for little time.

Meaning of music

Heroes she talks about a love affair during a repressive regime. A paixão do casal and its desire for autonomy emerge as essential values, an antidote to repression, overcoming political and social barriers.

Assim, e um praise to transforming power of love, to the importance of taking advantage of the present moment, because things do not need to be eternal to be magical or face a difference.

Portrait of David Bowie in the Berlim Wall (1987)
Portrait of David Bowie in the Berlim Wall (1987).

Um hino de Esperanza, a music traced to a promise of a future melhor, highlighting that all you individuals can become heroes I tied the same move or course of history.

Acima de tudo, he affirms to urgency of each being or protagonist of their life. Bowie sees yourselves believing that it is necessary to be rebellious and unjust, he will fight to be his own gift, trusting in his own abilities and convictions.

This way, é um treat to face half life, I am going down to my head for no reason and fighting for here that we accredit, it will seem impossível.

Face to all the dystopian cenários of opressão é necessary always, and every time more, continue dreaming with a happy ending, against all and against all, I tried to make it happen.

Inspiration and socio-political context

A composition traça a portrait of the social and political context of the time, through the olhar of a homem apaixonado. Em full Cold WarThe world was fragmented by conflicts between the United States of America and the Soviet Union.

During or braço de ferro between socialism and capitalist machine, the nuclear ameaça arose as a guarantee of mutual destruction that prevented us from declaring war directly. At the same time, they were faced with political influence and international monopoly, interfering in the Korean and Vietnamese Wars.

Germany is not the center of the dispute, divided between the socialist German Democratic Republic and the Federal Republic of Germany, nicknamed the United States.

Image of the construction of the wall in 1961.
Soldiers building the wall in 1961.

At dawn on August 13, 1961, the Soviet side built a huge wall in the city of Berlim, demarcating the Eastern side and the Western side.

In an attempt to isolate or separate territory from all North American interference and stimuli, the frontier began to be patrolled by soldiers in order to kill all who tried to escape.

OR Berlim Wall, symbol of the cisão da Alemanha (in the world) on two opposing sides, separating many families and making it impossible to free circulation for more than two decades. Bowie lived in western Berlim and recorded his music in a studio that lived a few meters from the wall. The spirit of the time was traversed not by the musician's work, inspiring his composições.

Embora os nomes tenham been hidden to preserve or stealth, we know that a inspiração chegou quando Bowie saw Tony Visconti and Antonia Maass, a vocalist who works with the band, hugging by the wall. It was um forbidden romance, because he was married, but it served as an inspiration for the composer.

It is only one year after your construction, or the wall that began to be demolished on November 9, 1989, in a sequence of various manifestations that will allow us to travel.

When RDA decided that it would open the border, the news was announced and attracted thousands of people who ended up getting through.

Photograph by Carol Guzy for The Washington Post (1989).
Photograph by Carol Guzy for o The Washington Post (1989).

Or historical moment, which was conceived as a It remains do Muro, I was received with great enthusiasm for German hair. Its international relevance was also huge, what assinalou o end of "Cortina de Ferro" that divided the world and, secondly, several specialists, or the beginning of the end of the Cold War.

Conheça everything about the construction and the remainder Berlim Wall.

Curiosities

The theme was inspired by music Hero (1975) from the German band Neu!, which Bowie revealed to be many times. Na original music, written by Michael Rother and Klaus Dinger, or subject directly as ouvinte, reconhecendo o seu sofrimento daily and repeating, once sem conta "vocé é barely mais um heroi crossing a noite ".

NEU! - Hero

In 1980, John Lenon stated during an interview that Heroes It was a great inspiration for the composition of Double fantasy, or album that was released in collaboration with Yoko Ono.

Double Fantasy Disco Capa (1980)
Capa do disco Double Fantasy (1980) by John Lennon and Yoko Ono.

To music arises no North American film As Vantagens de Ser Invisível (2012), directed by Stephen Chbosky based on not his homonymous romance. Or trio of friends is driving a car when Bowie starts to play no radio. Sam says that "this song is perfect" and it goes to the top of the car, stretching the arms and making it through a tunnel. You are happy, as you live in a moment of redemption and the protagonist declares: "I feel infinite."

A dinner is one of the most famous films and shows music and a message from Bowie to a nova geração, showing how the artist remains current and inspiring through two tempos.

David Bowie - "Heroes" | The Tunnel scene | The Perks of Being a Wallflower

About David Bowie

David Bowie by Masayoshi Sukita (1973).
Photograph by Masayoshi Sukita.

David Bowie, born David Robert Jones (January 8, 1947 - January 10, 2016), was an English singer, composer and artist. One of the most famous voices gives his birth to him, he conquered the public's attention not only for the quality of his life. His songs, but also his androgynous and innovative image, which challenged the aesthetic standards of epoch. Bowie was known as "Camaleão do Rock" because he was always reinventing himself, both musically and in his appearance.

Or June 1987 show, when tocou Heroes In West Berlim, it was considered one of two elements that will motivate the stay. Depois da morte do artist, or German Government thanked publicly or contribution of Bowie to "help to demolish the Wall".

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