10 main works by Joan Miró to understand the costume of the surrealist painter

The Spanish visual artist Joan Miró (1893-1983) was two of the most important surrealists with an abstract tendency.

Miró was born on April 20, 1893, in Barcelona, ​​a full family - he was a filho of a famous ourives - and disposed of the family to decide to follow or walk the arts to or reverse two businesses.

Juan Miró, a long time of his life, challenged traditional figurative art and was in search of new forms.

1. Portrait of Enric Cristòfol Ricart (1917)

In spite of being a painted square, not the beginning of the career, we see em Portrait of Enric Cristòfol Ricart, painted in Barcelona, ​​some characteristic traces of Miró that will accompany him for decades to come.

OR unusual portraitHe traced, for example, the main person dressed in pajamas with a little common posture. Or I found, metade amarelo and metade stamping with an oriental pattern, let us see the ability of the artist to mix completely different styles.

Regarding his influences from his early stage, Miró commented on the paintings of this period:

As eu lhe disse, from 1916 to 1920, I was beaten by Van Gogh, Rousseau and Picasso - admirações que sinto attached leaf no higher grau.

2. A fazenda (1921-1922)

In 1910, the country of Miró was employed by young people as an accounting assistant. Depressed, or future artist against typhus. In 1912, to recover, he was sent country hair to the rural area of ​​Mont-Roig, where a family had a property.

Lá Miró resolved to dedicate himself from time to time to the arts, painted a series of paintings and enrolled in the Francesc d’Assís Galí art academy. In 1915, the painter left the school and became a self-taught person.

This painting portrays the landscape of the Mont-Roig field, the region to which he returned in 1921 and where he finished the final version of the canvas in 1922. Or quadro carrega as essências da Espanha, key elements that characterize landscape and habits.

A complex paint and full of details It was calculated for a beginner painter in detail, and it took him nine months to get ready. A canvas, deeply planned, accompanied or painter by three regions where he lives: Mont-Roig, Barcelona and Paris (not ateliê na rua Blomet).

3. Catalan landscape, or caçador (1923-1924)

Miró began to paint some of his most famous paintings of him, Catalan landscape, or caçador, em 1923.

Or I found a finish of painted yellow and a finish of vermelho, with a properly exact division. Single elements They seem to be distributed by the cloth to or perhaps. Second Ensaists, part of the title of the cloth, O Caçador, face refers to a creature that appears in the lower part of the quadro, as a triangular cauda and bigodes, which catches as a language an insect.

As letters SARD, no direct inferior song, is an abbreviation for Sardana, a popular Catalan folk music.

Published in 1924, the surrealist manifesto of André Breton from his voice to a series of artists, among them Miró, a two of his most illustrious members. Second or writer:

A tumultuous entrance of Miró in 1924 marks an important step in the development of surrealist art

4. Le corps de ma brune... (1925)

Le corps de ma brune... you give rare works onde or face painter I use the word written on the cloth.

Despite being Spanish, Miró escolheu grafar or text in French was possibly influenced by the surrealist movement, of Parisian origin, as he identified himself.

Or picture is a declaration of love to a beloved woman and deixa to see or see a poet of a plastic artist. A curious fact is that the paintings of the year (1925) partilham or even found brown with pontuais elements in blue and vermelho.

5. Carnival of Arlequim (1925)

Another quite celebrated work by Miró é Carnaval do Arlequim. Or joyful quadro, com many elements and many cores fortes, carrega or spirit of the carnival theme.

In the background, at the top of the direct side, we see a small simple janela. O espaço do quarto, an everyday environment marked by chão hair, pela parede sóbria e pela janela, and invaded hair festival of dream symbols, colorful and random of the carnival.

A work contains a series of surrealist elements - illustrações vindas direto do unconscious - once the painter has finished entering no movement.

6. Nascimento do Mundo (1925)

A fabric was raised on a family farm, in Mont-Roig, not seen / out of 1925. It is a somber, blurred background, with dark brown and brown tones characteristic of desseous paintings. Miró was living a particularly good moment since his recent exhibition in Paris was celebrated by other surrealist colleagues.

The landscapes of the farm that he used to paint, looked at another type of representation and experimented with a completely different style from or to produce. more and more abstract works with few elements. Here we see a background with many stains, flinches, cascades, explosions, runny ink, no gloomy tom.

As few references present you reconcile allusions to dreams, hallucinations and delirious years - in tune as a surrealist project. Em Nascimento do Mundo we highlight the colorful pontuais elements, nesse case um balão vermelho supported by uma corda amarela.

The theme of the birth of the world has been explored by a series of painters over the past two years. secula, but Miró managed to find an olhar novo about what he considered to be or his genesis particular. In his way of interpreting the world criação allows multiple readings, Between them, a child of a girl releasing a ball and jumping with a pipe.

7. Personagem Atirando uma Pedra num Pássaro (1926)

To cloth Personagem Atirando uma Pedra num Pássaro, Raised with gouache ink, Miró was a recluse in Mont-Roig even during his youth.

This was a period of simpler works, with more singelos, a more synthetic work with few elements.

On the canvas we see a very simplified landscape with key elements for the viewer's perception. We highlight the edge of the horizon that divides the land. A figure of the leg as olho seems to come from a dream and a typical surrealist motivation.

The atmosphere da brincadeira is present not only as well as a series of paintings by the artist.

8. Dutch interior (1928)

Or colorful quadro Dutch interior It has a series of different elements and was inspired by a classic work of the seventeenth century by the Dutch painter Hendrick Martensz Sorgh that presents the interior of a house.

After visiting the famous Rijksmuseum in Amsterdam, Miró teria acquired a postcard with an image of the work and was inspired by it for compor or seu Dutch interior. Second or artist:

He tinha or cartão-postal prisoner ao cavalete enquanto pintava.

Despite being inspired by the naturalistic creation of the seventeenth century, the production of the Spanish artist follows a completely different style using flatter images and symbolic elements, less representative, highlighting here that he considered to be the most essential of Sorgh painting.

9. Corda e pessoas, eu (1935)

A work carrega um title very singelo that sums up peça - Corda e pessoas, eu. Here is a novelty in the Creation of Miró ao incorporate objects we work, external elements - it is necessary a corda case - that is attached with hooks on a painted wooden plate. He also looked at the same phase using the collagem resource.

São poucas and primárias as cores na tela (or blue, or white, or vermelho and or preto) and as representações das weights not nomadic deformed and condensed disputam place com a corda, positioned bem ao central do quadro.

A corda is found in an elongated way, imitating the silhouette of a person, as is also seen in the fosse of many of the creatures represented by no quadro.

10. Or beautifully passed deciphering or unfamiliar to a house of lovers (1941)

O quadro belongs to the Constelação series, which brings together twenty and four designs, a very curious period in the life of Miró. The artist was living a personal crisis in France between 1936 and 1940, a historical moment marked by the Spanish Civil War and the Second World War.

Between 1940 and 1941 Miró went to Palma de Maiorca on the 13 final works of Constelação. To escape two tragic events, Miró took refuge in us hard work, full of details, which faziam allusions to elements of nature.

Here we find classical elements of his painting such as abstract forms, a spirit that goes back to brincadeira e ao dream universe, above all, in a way that is much more saturated in the fabric.

Joan Miró died on December 25, 1983 in Palma de Maiorca, in Spain.

If you are interested in surrealism, we will also want to explore the following articles:

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• Discover the most instigating works of surrealism
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