10 famous musics of Brazilian singers: lyrics and analyzes

Some feminine voices will enter the history of music and Brazilian culture. In this list, we raise themes of success that continue to be part of our memories and our daily lives.

Conheça, below, a selection of the most famous musics performed by Brazilian singers.

1. Like Nossos Pais, Elis Regina

With lyrics by Belchior, Like Nossos Pais It is an important cultural document on a troubled period in Brazilian history. In the voice of Elis Regina, music expresses the anguish of a conquered geração due to the military and conservative leadership.

Faking about the need for young people to learn this through their own experience, he affirms to urgência de viver. It declares that life is more important than any song or song.

Obviously the dystopian sinais, the "care" and "perigo" notices announcing first: "they will win."

This climate of repression and prejudice or a human being that, while being social, was good enough to relate to others, to "hug" and "beijar". This nature of love would be a true essence of humanity, contrary to conflicts and violence.

Or theme seems to refer or nickname of peace and love of movement hippie, sowing tempos of freedom, a recent past of "young people reunited" as "cabelo ao vento".

O his quotidian and lifestyle was ruined abruptly with the establishment of a military rank, which implied a social and cultural regression in Brazil.

Elis sings to sadness of a youth for which "o sinal is dated". Despite all the battles that all your efforts will undergo, this geração was a prey not passed, condemned to the world two countries.

I don't want to fail meu great love
You give things that I learned we disks
I want to tell him how he lived
E tudo or what happened with me
Viver é melhor que sonhar
Eu sei que o amor é uma coisa boa
More also sei
That any song is less than life
Of qualquer pessoa
By isso care meu bem
Ha perigo na corner
They will win and win
It is dated pra nós
That we are young ...
To embrace seu irmão
E beijar sua menina, na lua
É que se fez o seu braço,
Or his lips and his voice ...
You ask me pela minha paixão
I say that I am enchanted as a new invention
Eu vou ficar nesta cidade não vou voltar pro sertão
Pois vejo vir vindo no vento cheiro da nova estação
Eu sei de tudo na ferida viva do meu coração ...
Já face tempo eu vi você na rua
Cabelo ao vento, young people gathered
Na parede da memória essa lembrança
É o quadro que di mais ...
Minha dor é perceber
That despite thermos feito tudo or that we fize
Ainda we are the same and we live
Ainda we are the same and we live
Like us country ...
Our idols ainda são os mesmos
T he appearances are not deceitful.
You say that depois deles no appearu mais ninguém
You can tell me that you are for fora
Ou so you are inventing ...
More than you love or past that you never see
É você that loves or passed away and that you have not seen
That or novo always see ...
Hoje eu sei quem me deu a ideia
From uma nova consciência e youthude
Tá em casa, guarded by Deus
Counting vile metal ...
Minha dor é perceber that despite thermos
Feito tudo, tudo, tudo or what do we fize
We are still the same and we live
Ainda we are the same and we live
Ainda we are the same and we live
Like us country ...

2. Fera Ferida, Maria Bethânia

Written by Roberto Carlos and Erasmo Carlo, Fera Ferida It is one of the most famous Brazilian music on the end of a difficult relationship.

The letter is wrong about a toxic relationship that prejudices or subjects the person who is liberated. Despite having survived, he does not hide that he is dead, traumatized.

Carrying so many marks from the past, I assume that I lost hope, your sonhos are "torn." Before it was faced as a "domesticated" animal, which was imprisoned and had lost the ability to fight, now it is seen as a "free bug".

But try to overcome or love distress that sofreu, I do not get to do it and feel that your "scars falam. Assim, I escolheu unconditional freedom I escolheu viver solitário e sem rumo, guaranteeing that I will not change.

Acabei eaten
Escape with life
Tive as roupas e os sonhos
Torn na minha saída
More saí ferido
Suffocating my moan
I was perfect
Many times I do not hit it
Surly animal
Domesticated esquece or crag
I was deceived
And I got up for you
Eu six quanta sadness eu tive
More like assim you live
Dying little years for love
Eu sei, or heart perdoa
More not to be seen
E eu não me skeci
I am not moving
This case does not have a solution
Sou fera ferida
No body, no soul and no heart
I am not moving
This case does not have a solution
Sou fera ferida
No body, no soul and no heart
Eu andei demais
No olhei behind
I was alone in my steps
Bug free, sem rumo, sem laços
I felt sozinho
Stumbling on my way
À seek shelter
Uma ajuda, a place, a friend
Ferido animal
By determined instinct
I lost my traces
Unhappy attempt to skewer
I know what flowers will exist
More than not resist
To constant gales
Eu I know that you falam scars
More as words calam
Or that eu não esci me
I am not moving
This case does not have a solution
Sou fera ferida
No body, no soul and no heart

3. Divine Wonderful, Gal Gosta

Eternized by the voice of Gal Costa, or the theme of Caetano Veloso and Gilberto Gil was composed in 1968, in the tropic era. In 1968, or Brazil lived the rise of military repression with the establishment of Institutional Ato Number Five, which authorized the suppression of directives, torture and censorship.

Brazilian popular music was a powerful instrument of criticism, denunciation and reaction to the authoritarian regime. Em Divine Wonderful, or little guy, let your companions know, ask that you have "attention" and keep you "olhos firm" because "you're all perigoso".

A famous man of resistance, music stands out for the need to fight, never to render, to always remain "attentive and strong".

I ask that you repair "no refrão", no "palavrão" and a "word of order", express or discontent a people who lived oppressed and protested on various fronts, including through music and art.

Showing violence, constant ameaça and or sangue nas ruas, a song repeats that "tudo é perigoso". On the other hand, he also repeats that "everything is divine marvelous", sublining that there is hope and that this way they will be able to change.

For isso, it sublimates the importance of continuing to fight: "We are not afraid to fear death."

Attention to turn a corner
Uma alegria, attention menina
You see, how many years have you been?
Attention, need to be firm olhos
For this sun, for this escape

Attention
Tudo é perigoso
Tudo é divine marvelous
Attention for or refrão
I must be attentive and strong
We do not have time to fear to die

Attention for a stanza and pro refrão
Pro palavrão, for a word of order
Atenção para o samba exaltação

Attention
Tudo é perigoso
Tudo é divine marvelous
Attention for or refrão
I must be attentive and strong
We do not have time to fear to die

Attention for as janelas not high
Atenção ao tread or asphalt, or hose
Atenção para o sangue sobre o chão

Attention
Tudo é perigoso
Tudo é divine marvelous
Attention for or refrão
I must be attentive and strong
We do not have time to fear to die

4. Linha do Mar, Clementina de Jesus

Clementina de Jesus was a Brazilian samba singer who started her career for two 60 years. Treated as "mãe" and admired by various artists of the time, she participated in several famous MPB albums. Incorporating no samba influences two traditional songs that she learns with her mãe, filha de escravos, was a framework of representation.

A singer became an important artist in the Brazilian music scene, with a voice and a way of singing that defies our patrons of the time. Na Linha do Mar, composed by Paulinho da Viola, formed one of the music that Clementina designed to become famous.

Or subject suggest an idea of ​​prayer, of prece, onde or subject, thank you or novo amanhecer, mais um dia que começa. Embora is unsatisfied with reality, this "world of illusion", a fear that keeps positive thinking. He knows that it is important to conserve or laugh, have a good attitude for life to other people.

In a wise posture, he fades two atos of ingratiation and betrayal that he sofreu, showing that he will tempt him to die, but thus boas na his life from him or protect him as a shield. Through his love, he affirms that he manages to overcome any poison.

Galo cantou às quatro da manhã
céu azulou na linha do mar

vou-embora me desse world of illusion
it burned me to see sorr
you don't have to see me crash

sorrateiras arrows, poison cheias
I want to reach or my heart
more o meu love always so serene
serve as a shield for any gratitude

5. Menino do Rio, Baby Consuelo

From the voice of the artist Baby Consuelo, currently Baby do Brasil, to the music of Caetano Veloso, it seems to be a year old from Rio de Janeiro. Falando of a happy young man, relaxed and that he is always in praia, he praises or his spirit free of him, "vadio".

Either boy declares that he adores watching him pass and expresses his love through the song, which he hopes he will receive "like um beijo". The music was inspired by Petit (José Artur Machado), a Rio surfer who was famous in the Ipanema beach.

Embora Menino do Rio Tenha has become one of the songs, my dear Rio hairs, Petit teve a sad end of life, suffocating an accident and committing suicide some time depois. His solar image was always read to Caetano's words.

Menino do Rio
Heat that causes regret
Tattooed dragon no arm
Calção, corpo aberto no espaço
Heart of eternal freedom, I love to see you
Menino vadio
Floating tension of the river
I sing for Deus to protect you

Menino do Rio
Heat that causes regret
Tattooed dragon no arm
Calção corpo aberto no espaço
Heart of eternal freedom, I love to see you
Menino vadio
Floating tension of the river
I sing for Deus to protect you

O Havaí, stay here, or that your sonhares
All places
As waves two seas
Pois when eu vejo you
Eu desejo or teu desejo

Menino do Rio
Heat that causes regret
Take this song like um beijo

6. Black Ovelha, Rita Lee

Rita Lee marked the history of Brazil with its attitude of rebellion, the result of the 70s and the transformations that the country faced. Black Ovelha It is the most famous music of the singer, confirming the success of his solo career.

This is a symbol of what Rita Lee represented, or a theme of disobedience and critical thinking. A music tells the story of a young man who, suddenly, loses a climate of tranquility and family stability.

Representing the gerational conflicts and the fosso of mentalities that separate the country and the filhos, a girl and a country girl. Conservative, he does not oil her behavior and declares that she does not belong more ali, it is "a black ovelha da família".

A history of growth and of individual escorts, the singer shows that it is possible for someone to know everything that she knows to follow or be rumored, find or follow her path.

She led a quiet life
Gostava of shade and fresh water
Meu Deus quanto tempo eu passei
Know
Foi quando meu pai me disse filha
Você é a ovelha negra da família
Agora and time for you to assume
E plunge
Baby baby

Não adianta chamar
When someone is lost
Trying to find
Baby baby
It's not worth waiting, oh no
Tire isso da cabeça
Ponha or rest no place
She led a quiet life
Gostava of shade and fresh water

Meu Deus quanto tempo eu passei
Know
Foi quando meu pai me disse filha
Você é a ovelha negra da família
Agora and time for you to assume
E plunge
Baby baby

Não adianta chamar
When someone is lost
Trying to find
Baby baby
It's not worth waiting, oh no
Tire isso da cabeça
Ponha or rest no place

7. Mild Poison, Nana Caymmi

With the lyrics of Cristovão Bastos and Aldir Blanc, Mild Poison They were two of the most famous songs by Nana Caymmi. Some of the most striking love music of the Brazilian panorama, a fallacy about a complex relationship, a relationship of love / visual hate not its own title.

Always marked by this duality, or subject declares that this paixão can "cure" or "kill", assuming that it is a "doença". Narrating her relapses, she knows that she needs to get rid of her love but not be able to resist temptation.

I live enchanted with love
Inebriado em você
Soft poison that can heal
Ou kill sem wanting for wanting
Essa paixão tão intense
Também é meio doença
I don't feel like I'm breathing
Sighs of love as you

Soft poison você
That I should impregnate
I tied the light of other olhos
That I seek nas noites to comfort me

Be heal me of this love
I do not want to try
Minto that you changed
That I could set me free

I barely sinned you um favor
Do not throw us meus
Esses olhos de mar
That I give up adeus
To poison me

8. Não Deixe or Samba Morrer, Alcione

Não Deixe or Samba Morrer is a song written by Edson Conceição and Aloísio Silva and recorded by Alcione, having been the singer for the first time.

It is about a declaration of love to music and to the profession of a samba player. O subject declares that when you do not have more way to go to the avenue with your school, you will pass or your place to be worthy.

You wanted to leave or your legacy, you know what to do and fica vendo da plateia, as a farewell. Or his last request from her for a future geração, or "sambista mais novo", that preserves the tradições.

Lembra you younger than samba can not die because the fruit gives its culture, part of the history and the identity of its own.

When I can't
Step on the avenue
When as minhas pernas
I will not be able to aguenta
Levar meu corpo
Together with meu samba
O meu anel de bamba
I give what I deserve to use

Eu vou ficar
I do not piss off spying
Minha Escola losing or winning
Mais um carnival
Before i say goodbye
Deixo ao sambista mais novo
Or my final order

Before i say goodbye
Deixo ao sambista mais novo
Or my final order

Não deixe or samba morrer
Não deixe or samba finish
O morro foi feito de samba
From Samba, for Sambar people

9. Valente face, Maria Rita

Music was composed by Marcelo Camelo and recorded by Maria Rita in 2003, not her first album. Two major events of her, a satire and a humorous social criticism. Valente face It is about a fearful, selfish home, which seems destined to solidify.

After knowing the woman he loved, he is living the consequences of his decisions. Sozinho, insecure and incapable of communicating his feelings, he needs to pretend that he is strong, perigoso, in an attempt to protect himself from the world. Or subject goes to the recipient of the message, stating that he does not need to lie anymore, because he is not cheating any more.

To antipatia, to "tied face" and to brutality are just ways to destroy others, to "viver na pior" and to continue feeding their magic. Reflecting on these infant behaviors, music invites us to think about the way we choose to live life and its repercussions.

Não, ele no vai mais dubrar
I could get used to it
Ele vai viver sozinho
Unlearn how to divide

Foi escolher or mal-me-quer
Enter the love of uma mulher
E as certainties of the road
He cannot surrender
And now he's going to pay
As heart

Olha la!
I'm not happy
Always say
I am a brave face type
More veja only
People know
That humor
É coisa de um rapaz
Que sem ter proteção
Foi hide behind
Give vilão face
Então, no face assim, raptor
Não bota esse cartaz
To people no cai no

Ê! Ê!
I'm not welcome
Hey!
That tied face
That!
Um jeito de viver na pior
Ê! Ê!
I'm not welcome
Hey!
That tied face
That!
Um jeito de viver
Nesse world of mágoas

10. Mulher do Fim do Mundo, Elza soares

Taxed in 2015, Mulher do Fim do Mundo brand um ponto de viragem na carreira by Elza Soares. It is not his first album of unpublished music, it deals with themes that are important to the artist, such as you will be told by women and two black cities.

Mulher do Fim do Mundo It tells a story of survival and overcoming does not give euphoria and chaos, symbolized by carnival. During the lyrics, we can assist in the way that this mulher transforms luta e o sofrimento em alegria, music, dance. Com a multidão nas ruas, or Carnival emerges as an apocalyptic scene that makes it possible to taste, together, to celebrate collectively.

Depois do fim do mundo, this woman who assisted and survived all, continues to sing.

Conheça also Complete analysis of Mulher do Fim do Mundo music.

Meu choro não é nada além de carnaval
É tear of samba na ponta dos pés
A multidão advances like a gale
I play on the avenue that I do not know how

Pirate and super homem sing heat
Um peixe amarelo beija minha mão
Asas de um anjo loose chão hair
Na chuva de confetes deixo a minha dor

Na avenue, deixei lá
A pele preta and a minha voz
Na avenue, deixei lá
A minha fala, minha opinião

A minha casa, minha solidão
Joguei do alto do third, walk
I will face and free myself from the rest of my life
Na avenue, hard até or fim

Mulher do fim do mundo
Eu sou e vou tied o fim sing

Meu choro não é nada além de carnaval
É tear of samba na ponta dos pés
A multidão advances like a gale
I play on the avenue that I do not know how

Pirate and super homem sing heat
Um peixe amarelo beija minha mão
Asas de um anjo loose chão hair
Na chuva de confetes deixo a minha dor

Na avenue, deixei lá
A pele preta and a minha voz
Na avenue, deixei lá
A minha fala, minha opinião

A minha casa, minha solidão
Joguei do alto do third, walk
I will face and free myself from the rest of my life
Na avenue, hard até or fim

Mulher do fim do mundo
Eu sou, eu vou até o fim sing
Mulher do fim do mundo
Eu sou, eu vou até o fim sing, sing

I want to sing até or fim
I deixem sing até or fim
Até o fim, eu vou sing
Eu vou sing até o fim

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