Livro Chapeuzinho Amarelo, by Chico Buarque

Published for the first time in 1979, Chapeuzinho Amarelo It is a children's story written by Chico Buarque that, maybe twenty years later, has been illustrated by Ziraldo, and remains with no collective imagery.

The protagonist is a young man who is afraid of everything and ends up depriving himself of a series of adventures, I finally attached myself to gain courage to take advantage of the world.

History gives Chapeuzinho Amarelo

Who is the main person in history?

A protagonist conceived by Chico Buarque is a menina known as Chapeuzinho Amarelo.

A garota, who always walks as his acessório amarelo na cabeça, tinha medo de tudo:

Em party, she did not appear.
She did not climb escada, nem descia.
She hadn't had a cold, any more.
She ouvia counted fada, and shuddered.
She does not jump more than anything, nem de amarelinha.

She was marked by no sign: or half to paralisava In such a way that at the end of the day I could not do anything-nem sleep, because she has half of the weight during the night.

Or it means limiting a few years: she is not supposed to be fastened, not to be clamped. Com uma sad and limited life, or maior medo da garota era or mau wolf, or vilão da historia da chapeuzinho vermelho.

Or the wolf appeared

Despite her never being seen or wolf, Chapeuzinho Amarelo would die of medo dele.

A beautiful day a menina found or such a wolf that she feared so much, and stopped everyone's surprise, she was losing or half and, or more important, or half of fear.

O wolf was offended to be in front of a menina who had not given him:

I am very embarrassed, sad, murcho and white-azedo, because a wolf, pulling or medo, is a wolf lashing out. É feito um lobo sem pelo. Skinned wolf.

Moving

A move was very radical in the life of the garota. To Chapeuzinho Amarelo, you say she lost half of the wolf, was losing few years or half of everything:

She has no more medo de chuva, nem foge de carrapato. She fell, got up, was bruised, went to praia, entered I did not kill, climbed into the tree, rouba fruit, depois joga amarelinha as cousin of vizinha, as filha do jornaleiro, as sobrinha da madrinha and or net do sapateiro.

Depois de ter lost or medo, Chapeuzinho Amarelo passed on to another rotina: a much richer everyday, I had little adventures in a company with two many friends that she was making.

Analysis of the book Chapeuzinho Amarelo

Os medos da Chapeuzinho Amarelo

A children's work by Chico Buarque é A re-music of the classic Chapeuzinho Vermelho, as told by Charles Perrault e pelos Irmãos Grimm.

Chapeuzinho Love it é, na verdade, a parody of the classic. The original version of chapeuzinho ignores the perigos and through isso ventures into the forest, a re-music from Chico Buarque to chapeuzinho é o aveso: she is attentive to everything and fearful of antemão.

Chapeuzinho Amarelo had a paralyzing medium, which prevented me from sleeping:

She tinha medo de trovão. E minhoca, for her it was cobra. And she never apanhava sun because she does not have shade. She is not to be held. (...) she Não ficava started to fall. Then she lived standing up, deited, but she was sleeping, eating it.

No work started, Chapeuzinho Amarelo is marked by impotence, innocence, fragility and vulnerability. Described dessa maneira, a personagem stimulates easy and quick identification as the most scared little readers.

A chapeuzinho is seen in the absence of a medium, which allows history to happen, here or a medium, which prevents Chapeuzinho Amarelo from living in plenitude.

O personagem do lobo

But it is not only a protagonist that ganha uma nova roupagem: nessa rewrites both a personagem da Chapeuzinho quanto a do Lobo is re-signified e o wolf, which should be a source of medo, passes to não to be.

O wolf that first appears in history and a present wolf in collective memory, consecrated in the history of Chapeuzinho Vermelho.

And Chapeuzinho Amarelo, from thinking so much not WOLF, from so much sonhar like WOLF, from so much waiting or WOLF, one day topou like what was assim: carão de LOBO, olhão de LOBO, jeitão de LOBO and mainly a bocão so big that he was able to eat two birds, a caçador, king, princess, seven panelas de arroz and a chapéu de desktop.

The entire description of the wolf that so often feared is anchored in the non-classical style that we offered during a infância: um wolf mau, who spreads in the forest, tries to give me the hour to attack and devour avó and a net.

However, later, the re-music of Chico sublimated that it was a virtual medium, imaginary:

A WOLF that never travels, that morava la pra longe, on the other side of the mountain, num buraco da Alemanha, cheio de teia de aranha, numa terra tão estranha, that will see that or such a WOLF did not exist.

When in the end he confronts himself as a wolf, I am going to lose or half a few years, I managed to stop being a reference to his own caramels.

Chapeuzinho Amarelo Go from dominada (medium hair) to dominator, donate itself, give suas jumps and adventures of it.

Ouça to history Chapeuzinho Amarelo

About a publication of Chapeuzinho Amarelo

Or free Chapeuzinho Amarelo, by Chico Buarque, was launched in 1979.

A story is the fruit of a creation that the composer and writer had invented for his filha Luísa Severo Buarque de Holanda (1975), about four years ago.

As illustrated by Ziraldo

To work Chapeuzinho Amarelo It was republished in 1997 as illustrations by Ziraldo.

No year to follow, or unhinged ganhou or Prêmio Jabuti in the category melhor Ilustração.

Take advantage to read or artigo Ziraldo: biography and works.

To work Chapeuzinho Amarelo chegou to be adapted for or theater.

Conheça also

• Fables of Monteiro Lobato commented
• Chico Buarque: biography, music and books
• Os melhores livros infantis da Brazilian literature
• Conto Chapeuzinho Vermelho
• As musics you will remember by Chico Buarque