Or what is romantic art? 6 works to understand or style

Or that we chamamos de arte românica foram as artistic creations developed between the final two secles XI and XII. Or thermo Romanesque art with a reference to the Roman Empire, which served as inspiration despite being preceded or style in about a thousand years.

A românica art reuniu basically religious productions, linked to Christianity. During this period we attended to an enfraquecimento of cuts by isso a unique saída for art foi occupy religious spaces, passing to serem entrusted to the church and understood as an offering to Deus.

Igreja de São Martinho de Mouros (Portugal)

Romanesque architecture can be seen especially in religious buildings - churches, mosteiros, convents, chapels - embora also fosse used in castles, towers and pontes.

In terms of structure, the stones were fundamental to the buildings that were erect as thick walls e solid pillars of sustainability. Many dessas tinham works in the presence of cloisters.

Solidly, the churches are customarily called "fortresses of Deus." Thus, enormous Romanesque works, as a rule, were delayed and lasted for several gerações.

In Portugal, the Romanesque style was manifested during the reign of Alfonso Henriques, not at the end of the XI century. To Igreja de São Martinho de Mouros there are two so many examples that we could give this style of building. There are other consecrated Romanesque constructions in no country such as Sés de Lisboa, do Porto, Coimbra and or Mosteiro de Santa Cruz.

Na Igreja de São Martinho de Mouros we see uma longitudinal plan, in cross format, with scarce janelas estreitas - These few vertical janelas are some of the most striking characteristics of Romanesque architecture.

Another aspect to be highlighted is presence of arches Perfectly horizons at 180 degrees (the chamados semicircles or full arches). In a photograph we can see the arches in the entrance portal (like Roman columns) in the sinaleira tower.

Basilica of Saint-Sernin (França)

A Basilica of Saint-Sernin é a Major church in French Romanesque style e is located in Toulouse. Consecrated in May 1096 and built between the eleventh and thirteenth centuries, the church was a stopping point for pilgrims who made their way to Santiago de Compostela. She is considered, therefore, a pilgrimage church.

It was very common during Idade Media as religious trips, by isso as pilgrimage churches also tinham of special importance and We will end up receiving a greater attention being built with differentiated architectural projects such as the case of the Basilica of Saint-Sernin.

As a typical example of Romanesque architecture, a basilica tem uma plant in cross format. A edificação tem capitéis e tympanums sculpted in stone and abóbada and divided in 12 voids by double arches. Essa construction in sectors It is quite characteristic of Romanesque architecture once it was a way of distributing the heavy load of the building built with thick walls.

Na Basilica has a unique octagonal sinaleira tower and the little janelas and portas são semper em arc format, imitating or Roman style.

A igreja has many paintings and sculptures inside and outside to communicate to you that I was, mostly, illiterate. No tympanum, for example, feito em marmore, the dinner of the ascension of Christ surrounded by handsome and old hairs.

Front altar of Igreja Santa Maria de Mosoll (Spain)

Romanesque painting turned especially for the production of murais, which were feitos with the technique of fresh, embora or period also tivesse a farta produção de illuminations and tapeçarias.

The murals were huge paintings, which illustrate the large-sized abbots of the igrejas or the side walls of the construction.

As well as a decorative function, the Romanesque paintings serve as a kind of religious literacy. Elas eram essenciais num context in which all society was illiterate and tinha um didactic value, of transmission of two christian values.

As paintings reproduziam always religious themesThe most frequent were the creation of the world, the dinners of the life of Christ or two apostles and the most important biblical passages such as Noah's ark. There was not, during this period, a culture of reproduction of profane images.

Two more important aspects of Romanesque painting are colorism In the deformation, both are present in the image of the front Altar of the Igreja Santa Maria de Mosoll, in Spain.

In the image of the altar painting we also observe or I use two bows, which recalls Roman aesthetics.

The Beam of Passion (Espanha)

A imagem acima and a stretch of the extensive work The Beam of the Passion, created not first terço do seculo XIII. As a typical example of Romanesque painting, it has a religious character and illustrates biblical dinners of the condemnation of Christ.

O mural is quite colorful (feito com plated cores) e, as was costume at the time, he traces typical elongated figures. Another important Romanesque characteristic present here is deformation.

In this genre of painting from the time, Christ usually appears as a protagonist and is always in the center and / or with higher dimensions.

The Beam of the Passion was painted between 1192 and 1220 in Catalan origin. As we can see in the work, there was no proper concern of representing shadows, light effects or an ideal of imitating nature in perfection.

Another interesting traço of Romanesque peças that you work was not assassinated. You anonymous artists They were craftsmen who learn or trade in an informal way, passed from country to filhos.

Tímpano da Igreja de Santo Domingo (Spain)

Romanesque sculpture was intimately linked to architecture and, due to Greco-Roman influence, artists began to adorn pediments, tympanums, columns, and capitals.

A sculpture was re-embedded in the Romanesque style after years of the sculpture of the teve or its height in the twelfth century. As peças we were to serve you sacred locais ornament like churches, mosteiros and convents.

As criações ajudavam a disclose as mensagens da igreja And tinham, therefore, apart from a decorative function, also a social role of diffusion of the ideal Christianity. Like the paintings, the sculptures were also important forms of communication and an illiterate society.

A sculptural work acima is assente num tympanum. The tympanum is a semicircular wall located below two arches and above the portal, not above the pilasters. Em geral, as sculptures ficavam em locais elevated, of note, numa posição that you trust to be able to read and interpret.

Many times the Romanesque sculptures appear deformed figures to adapt to the locations you have available. This is the case of the sumptuous tympanum of the Church of Santo Domingo, in Sória (Spain). A church was built at the beginning of the twelfth century and a sculpture located at the main gate.

Nesse tympanum we see Jesus in the center seated as a child, ao colo e ao seu redor is four angles (as two evangelists symbols) for além da his mãe (to the Virgin Mary) and the prophet Isaiah.

Year round, not bow, each litter has specific representations. A first volta carrega an image of 24 apocalypse musicians, a second illustrates the slaughter of innocents, a third traces images of the life of the Virgin Mary and a fourth is the journey of Christ on Earth.

Portas de Bernward (Alemanha)

As Romanesque sculptures were full of symbolism and feitas in large dimensions, many times with blocks of stones (not the case here is são folhas de bronze).

Very often you carry us igrejas or carvings on the walls, the sculptures were a form of disseminate christian values for a largely illiterate population.

At the entrance of the temple it was usually a two privileged places to sculpt. The famous portals of Bernward are the most important Romanesque sculptures and foram entrusted by bispo Bernward in 1015.

The 4.72-meter-high bronze leaves are located at the entrance of the Cathedral and 16 paintings with biblical histories.

On the other side are dinners of the old testament (no mole is at home to be raised, final year, we see Abel assassinated). Já na folha direita are dinners of the new testament (not the announcement to Maria and not the end of the ascension of Jesus to the ceu).

The sculptors of that period were known as canteiros or mestres de images. The sculptors responsible for the portas of Bernward (and generally for other Romanesque peças) eram anonymous breeders, isto é, as peças não eram assinada. Usually more of a sculptor goes to each other and the craftsmen travel with offices to carry out work in various places.

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