16 most famous music of the Legião Urbana (with comments)
One of the most well-known and beloved Brazilian rock bands is certainly Legião Urbana.
Founded in the early 1980s in Brasília, it brought together Renato Russo, Marcelo Bonfá, Dado Villa-Lobos and Renato Rocha.
The great highlight was for the leader Renato Russo, singer and composer who died of AIDS in 1996.
A few days after his departure to the band, he resolved to close down his activities, leaving a legacy of more than one song. I am music that packs an entire generation and continues to echo our hearts.
1. Eduardo and Monica
That one day they will say that there is no reason
Nas feitas coisas pelo coração
And what will tell me that there is no reasonEduardo opened his eyes but he didn't want to get up
He was disappointed and saw what hours it was
As soon as Mônica took a conhaque
Not another song of the city
How do you designEduardo and Mônica one day they will meet without wanting
And we will talk a lot to try to know
Um carinha do cursinho do Eduardo who said
That we have a legal party and people want to have funStrange party, with exquisite people
Eu não tô legal, não aguento more birita
E a Mônica riu e quis to know a little more
About the boyzinho that tried to impress
E o Eduardo, my fool only thought of going home
E quase duas e eu vou me ferrarEduardo and Mônica change the phone
After calling and deciding to meet
Or Eduardo suggested a barbeque
But Mônica wanted to see a film by GodardThey will be found in Parque da Cidade
A Mônica de moto e o Eduardo de camelo
Or Eduardo is strange and better, don't comment
More a girl tinha ink does not hairEduardo and Mônica were nothing like that
She was from Leão e ele tinha dezesseis
Ela fazia medicine and german falava
E ele ainda nas aulinhas de inglêsThe Government of the Bandeira and the Bauhaus
From Van Gogh and two Mutants
Of Caetano and Rimbaud
E o Eduardo gostava of novel
And she played futebol-de-botão with her avôEla falava coisas on the Central Planalto
Also magic and meditation
E o Eduardo still tava no scheme
School, cinema, club, televisionE, same with all different
I see me suddenly
Uma vontade to see
And you two meet every day
E a vontade crescia
how to beEduardo and Mônica fizeram swimming, photography
Theater and crafts and foram to travel
A Mônica explained by Eduardo
Things about o céu, a terra, a água e o arHe learns to drink, deixou or hair grows
and decided to work
And she was formed just the same month
Em que ele passou no vestibularAnd you two will eat together
And also brigaram together many times after
And everyone says that he completes her and vice-versa
What nem feijão with riceWe would build a house about two years ago
More or less when the gêmeos will see
Batalharam grana and legal insurance
A bar heavier than tiveramEduardo and Mônica returned to Brasília
And our friendship gives saudade no verão
I know that you are not going to travel
Because or filhinho do Eduardo
Tá de recuperação ah-ah-ahAnd that one day they will say that there is a reason
Nas feitas coisas pelo coração
And what will I say
that there is no reason
Eduardo and Monica It was engraved in the minds and hearts of two young people as a portrait of a love between two people with opposite personalities and experiences, rather than for "some reason" they fell in love and built a family.
A song integrates or album two, launched in 1986 and was inspired by Leonice and Fernando, a close friend of Renato Russo. Embora does not faithfully represent or match, the song was adapted to create an improvavel and captivating love story.
In 2020 it was launched in cinemas or longa-metragem Eduardo and Monica, what cam for these fabrics is that curious romance where you "opposites attract".
2. lost time
Every day when I agree
I don't have more
Oh time that passed
But I have a lot of time
We have everything or time of the worldevery day
Before sleep
Lembro e esqueço
how was the day
Always in front
We have no time to loseNosso suor sacred
It is more beautiful
That this bitter blood
I'm so serious
E selvagem! Selvagem!
Selvagem!see or sun
Dessa manhã tão cinza
to storm that chega
It gives me two eyes
ChestnutsSo hug me tight
And say more once
What are we here?
distant from everything
We have our own time
We have our own time
We have our own timeI'm not afraid of darkness
more leave the lights
Aces now
Or what was hidden
What is he hiding?
And what was I promised
no promises
Nem was time lost
we are so youngSo young! So young!
Composed by Renato Russo, lost time there is also no disk two, or second band. A music traced a forceful letter about the tempo and the way we deal as its passagem.
A letter begins with a story in the first person telling how the protagonist feels. Then, another person is included, which can also be a dialogue with young people, showing their vulnerabilities while affirming their life potentials.
To know more, read: Music Tempo Perdido, by Legião Urbana: analysis and explanation
3. Country and Files
statues and chests
and painted walls
No one knows what happened
Ela se jogou da janela do fifth walk
Nothing is easy to understandsleep now
É só o vento lá fora
I want colo, I'm going to run away from home
Can I sleep here with you?
I'm afraid I have a sorrow
I will only return after three
Meu filho vai ter name of saint
I want or name more beautifulI need to love the people
How I don't know how to love
Why did you stop to think
Nao real no haHe told me why he is blue
Explains the great fury of the world
I am my children who take account of meEu moro com a minha mãe
mas meu pai see me visit
Eu moro na rua não tenho ninguém
I dwell in any place
Já morei em so much house that nem leembro me more
Eu moro com os meus paisI need to love the people
How I don't know how to love
Why did you stop to think
Nao real no haI am a drop of water
Sou um grain of sand
You tell me that your country does not understand
But you do not understand your country
You blame your country for everything
And this is absurd
São Crianças as you
What are you going to be?
when you grow up
TO relationship between country and file many times cheia de conflitos, mainly during adolescence. The difference between the generations, the expectations, anxieties and difficulties of communication and dealing with feelings contribute so that, at times, the dynamics are complicated.
This topic has been addressed Country and Files, song that integrates As Four Seasons, album released in 1989.
The music presents a troubled story that ends in the most tragic way possible: the suicide of a young man. The fate is presented in the first stanza and from it a reflection on relationships and life unfolds.
4. There are times
It looks like cocaine but it's just sadness, maybe your city
Many fears are born of tiredness and solidarity
I wasted, I wasted
Herdeiros são agora da virtuee that we loseThere are times you have a dream
I don't read myself, I don't read myselfYour sadness is so exact
And the day is so pretty
We are used to it
A não termos mais nem issoWe are dreaming, we are dreaming
And the rest is imperfectDisseste que se tua voz tivesse força the same
Imense dor you feel
Teu shout would agree
Not only at your house
More to vizinhança inteiraE ha tempos nem os santos têm ao certo
as it gives evil
And there are times for the young people who adoecem
E ha tempos or charm is absent
E ha ferrugem nos smiles
E só or perhaps stretch out your arms
Who seeks shelter and protectionMy love, discipline and freedom
Compaixão e strength
Ter kindness é ter courage
At home we have a little more water and it is very clean
Uma das mais conhecidas musica da banda é Ha tempos. present no disk As Four Seasons, from 1989, this possui song one of the saddest lyrics of Legião.
Nela reveals a depressive and hopeless emotional state, where the character is lost between the conflicts of youth, solidarity and anguish.
Interesting to perceive a passage in which Renato Russo affirms that "there are times for the young people who adoecem". This could be a reference to contamination by the HIV virus, something that he himself acquired.
5. Mount Castelo
Ainda que eu falasse a língua do homens
And falasse a língua do anjos, without love, nothing would beIt is or love, it is or love
What do you know or what is true
O love is good, I don't want or bad
Don't feel old or become vainOr love is or fire that burns without seeing
It's sick that you don't sit down
It's a discontented contentment
É dor that goes wild sem doerAinda que eu falasse a língua do homens
And falasse a língua do anjos, without love, nothing would beI don't want more than I want
It's lonely to walk among people
É um não contentar-se de contente
Take care that you win and loseÉ um ser-se imprisoned by vontade
É serve quem vence, or winner
É um ter a quem kills us allegiance
Contrary to whether it is the same loveI'm agreed and everyone sleeps
We all sleep, we all sleep
Now I'm old in part
More soon we will see face to face
It is or love, it is or love
What do you know or what is trueAinda que eu falasse a língua dos homens
And falasse a língua do anjos, without love, nothing would be
Mount Castelo It is a romantic music of the Urban Legion that fala do love in a sublime and poetic way.
Mixing biblical references and excerpts from Portuguese poems by Luís de Camões, the song seeks to define what is or love, that undecipherable and intense sentiment to which we are all subject.
It was released in the album As Four Seasons, from 1989.
Maybe you will also be interested: Poem Love and fire that burns without seeing (with Analysis and Interpretation)
6. Be
Pull your hands from me
I don't belong to you
It's not dominating me assim
That you will understand meEu posso tá sozinho
More eu sei muito bem aonde estau
Cê pode até duvidar
Acho que isso não é amorIs it just imagination?
Will nothing happen?
Could it be that everything is so in vao?
Will we be able to win?Uoh-oh-oh-oh-oh-oh
We'll get lost among monsters
Gives us our own criação
It will be nights inteiras
Maybe because of fear of escuridãoWe will be agreed
Imagining some solution
Pra que esse nosso selfishness
It does not destroy or our heartsIs it just imagination?
Will nothing happen?
Could it be that everything is so in vao?
Will we be able to win?Uoh-oh-oh-oh-oh-oh
Brigar for what? I know I want
What are you going to protect us?
Will we have to answer
Hairs errors to mais, eu e você?
O disco de estreia da banda, entitled Urban Legion, was launched at the beginning of 1985 and already presented several faixas that became successful, one of them Be.
Fala music on uma love relationship of domination, where or home we have an abusive and confusing dynamic. Here, one of them is dissatisfied and willing to transform this relationship, despite having doubts and objections.
7. Offshore Wind
In the afternoon I want to rest, go to the beach and see
I know the wind is still strong
And it will be good to climb nas pedras
I know what I'm doing to make it clear
Eu deixo a onda hit me
E o ven vai levando tudo emboraNow it's so long
See, along the horizon I got distracted
Two flat nossos is that I have more saudade
When we forget together in the same directionwhere are you now
Além from here inside me?Agimos certo without wanting
It was just the time that I was wrong
It's going to be difficult eu sem você
Because you are with me or all timeAnd when I see the sea
There is something that says
That life continues and is delivered to a bobagemJá que você não is here
Or that posso fazer é to take care of me
I want to be happy or less
Lembra that or plane was ficarmos bem?Hey, olha só o que eu achei, cavalos-marinhos
I know what I'm doing to make it clear
Eu deixo a onda hit me
E o ven vai levando tudo embora
Essa faixa esta no disco v, the band's fifth album, released in 1991.
Here what we see is a letter that shows in depth sad and mourning for a relationship that was locked up, be the death of two doses or simply term hair.
The character seeks comfort in nature and in the observation of the landscape to try to understand their sentiments, reflecting on dor da perda, but realizing that life continues and deserves to be enjoyed.
9. indians
Who would give me at least one time
I will return everything or gold that I handed over to quem
You managed to convince me that it was proof of friendship
If someone left embora até or that eu não tinhaWho would give me at least one time
Esquecer that I proved that it was for brincadeira
That a cloth of chao was always cut
Of noble linen and pure silkWho would give me at least one time
Explain or that no one can understand
What or what happened is yet to come
The future is not the same as it was in the old daysWho would give me at least one time
Try to quem tem more do you need ter
Quase semper is convinced that I am not afraid enough
Fala demais por não ter nada a dizerWho would give me at least one time
What or more simple fosse seen
Like or more important
More mirrors gave us and we saw a teaching worldWho would give me at least one time
Understand how um só Deus ao same tempo é três
And this same Deus was dead for you
Sua maldade, então, deixaram Deus tão sadEu quis o perigo e até sangrei sozinho, understand
Assim I was able to trace back again for myself
When I discovered that it was always only you
Who understands me from the beginning to the endE é só você que tem a cura pro meu vício
To insist nessa saudade that I feel
Of all that you still did not seeWho would give me at least one time
Prove for a moment in all that it exists
And prove that the world is perfect
And that all the people are happyWho would give me at least one time
Fazer com que o mundo saiba que seu nome
It's all over the same assim
No one said I was less obrigadoWho would give me at least one time
As a more beautiful tribo
Two more beautiful Indians
I will not be attacked for being innocentEu quis o perigo e até sangrei sozinho, understand
Assim I was able to trace back again for myself
When I discovered that it was always only you
Who understands me from the beginning to the endE é só você que tem a cura pro meu vício
To insist nessa saudade that I feel
Of all that you still did not seeWe shed mirrors and we saw a world doente
I tried to chorar and I didn't get
It is a beautiful music with a sensitive letter that manages to approach a historical and political question and, at the same time, talking about something very intimate and individual.
The title of the song itself delivers an obvious matter, which is how the Portuguese will contribute in Brazilian territory and the relationship of interest, exploration and domination that we will develop with the little ones natives.
However, when analyzing the letter from another perspective, we realize that Renato also talks about whether it is difficult to exist in a "doente world", about false relationships of affection and despair.
10. what country is this
Nas favelas, not senate
Hold on all sides
No one respects the constitution
But all believe in the future of the nationWhat country is this?
What country is this?
What country is this?Not Amazons, not Araguaia-ia-ia
Na Baixada Fluminense
Mato Grosso, Minas Gerais
E no northeast all in peacena morte eu rest
More or blood is loose
staining you daddies
Trusted documents
Ao rest of the bossWhat country is this?
What country is this?
What country is this?
What country is this?Third world is formed
Pious not foreign
More or Brazil will be rich
Let's fature a thousand
When will we sell all the soul
Two nossos índios num leilãoWhat country is this?
What country is this?
What country is this?
What country is this?
TO indignation about the problems of Brazil and more public administration take conta nessa music da Legião Urbana.
Despite having been written in the 1980s and representing at that time, unfortunately it continues today. For this reason, many people still identify themselves as revolta expresso pela banda.
Read also: Music Que País É Este, by Legião Urbana
11. When or Sol Bater na Janela do Teu Quarto
When the sun beats
Na janela do teu quarto
Lembra and see
What is the waywhy wait
we can trade
all new
right nowA humanity is dehumane
But we still have a chance
Or the sun rises for everyone
I just don't know what I don't wantWhen the sun beats
Na janela do teu quarto
Lembra and see
What is the wayAté bem little tempo ago
We could change the world
Quem roubou nossa coragem?all is dor
And all dor vem do desire
We won't feel dorWhen the sun beats
Na janela do teu quarto
Lembra and see
What is the way
Just like the countless songs about anguish and despair, the band also sang hope and love. This is an example, what a trace message of confidence and strength so that, even with adversities, we can continue.
A faixa is not album As Four Seasons, from 1989.
12. Perfection
Let's celebrate human stupidity
To the stupidity of all nations
O my country and its corja de assassinos
Covardes, rapists and thieves
Let's celebrate stupidity do povo
Our police and television
Let's celebrate our government
In our State, that is not a nation
Celebrate youth without school
as dead children
Celebrate our separation
Let's celebrate Eros and Thanatos
Persephone and Hades
let's celebrate nossa sadness
Let's celebrate nossa vaidadeLet's eat like idiots
To each fevereiro and holiday
All of you dead on the roads
You died due to lack of hospitals
Let's celebrate nossa justiça
To gain and to defamation
Let's celebrate your preconceptions
Or vote two illiterate
Eat water I can
And all of you impostos
Queimadas, lies and kidnappings
Nosso castelo of marked cards
Or I work hard
Our little universe
All hypocrisy and all affectation
All robo and all indifference
Let's celebrate epidemics
It's the party of the crooked campeãlet's celebrate fome
No ter a quem ouvir
I won't have to burn love
Let's feed or what is evil
Let's crush a heart
Let's celebrate nossa flageira
Nosso past of glorious absurdities
All or what is free and ugly
all that is normal
Let's sing together or Hino Nacional
to tears is true
Let's celebrate nossa saudade
And commemorate our solidãoLet's celebrate to inveja
To intolerance and misunderstanding
Let's party violently
and ignore our people
That I honestly worked my whole life
And now I don't have more direct to anything
Let's celebrate aberração
Of all our lack of bom senso
We neglect for education
Let's celebrate or horror
Everything is so with party, wake and caixão
You're all dead and buried now
Já that we can also celebrate
I was stupid enough to sing this songCome on, my heart is under pressure
When hope is scattered
Only really sets me free
Chega of evil and illusionCome, or love always keep an open door
I see chegando to spring
Our future recommences
Come, what or what see is perfection
Perhaps the most forceful and critical music of the seja band Perfection.
With an approach acid, ironic and full of indignation, Renato Russo lists various evils of humanity. All the misery, injustice, lack of love and evil of the human being are entodos as they are celebrated in a celebration, making evident the contradictions present in society.
In the end, the criticism is revealed in a more direct way, making an ode to freedom and love. A song is in Discovery of Brazil, group's sixth album, from 1993.
To know more: Music Analysis Perfeição de Legião Urbana
13. Quase Sem Want
I have been distracted
impatient and indecisive
And I'm still confused
I know now it's different
I'm so calm and so happyHow many chances did I waste?
When or what else did you want?
It was to try for everyone
That you did not need to prove anything for anyoneI fiz in a thousand pieces
Pra você gather
And I always wanted to explain what I felt
Like a fallen anjo
Fiz questão de esquecer
What to lie for himself is always the worst lie
More I am not more
'Tão criança oh oh
about to know everythingI don't worry if I don't know why
At times, or that I am old, quase no one sees
And I know that you know, quase I want
That you are old or the same as you'So correct and 'so pretty
Or infinity is really
Um two more beautiful deuses
I know that, sometimes, I use
repeated words
More than words
That you never say?tell me that you
I was joking
And it was então that I perceived
how i love him so muchI don't worry if I don't know why
At times, or that I am old, quase no one sees
And I know that you know, quase I want
That I want or the same that you
This is not disco two, from 1986. Here, to the idea of opposition between sentiment and reason it shows in an interesting way.
Initially conflicting feelings such as confusion and joy, indecision and tranquility, are placed side by side to tell us that if it is possible for us to live together. In spite of contradictions, these emoções fazem part two human beings, much more complex than or imagined.
14. Or Teatro dos Vampiros
I always need a little attention
Acho que não sei quem sou
I only know what I don't like
And these days so strange
Fica poeira hiding hair edges
This is our world
Or that it's never enough
And the first time is always the last chanceI don't see where we hang out
The assassins are free, we are not
Let's go out more, we don't have more money
My friends are all trying to get me
Let's go back to living like we did years ago
And with every hour that passes we age ten weeksLet's go, all bem eu I just want to have fun
Esquecer, dessa night ter um legal place to go
Já we deliver or alvo e to artilharia
We compare our lives
We hope that one day
Nossas possam lives will findWhen I saw myself I tend to live
With me I barely eat the world
You saw me as a sonho bom
and scared me
I'm not perfect
I'm not shortTo wealth that we have
I didn't get to perceive
And to think nisso tudo, eu, homem feito
I was scared and I couldn't sleep
Let's go out more, we don't have more money
My friends are all trying to get me
Let's go back to living like we did years agoAnd every hour that passes
Let's age ten weeks
Let's go, all bem eu I just want to have fun
Esquecer, dessa night ter um legal place to go
Já we deliver or alvo e to artilharia
We compare our lives
And the same assim, I am not sorry for anyone
The Brazilian scene that appeared at the time when this music was written was disappointment, mainly with politics. It was the beginning of the 1990s, or Brazil had just democratically elected a deputy president, Fernando Collor. More or less, the subject showed himself to be more of a "vampire", attracting the population, so much so that he ended up suffering impeachment.
The young people were desperate in search of job opportunities and fun seemed very distant and urgent.
Two Vampires Theater face part of disc V, from 1991.
15. Caboclo Lighthouse
I don't have any fear or such João de Santo Cristo
It was what everyone said when he got lost
Deixou pra behind everything or marasmo da fazenda
Just to feel I don't know blood or hate that Jesus lhe deuWhen he grew up he only thought of being a bandit
Still more when with a shot of a soldier or pai morreu
Era o terror da sertania where he dwelled
In the school I attended the teacher with the learningIa pra igreja só pra roubar or dinheiro
That as velhinhas we place na caixinha do altar
I felt the same that it was very different
He felt that here was not his placeHe wanted to go out to see the sea
E as things that ele via na televisão
Together with money to be able to travel
From his own escolha, he escolheu a solidãoHe ate all the menininhas da cidade
From so much jumping from doctor, aos twelve he was professor
Aos quinze, he was sent to the reformatory
Where he increased his hatred in the face of so much terrorI didn't understand how life worked
Discrimination due to his class and his heart
Ficou tired of tempting achar reposta
And I bought a ticket, I went directly to SalvadorI was chegando foi take a cafezinho
And I found a boiadeiro who was falar
E o boiadeiro tinha uma passagem e ia losa a voyage
But João was the one to saveDizia ele "estou indo pra Brasília
This country is the best place there is
'Tô needing to visit minha filha
I am here and you will go to my place"And João accepted his proposal
On a bus he entered the Central Planalto
Ele ficou bestificado com a cidade
Saindo da rodoviária, saw the lights of NatalMeu Deus, more than a beautiful city
No New Year I started to work
Cut wood, apprentice carpenter
Earn a thousand per month in TaguatingaNa sexta-feira he ia pra zona da cidade
Spend all or seu dinheiro de rapaz laborer
And he knew many interesting people
I tied a net bastard do seu bisavôA Peruvian who lived in Bolivia
And many things trazia de lá
His name was Pablo and he said
What a business I was going to startE o Santo Cristo até a morte trabalhava
More or money does not give for him to feed
And he ouvia at seven hours or news
He always said that his minister would helpBut he didn't want more talk
I decided that, like Pablo, he would turn
He elaborated more than once his holy plan
E sem to be crucified, to plantation foi começarLogo logo os maluco da cidade souberam da novidade
"Tem bagulho bom ai!"
E João de Santo Cristo was rich
I finished with all the dali traffickersFez friends, frequented Asa Norte
E ia pra rock party, pra be freed
More suddenly Sob uma má influência two boyzinho da cidade
I came to stealJá no primeriro robo ele dançou
E pro inferno ele was for the first time
Violence and rape of his body
You are going to see, you are going to hit your voicesAgora or Santo Cristo was a bandit
Dismissed and feared in the Federal District
Não tinha nenhum medo de polícia
Captain or trafficker, playboy or generalIt was when he knew a girl
And of all his sins he repented
Maria Lúcia was a beautiful girl
E o coração dele pra ela o Santo Cristo prometeuHe said he wanted to get married
The carpenter turned to be
Maria Lúcia I will always love you
E um filho com você eu quero terO tempo passesa e um dia vem na porta
A high class senhor with money in my hand
E ele face an unseemly proposal
And he says he's waiting for an answer, an answer from JoãoI didn't throw a bomb in the newspaper bank
Nem en colégio de criança isso eu no faço no
I do not protect general ten stars
What's behind the table like or cu na mãoE é melhor senhor sair da minha casa
Never jump with a Fish of ascendant Escorpião"
But before leaving, how hate not to smell, or veil disse
"You lost your life, my mother""You lost your life my irmão
You lost your life my irmão
These words are going to enter my heart
I'm going to suffer the consequences like a cão"It is not that the Holy Christ was certain
His future was uncertain and he did not work
It was imbebedou and not meio da bebedeira
He discovered that he has another one working in his placeHe failed with Pablo who wanted a partner
And he also had tinha dinheiro and wanted to arm himself
Pablo trazia or smuggling from Bolivia
E Santo Cristo resold in PlanaltinaBut it happens that one of Jeremias
Renome trafficker, appeared by the
He ficou knowing two planes of Holy Christ
And I decided that, with João, I would finishMore Pablo trouxe uma Winchester-22
And Holy Christ, he knew how to shoot
And he decided to use the weapon only after
That Jeremias começasse to brigadeJeremias, maconheiro sem-vergonha
He organized Rockonha and fez everyone danced
Desvirginava innocent mocinhas
I know he said he was a believer but he didn't know how to prayE Santo Cristo has a lot of nothing to do at home
E a saudade começou apertar
Eu vou me embora, eu vou see Maria Lúcia
Já 'tá em tempo de a gente se maridaChegando em casa então ele chorou
E pro inferno ele foi pela second time
With Maria Lúcia Jeremias got married
E um filho nela ele fezSanto Cristo was only hate inside
E então o Jeremias for a duel ele chamou
Morning two hours in Ceilândia
In front of Lot 14, it is for the one that I vouAnd you can choose your weapons
That I ended up just like you, I'm a filthy traitor
I also killed Maria Lúcia
That girl bosal pra quem jurei o meu amorE o Santo Cristo did not know what to do
When I saw the television reporter
What a news about the duel on TV
Telling the time and the local and the reasonNo saturday então, às two hours
Everything or little without delay was only to attend
Um manm that atirava pelas costas
E acertou o Santo Cristo, começou to smileFeeling or bleeding in the throat
João olhou pras bandeirinhas e pro povo to applaud
E olhou pro sorveteiro e pras câmeras e
To people from TV who filmed everything thereAnd he was reminded of when he was a child
E de tudo o que vivera até ali
And I decided to enter naquela dança once in a while
I know via-crucis virou circus, I'm hereAnd nisso o sol blinded seus olhos
And then Maria Lúcia recognized him
She traced to Winchester-22
A weapon that is her cousin Pablo lhe deuJeremias, eu sou homem. thing that you don't do
And I don't shoot for the coasts
Olha pra cá filha da puta, sem-vergonha
Give a olhada do not bleed me and see me feel or I'm sorryE Santo Cristo com a Winchester-22
Deu five shots not bandit traitor
Maria Lúcia regretted it after
I died together with João, seu protectorE o povo declared that João de Santo Cristo
He was holy because he knew how to die
The haute bourgeoisie of the city
I did not credit the story that it is viral on TVAnd João did not get what he wanted
When I saw Brasília, like the devil
He wanted to fight for the president
To help all those people who only facesuffer
Caboclo Lighthouse was released in 1987 on a disc What Country Is This 1978/1987. Perhaps at that moment the members of the band did not have a notion of relevance and impact that this music would have on the Brazilian youth of the time, spreading throughout the years.
Of fact it is that the music, written in 1979 by Renato Russo, is among one of the most well-known of Brazilian rock, playing part of the so-called "troubadour phase" of the author.
to letter tells about João de Santo Cristo and his saga, exhibiting dramatic moments in a similar narrative as Faroestes and exhibits country, injustice, honor and violence.
In 2013, the filmmaker René Sampaio raised for the fabrics of history, launching the film of the same name that had no cast of Fabrício Boliveira and Ísis Valverde.
For a more detailed analysis, read: Music Faroeste Caboclo de Legião Urbana
16. Go to Noite Não Tem Luar
She passed by my side
Hey love! Eu lhe falei
You are so sozinha
She smiled at meI was assim that I knew
Naquele day by the sea
As waves vinham beijar to praia
O sol brilhava of so much emotion
Um pretty face like summer
E um beijo aconteceuWe meet at night
We walk around
in a hidden place
Another beijo lhe pediLua de prata no céu
O brilho das estrelas no chão
I am certain that it was not
A beautiful night continued
And to voice tão twelve that falava me
The world belongs to usAnd leaf at night do not luar
And I am without her
Já não sei where to seek
I don't know where she isLeaf to night do not tem luar
And I am without her
Já não sei where to seek
Where is my love?
That is one version of Today I'm going to Mexico, da banda porto-riquenha Slight, great success in Latin America in the 80s.
Renato Russo presented his rereading during the MTV Acoustic, exhibited in 1992. Before singing it, make the comment "It's cafona, but it's pretty."
You can also be interested:
- Famous music against the Brazilian military dictatorship
- Best Brazilian music of all time
