Authors and works of SCULPTURE in Romanticism

The aesthetics of romanticism it came later within sculpture, as sculptors continued to express themselves according to neoclassical aesthetic language and academic teachings. Sculpture could not be made without having been appointed sculptor by the Royal Academy, thus surviving academicism above new artistic trends. Thus, the classical model will endure in sculpture, slowly evolving towards romanticism and showing a eclectic or moderate style.

In this lesson at unPROFESOR.com we offer you a selection of authors and works of sculpture in Romanticism so you can discover the most outstanding artists of the movement.

Index

1. What is the sculpture of Romanticism?
2. François Rude (1784-1855), one of the best known romantic artists
3. Pierre-Auguste David D'Angers (1788-1856), the most important medalist and sculptor of Romanticism
4. Antoine-Louis Barye (1796-1875), realist sculptor
5. Honoré Daumier (1808 - 1879), a great caricaturist

The sculptors slowly entered the Romanticism, experimenting little by little and capturing emotions to get closer to the romantic aesthetic. An especially notable aesthetic in certain themes such as historical and heroic.

Sculptors will pay homage to figures of the past, locating these figures in public spaces as a way to keep their memory alive. Thus, the sculptors begin to receive new commissions from memorials, funerary sculptures and decorations for buildings.

Between the most outstanding sculptors of Romanticism stand out the french sculptors being one of the first and becoming a reference for the rest of the European sculptors, becoming France in leader of Romantic sculpture.

This leadership starts from the Hall of 1831, a moment in which, although a classical language is maintained, French sculptors began to carry out a greater variety of works and materials, such as bronze, which was much more ductile.

Rude was one of the main managers of sculpture in Romanticism.

He was an artist who engaged politically with Napoleon, creating the image of the hero in sculptures such as the relief of “The departure of the volunteers in 1792” or “La Marseillaise” (1835) at the Arc de Triomphe, one of the most outstanding works of Romanticism. A work that captures the French national spirit, symbolizing Liberty, with great dynamism and strong dramatic tension.

A work in which there is already a romantic feeling of exaltation of the values ​​of the revolutionary French people.

David D'Angers he was a sculptor specializing in portraits in medallions. A romantic sculptor who expressively models portraits, being considered more of a poet than a sculptor due to the delicacy of his work.

D'Angers carried out numerous funerary sculptures, in addition to carrying out the sculpture of Rouget de Lisle, author of the lyrics of La Marseillaise.

Another of his most outstanding works is the Monument to General Gobert in the Pére Lachaise cemetery, the sculpture Philippine wounded in the Pantheon in Paris. In addition, he made more than 500 medallions and busts and sculptures in marble such as the bust ofHonore de Balzac.

barye is another of the authors of the sculpture of Romanticism. In fact, he is the representative of the Second Empire sculpture, since he was a realist sculptor who liked the animal theme in bronze.

He carried out numerous sculptures of animals in which he embodies vitality and movement. Thus, Barye sets aside the classical themes and obtains success at the Salon of 1835. He is considered the father of the animal school, sculptors specialized in sculpting animals.

Among Barye's most outstanding works is Tiger devouring a gavial, being the felines one of the most represented animals.

We end this review of the authors of sculpture in Romanticism with Daumier, a painter and sculptor specialized in making caricatures of characters of the time clay.

Figures of him are kept in the Musée d'Orsay in Paris and they became really popular. The busts are also preserved in bronze, but they became a most revolutionary and original when caricaturing in clay, somewhat faster than doing it in marble or paint.

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• ALMAZÁN, Tabernacle Aznar. 19th century sculpture. 2010.
• ARNAU SOLSONA, Adria. The renewal of figurative sculpture at the turn of the XIX-XX century. 2015.
• AZCUE BREA, Leticia, “Spanish sculpture during Romanticism: continuity and changes”, in El Arte de the Romantic era (Francisco Calvo Serraller Dir.), Friends of the Prado Museum Foundation, Madrid, 2012, pp. 335-364
• HAZARD, M. Paul. Relations between literature and the arts: during the first period of French romanticism (1815-1830). In Annals of the University of Chile. 1927. p. ag 516-548.
• JAMES, Henry. Daumier, caricaturist. Stories, 2007, no 66-67, p. 3-14.
• KRAUSS, Rosalind E. Passages of modern sculpture. Akal Editions, 2002.
• PAGAN, Jose Leon. Romanticism in the plastic arts. Verbum, 1931, vol. 24, no 79, p. p. 1001-1014.
• TOMAN, Rolf (ed.). Neoclassicism and romanticism: architecture, painting, sculpture, drawing 1750-1848. Konemann, 2000.