8 most important characteristics of NADAISM

The characteristics of Nadaism are that it is a free movement, they offer a look focused on the new, bet on one prose revolution... In unProfesor we tell you everything about this literary and artistic trend!

Nadaism was a literary and artistic movement with a great social protest content who freely opposed the culture imposed by the academy, the church, the government and the Colombian tradition of the time. It was founded in Medellin at a time of great violence, when the country was under the dictatorship of the military Gustavo Rojas Pinilla.

In this lesson from a PROFESSOR we are going to explain what are the characteristics of Nadaism, the current that aimed to discredit the order established at that time through a provocative art that could be found in poetry, action, manifesto, pamphlet and letter.

The members of Nadaism They tried to annoy the upper echelons of society appealing to a constant social protest of the established norms. Here we leave you a review of the main characteristics of Nadaism. Take note!

life is celebrated

Nadaism is a movement with a lot of vitality that celebrates life without fear and with the conviction that it was only one they had to enjoy. This is what caused numerous references to 20th century society to be made in his texts, such as the fear of a place other than heaven and hell. It tries that the man lives within a reality where the options are infinite and the limits do not exist.

a free move

One of the main characteristics of Nadaism is that it was a free movement that was not subject to any organization, entity or political party. It was a free proposal at an aesthetic and content level that sought to expand the literary and cultural possibilities of Colombia.

They knew it was a temporary move

One of the main successes of Nadaism was that its participants were very clear that this movement was temporary. That's what made them subject to constant change throughout the revolution. Nadaism sees man as an entity that must be renewed daily so as not to remain stagnant in the traditional statutes of a society that only seeks to disguise reality and limit the freedom.

The artist is not a superior being

Until now, the artist was considered a superior being, but Nadaism emphasizes that the artist is a normal human with some ideas that he wants to share. The movement considered that the artist should not be valued as an entity far from the earthly, but rather tries to restore his human condition in order to understand him. The man expresses and the artist shapes what he externalizes.

are original works

A very important characteristic of the current of Nadaísmo is the originality and independence of the Colombian and foreign literary movements. This was a kind of culture and form of expression completely isolated from all European thought and ideal. His attention was focused on the development of man and not on the ornaments of the landscape that surrounded him.

A broader vision for poetry

Nadaism stood out because it was able to give poetry a broader vision. He raised her as a disoriented spirit that sought to disorganize everything established up to now by sentimentality, equality and justice. Nadaista poetry was rebellious, defiant, combative and anti-traditional.

When Nadaism arrived in the 20th century, the development of poetry in Colombia broke away from meter and rhyme and over time it became less rhetorical and more irrational. His goal was to discover a different beauty, based on the pure and the hidden until now.

focused on the new

Nadaism was clearly focused on give the Colombian citizen a different culture which he was used to by now. He achieved it by pursuing the transformation of a society mired in misery. He tried to give society the freedom and flexibility of knowledge, to get rid of the lie of the reality they were living.

aesthetic revolution in prose

The swimmers included prose in its aesthetic revolution, giving it a more expressive character and at the same time irrational and illogical. This movement tried to externalize reality from the absurd, moving away from the most organized rhetoric. This movement gave writers full freedom to create.

The founder of Nadaísmo was Gonzalo Arango Arias. He was born in 1931 in the municipality of Gachancipá, Colombia and dedicated himself to poetry, journalism, narrative and theater. In addition to his inspiration in French existentialism, Dadaism, Surrealism and other important avant-garde art, both he and his followers were strongly influenced by Fernando González Ochoa, another important writer Colombian.

Arango's life was characterized by the constant presence of certain contradictions. For example, the author was a convinced atheist; however, he had no problem assuming before others his undeniable relationship with spirituality. Unfortunately, a traffic accident took his life when he was barely 45 years old. He had founded Nadaism almost 20 years ago, so his followers were able to grow his legacy and continue the protest movement.

Some most important works of Gonzalo Arango Arias were:

• angels
• Providence
• fire on the altar
• The bear and the hummingbird
• Boom vs. Pum Pum
• The terrible 13 Nadaist manifesto
• Proses to read in the electric chair
• First Nadaist manifesto
• The message to language scholars
• The Catholic Scribes Manifesto
• the red shirts
• black work
• sex and saxophone
• Nothing under the ceiling
• mice go to hell
• The consecration of nothing

We hope this lesson on characteristics of Nadaism It has helped you to understand this protest movement in Colombia. If you are interested in continuing to learn more about the different currents through which literature has passed, do not hesitate in consulting our section on History of Literature, where we will accompany you through the different periods and forms of writing.

If you want to read more articles similar to What are the characteristics of Nadaism, we recommend that you enter our category of history of literature.

• Romero, a. TO. (2019). Colombian Nadaism or the search for a lost vanguard.
• Tarazona, A. A., & Bermudez, R. TO. R. (2012). Nadaism and Cultural Revolution: 1958-1972. polytechnic magazine, 8(14), 141-148.