All the 9 films of Tarantino ordered from top to bottom

Violent, marked by a morbid humor and various illicit activities, the films of Quentin Tarantino são um universe à parte: somber and colorful, with laughter and esguichos de sangue, paixões e cabeças rolling.

Attention: contém spoilers two films in analysis!

9. I Hate You (2015)

I Hate You (original name: The Hateful Eight) is another far-west film by the director, which was also written by him. This time, the saga passes not Wyoming, after the American Civil War.

O longa tells the story of um side bem estranho That he is a prisoner of a mountain, in the sequence of a snowstorm.

I ask for carona for a coletiva carruagem (conhened as "diligences"), or reward hunter Marquis Warren meets or colleague of profissão, John Ruth, who takes Daisy Domergue as a prisoner. I do not chaotic dinerThe conversation addresses the political situation of the country and everyone discusses it.

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During a trip, a carruagem ends up hitting new passageiros: an ex-confederate, a Mexican, a Carrasco and a xerife. As a large group, with a complex social center, it is notorious that somebody is tense and planning to attack.

Quickly like this, when Daisy perceives that somebody is poisoning you or coffee, with the intention of killing you. Começa, então, na montanha, a luta blood between them. Not final, like the costume we film the director, nothing is left over.

8. It was once... em hollywood (2019)

Em It was once... em hollywood, a dramatic comedy film, Tarantino spoke about two of his favorite themes: seventh art.

Here, the protagonists are television actor Rick Dalton and his friend and dublê, Cliff Booth. Tired of their careers overthrown, they decide to tempt sorte in the cinema industry.

Either film passed in 1969 and accompanied the end of Hollywood's "golden era" and began to decline. Second to the critics, or long demonstration or love of the director in the 60s.

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A narrative combines fictional characters and events with historical figures and events, for example, several famous actors who will mark the era: Sharon Tate, Bruce Lee, among others.

It is also worth mentioning that o longa-metragem portrays the infamous Manson Family, a cult led by Charles Manson who committed various crimes and assassinations, terrorizing North Americans, not two 60s.

7. À Prova de Morte (2005)

À Prova de Morte (original name: Death Proof) is a love letter from the director classic horror two 70s. Project part Grindhouse, or film was presented together with Planet Terror, directed by Robert Rodriguez.

A narrative tells the story of Mike McKay, a movie dub that uses his car "100% à prova de morte" to assassinate women, causing accidents of purpose. Do not film, do not miss car races and terrifying mortals.

Mike meets a group of friends who are celebrating or celebrating their anniversary. He ends up following or his trilho and batting with a car against them, causing immediate death of all.

Or film tem a reviravolta when the assassin finds another cheio car of women, passing the road. He began to chase them and go behind them when Zoë, who also dublê, takes friends to test an old bullfighting car.

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While there were thirty some hands, Mike got hit the surprises and drums against his car. This time, contudo, a thing happens that the não espeva: as vítimas revidam.

Zoë também é um "on the wheel" and is running a super fast machine. Assim, it becomes concorrência for the criminal and both use their chariots to battle on the roads. As a manobra, the face of the woman is held for the car and leaves for dinner, thinking that he killed.

É aí que o caçador vira caça: ela survives and vai, com sua gangue of friends, behind vingança. After a long pursuit, they get to start the car and or Spain até à morte.

With clear gender influences slasher, characterized by the existence of a psychopath in series, or director was also inspired by films of exploitation. As it does not indicate to me, the cinematographic works of the North American movement explore topics that were in vogue, being considered of low quality.

6. Jackie brown (1997)

Or film tells the story of the protagonist, Jackie, who works as a flight attendant flying between the United States and Mexico. It takes advantage of the position of easy access to the countries to money smuggling and drug trafficking.

You must be a prisoner, or "patrão" see me pay your bail, because I cannot risk her becoming an informant. A woman ends up working as a "double agent", on the side of the police and two bandits.

During the process, she becomes an effective friend of Max, or a surety agent. With his help from her, she plans a hit and deceives everyone, managing to escape with 500 thousand dollars.

Embora has a clear loving tension between the two of you, confirmed by the moment they are married, or the house does not end together with the part of the relationship. A police film in which a female protagonist "gives letters" in the world of bandits, Jackie brown é avant-garde for the time when it was feito.

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Contrary to many narratives with women in the center, Jackie is not a crime for love, nem for vingança. She is ambitious and calculating, just like her partners: she wanted dinheiro.

Directed and written by Tarantino, Jackie brown is an adaptation of Rum Punch (1992), Elmore Leonard's romance. It's about a tribute to the films blaxploitation, popular in the 70s. Produced by and for North American blacks, the films were generally de ação, being able to adopt various sub-genres.

Another characteristic of the cinematographic movement is the existence of representative sonorous trilhas of North American black music. O longa de Tarantino cumpre a tradição, com classics of soul and funk as a background cloth.

5. English bastards (2009)

English bastards (original name: Inglourious Basterds) is a film passed during Second World War, na França occupied Nazi hairs. A fiction narrative uses historical elements, dealing with some darkest times of our collective past.

In the same way, it beats the style of Tarantino, which he wrote and directed, or film caught us through his luta dinners, striking dialogues and sonorous trilha. As also common to his filmography, this is a history ofvingança.

Shosanna Dreyfus is a young French woman of Jewish descent who sees her family assassinated by German hair but manages to escape. She went to Paris where she just opened a cinema. At the same time, an army of American Jewish soldiers was being formed who amused themselves by killing Nazists: the "Bastards".

O longa also portrays or editor, Hitler, ridiculing his insatiable seat of power and or representing as a homem with infantile and hysterical behaviors.

Like Emmanuelle Mimieux, Shosanna meets a German soldier, Fredrick Zoller, known to have killed 250 numa only battles. She or convinces to organize or launch a Nazi propaganda film, of which it was a star, not its cinema.

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As a help to the lover, who works on her side, she plans to kill the great figures of the party that she is going to attend or film. I know you know, the "Bastards" are also arming an attack for this night.

I am not disappointed, we cannot stop mentioning the adventures and misadventures of the side, which provoke gargalhadas boas. Além das lutas que travam, they try to "be discreet" to survive, pretending to be of other nationalities and failing miserably.

Zoller, who was obsessed with Shosanna, tends to grab the projection room and turns violent when he is rejected. She reaged placing a weapon and we finished two dead. During the film, or in love, the protagonist is locked as portas do cinema. Na cloth, rises or face of the, announcing that all of them will die next to a Jewish woman.

The "Bastards" managed to enter the place where Hitler was and kill him more, nessa height, commeçam as explosões e o fgo no cine. Embora os "mocinhos" (assim, we can say) ended badly, because either the incêndio did not survive, achieved its objective: to kill a mountain of Nazists.

4. Cães de Aluguel (1992)

Cães de Aluguel (original name: Reservoir dogs) vai deixar você pulando da cadeira. É um longa-metragem de ação written and directed by him, where he also plays the role of Mr. Brown.

Past the world of crime, the narrative draws on a group of bandits who are hired to assault a joalheria. The homens do not know each other and are barely dealt with by "war names", associated with cores.

A history does not copper or assault itself, portraying only the events that took place before and after the roubo. It's about a film about you backstage of the world of crime, where we see the relationships of comradeship and betrayal between the "professionals".

Um two criminals, Mr. Blonde, is revealed more aggressive than others, killing several people during or service. As the police suddenly appears, I need to flee and Mr. Orange ends up shot.

We begin to acknowledge that there is an informant between them and Blonde reveals that he is a police officer, that he is imprisoned in a bad car. Sadist, torturer or agent, who does not work and does not know how to burn or "hard finger".

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Blonde gives Marvin, or policeman, with gasoline and is ready to set fire or his body when he shoots Orange, who at the end is an undercover agent.

Or the rest of the group returns and distrusts when you see or become dead: I will turn one against each other. Acabam num "Mexican impasse" ao qual nenhum deles survives. As police invade or local, we see Orange confessing to White that he was an informant. Or the film ends with a shot and we don't know what kind of morreu (probably you two).

Between shots, words and a contagious sound trilha, Cães de Aluguel já reveals several characteristics that fizeram de Tarantino um director beloved public hair.

Embora did not have a great success, when it was released, it ended up becoming a cinematographic work cult, considered one of two independent films of the epoch.

3. Django Livre (2012)

Django Livre (original name: Django Unchained) é um far-west film everything less common. He portrays the realities and the horrors of the escravidão in the United States of America, telling the story of an ancient escravo that He travels to the country in search of his wife.

It all happens because the protagonist's path crosses himself as Dr. Schultz, a German rewards hunter who needs to give his help for a job. Assim, you two fazem or deal: if a missão for a successso, Django will receive your freedom.

A relationship between you two, not so much, not subservience. Precisam um do outro and end up turning partners. For this reason, even when he is freed, he chooses to continue traveling alongside Schultz.

Together, this time as friends, part of our adventure behind the trail of Broomhilda, a woman of the protagonist. We end up crossing the country and, during our trip, we can perceive a climate of oppression, segregation and racial violence. Embora Django is a free home, which is in excess of the time.

Tudo isso intensifies with its passages in Tennessee and not in Mississippi, where it assists in sessions of torture and extreme violence directed at the secret of plantations. This is the last destination Broomhilda is, serving the home of Calvin J. Candie, a most sadistic and cruel charismatic fazendeiro.

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Calvin represents racial and financial privilege and clearly underestimates blacks. A duo set up a scheme and Schultz appears, claiming that he wanted to buy a woman. Broomhilda pretends not to acknowledge her husband.

Stephen, or Calvin's slave who lives in his house, barnacle or plane and wants to sabotage him. Um homem mais velho, he symbolizes or preconceit of an individual against himself. I have served life inteira, he accredits that or destined two blacks to escravidão and wants to prevent the liberation of the mulher.

Calvin was alerted by Stephen and decided that he agreed to be assassinated with weapons set up for the interveners. Ainda assim, or partner of Django, advances as a plan and kills or fazendeiro, being morto logo depois. The protagonist and the wife ended up being imprisoned and repeatedly tortured.

Aí, this is transformed numa vingança narrative. Django is being lifted to be scrapped when he convinces the transporters that he is a hunter of rewards and can win a fortune. Eles decidem libertá-lo e são mortos logo em followed.

While Calvin's relatives are not at his funeral, he invades the house, recovering your parents from the mulher's sackcloth and freeing all the slaves, never before killing the torturers. Finally, he went home, exploding with dynamite and assisting, with his wife, from long ago.

2. Kill Bill: Volumes 1 and 2 (2003, 2004)

Divided into two volumes, Kill bill é, sem dúvida, um dos maiores êxitos do director. Between litters of violence, many times it is free, Tarantino conta uma history of vingança feminina, inspired by Japanese cinema hair, sobretudo or longa-metragem Lady snowblood (1973).

Ao long you give 4 hours of narrative, we can find several references to Japanese culture, such as or anime e old films of martian arts.

The protagonist, Beatrix Kiddo, represented as a "western samurai", had a list of alvos to kill. Above all, the theme is a great motivation: to kill Bill (kill Bill). A perigoso homem, the era or chef da su gangue of him, or Esquadrão Assassino de Víboras Mortais.

Kiddo or amava and tinha a relationship with him, but she resolves to run away when she discovers that she is pregnant. Or the film comes at the dinner of the marriage of the protagonist with another person, who is invaded by Bill and his gangue.

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She is spaced out and takes a shot at the head of the old companion. After years of eating, she remembers and discovers that she lost or baby. There, their nursery school is fed by the Vingança headquarters and Beatrix decides to go after everyone involved in no crime.

Via flashbacks, we discover that she is a highly trained guerreira, known as "Black-Mamba", for cause of lethal cobra.

Primeiro kills the old parceiras: Vernita Green, O-Ren Ishii and Elle Driver. Then, she leaves in search of Bill, never before to be buried alive by her signature, Budd.

Two interesting aspects of the film are the way in which we twist the protagonist, it does not matter or how cruel or bloodthirsty his behavior is.

This factor combined with the genre of Tarantino led to comic effects that we don't know how to explain. As more grotesque dinners of violence, that our situation fariam will have a bad time, we end up making us laugh.

Not the end of the story, "Mamba-Negra" becomes the one we least expect: mãe. Checking out at Bill's house, he discovers that two dozen survived and this one. Excited, she decides to raise filha, but she does not give up on her miss and kills or rival.

1. Pulp Fiction: Tempo de Violência (1994)

When we talk about director's films, Pulp fiction He continues to be or "beloved", the same 25 years since his release. Besides directing, he also wrote or roteiro, based on the argument that he created with Roger Avary.

Um film extremely cool, gives sound trilha I tied the cenários years, going through dialogues and figurine hairs, Pulp fiction chamou to atenção two spectators.

O longa and inspired by magazines pulp, cheap publications not in the format of folhetim that contavam histories not to go and also of scientific fiction and fantasy. Characterized by violence and humor, the stories are also loaded with references to culture. pop, It was quite common in the XX century.

Do not film, even like nas ficções pulp, a narrative não é linear. On the contrary, we follow several different stories that at some point are crossed and not told by chronological order.

Jules and Vincent are a duo of assassins on their way to a missão: recover a suitcase that was roubada by your chef, Marsellus. During his service, quite aggressive and ending in death, Jules tells that his patrão e muito ciumento.

Vincent perceives that he is em maus lençóis, since he was destined to make the company of Mia Wallace, his wife, while Marsellus is traveling. O bandit takes a woman from the patrão to jantar and we end up talking and talking about life. Depois, I entered a contest of twist And I win, with a dance that became the most famous dinner of the film.

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A plot also explores drugs abuse: Mia mistakes Vincent's heroin for cocaine and quase morre de overdose, segredo that I promise to keep.

Enquanto isso, or Lutador of box Butch Coolidge is hired by Marsellus to lose a game. However, he bets in favor of whether he defeats Luta, killing or his opponent.

Foge com a namorada but esquece um relógio de ouro, herança de família, and fear to turn back. He crosses himself as "chefão" and ends up making reféns of a sequestrator who wanted to stupid them. Butch manages to free himself and saves Marsellus, thus getting the count right.

Finally we return to the two assassins story. Jules sees death pass by when he shoots several times against him and fails to hit him. Crediting that he was saved by a miracle, he resolves that he was going to kill or kill.

Saindo da casa, he and Vincent talk about a reference to the bank behind the car. Vincent turns to ask the opinion of the reference and accidentally throws his face, causing great chaos.

São dine like Essa, in a surpreendente humor, that fazem de Pulp fiction an imperdível cinematographic work. I do not have so much adrenaline, or film is full of conversations and monologues that will not show us the inner worlds two people and their visions about life.

Read more about or film em: Pulp Fiction: Tempo de Violência.

Bônus: Grande Hotel (1995)

Besides two films that we highlight, it is worth mentioning the longa-metragem that originates from the collaboration of Quentin Tarantino with other directors. Grande Hotel (1995) is a work of dark comedy where there are four stories narrated that occur in different spaces of a building, during the night of Réveillon.

As first three passagens ficaram by Allison Anders, Alexandre Rockwell and Robert Rodriguez. At the end, "The Man from Hollywood", was raised by Tarantino and is in hotel coverage, where eccentric film director Chester Rush conducted a game of blood gambling.

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Quem é Quentin Tarantino?

That Quentin Tarantino (1963) is beaten by cinema, we are not afraid of a lesser dúvida. He began working in the area during the 80's, also demonstrating his talent to save yourself. Em 1994, Pulp fiction, or fifth film, conquered or seu place on the international scene.

Suas provocative works, stylish, we deixam com vontade to give "um passeio no selvagem side", as Lou Reed would say. Through a multiple aesthetics but soft, the films that he creates are easily reconciled, you can transport us to a particular universe.

With palavrões, liters of sangue and many piadas, its cinematography also demonstrates a vast knowledge of culture pop, reflecting the time in which it was produced.

Contudo, as artist references It seems to be inesgotáveis: it gives music to the histories in quadrinhos, passing through the Lutas Marciais, the far-west films and the own History of the United States of America.

See also:

• Classic films that you need to see (hair less one time)
• Os melhores films cult to see on Netflix
• Faroeste films that you need to see
• You melhores films to attend this year
• Melhores ação films that you need to see