Análise do quadro Moça com Brinco de Pérola, by Johannes Vermeer

Or quadro Meisje met de parel (Moça with a jump from Pérola, in Portuguese do Brazil, and Rapariga like a pearl jump, em Português de Portugal) was painted by the hair of the Dutch artist Johannes Vermeer in the year 1665.

Or a classic realistic painting turned into a work-first and transcendental or universe of painting, winning a literary and cinematographic adaptation.

Meaning and analysis of the quadro Moça with a jump from Pérola

Little is known about the history of Vermeer's most famous canvas, known as "a Mona Lisa do Norte" or "a Dutch Mona Lisa". Moça with a jump from Pérola It is surely the most famous work of the painter and traced as the protagonist a young man with serene, twelve, a chaste olhar and the half-open lips.

It stands out as a black background (which at the time was supposed to have been dark green) highlights the presence of the only non-square figure and as a painting carrega um senso de harmonia. A dark background technique helps to draw three-dimensional fabric.

A figure escolhida is angelic, simultaneously happy and sad, and hides any mysterious thing - not by chance or picture compared to a work of art

Giocondaby Leonardo da Vinci.

Or I add that a young man from Vermeer carrega nas orelhas gives me a cloth. It is also necessary to sublimate or shine not to smell in the mouth of the young, as well as to perceive or balance the light does not square.

On the contrary, two portraits of royalty, posed and in a proper suit, a young person seems to have been recorded in a daily moment, at least some years ago, with a lenço na cabeça. Ela olha for the spectator partially from the side, as if something to be summoned.

No one knows whether or not work was commissioned to burn a young woman from olhar ambiguous to star in painting. Let me tell you that a young painter himself, who had been immortalized in painting when she was only 13 years old, but there is no confirmation on the theory.

Outra dúvida says I respect the turban that the protagonist wears: naquela period já não is used more peças like that. I know that Vermeer was inspired by painting Menino em um turban, painted by Michael Sweerts in 1655.

About or Painter Vermeer

The breeder gives painting born in Delft, in Holland, in 1632, and Morreu aged 43, in 1675.

Vermeer painted relatively few fabrics and hair that was managed to recover from his clear ficou collection or his interest in light, science and everyday life and corrections.

In order to determine an idea of ​​what little was left or was left behind, I went through only five pictures that were uncovered, surely legitimate, with their assumption and data.

All the works found were painted between the years 1656 and 1669, são eles:

• To Alcoviteira (1656);
• View of delft (1660);
• Moça with Brinco de Pérola (1665);
• Or Astronomer (1668);
• Or Geographer (1669).

The city where Vermeer was born was one of the oldest in the Netherlands and was established by the manufacture of a special type of glazed ceramic.

O painter has not seen a lot of success in life and, after his death of him to work as a logo not skewed.

Um dos responsáveis ​​pela descoberta by Vermeer foi or French writer Marcel Proust, who sublimated the beauty of his non-classical paintings I'm looking for the lost tempo (1927).

Historic context

A contemporary Holland of Vermeer passed through a wave of religious renewal and no country began to dispose of Protestantism, which profoundly influenced or influenced the arts.

Protestants carry a sense of work and discipline and encourage moderation (many times in opposition to the position of the Catholic Church).

Com o passar do tempo, or Lutheranism passou a vigorar com força na Holland.

Besides being a painter, Vermeer worked as a merchant selling paintings by other artists in the city. O negócio began to run badly as the breakdowns of the war between Holland and France one time that, due to the economic crisis, the bourgeoisie passed on not investing more in the arts.

Adaptação for livro

A story told by Tracy Chevalier in his fiction released in 1999 coincides with the rare information that the Vermeer painter is feared.

The historical romance is passed to the artist's native city (Delph, in Holland), during the year 1665 (year of painting of the square).

Na written, a girl who stars in or a picture ganha um nome - Griet - in a particular story: a young man is 17 years old and is forced to work to help not support the poor family.

Or not the protagonist of free was hand-picked, Griet means “grão de areia”, “firmness” and “courage”.

A young Griet, belonging to a disadvantaged social class, becomes, therefore, engaged in the house of the painter Vermeer, and it is from there that two central people of the plot begin to relate.

There is also an important third person for the narrative, it is about Pieter, or filho do açougueiro that Griet woos. A history unrolls, therefore, as voltas desse love triangle.

Or free Girl with a Pearl Earring It was translated into Portuguese and published in Brazil in 2004, by Bertrand editor.

Adaptation for or cinema

No longa-metragem North-American or painter Johannes Vermeer and played by Colin Firth and Scarlett Johansson lives Griet, the main character in painting.

Or drama, launched in 2003, has a 99-minute duration and was produced from a partnership established between England and Luxembourg.

O director escolhido foi Peter Webber and quem assinou o roteiro foi Olívia Hetreed (based on no book by Tracy Chevalier, published in 1999).

Practical information on or chart

Or a small picture in oil on canvas with dimensions of 44 cm by 39 cm. Studies made from fabric show that painting does not have any scratches.

Uma curiosidade: the blue ink used to paint or turban da youth was very expensive at the time (more expensive than ouro). Even going through an economically difficult period during his life, Vermeer continued to paint as material that he believed would be or more suitable for his art.

To cloth Moça with a jump from Pérola It fell on the ground and resurfaced some year ago, 1881, more than two years after it was painted. The work was read at the time and is currently part of the permanent collection of the Mauritshuis museum, in Haia, in the Netherlands.

Between 2012 and 2014, a work passed through a world tour in Japan, in the United States and in Italy.

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