Análise do film A vida Invisível, by Karim Aïnouz

To invisible life is a Brazilian film by director Karim Aïnouz released in 2019.

It is an inspired cinematographic work I do not free To the invisible life of Eurídice Gusmão (2016), written by Pernambucana writer and journalist Martha Batalha.

A produção participated in the Cannes Festival, winning or award Um certo olhar I was chosen to represent the country in search of Oscar hair for 2020, but it was not selected.

(Atenção, o artigo contém spoilers!)

Trailer e sinopse de To invisible life

A vida das irmãs Guida (Julia Stockler) and Eurídice (Carol Duarte) and narrated this drama that is happening, at most of the time, us 40 and 50 years.

Here, we see two women who have their lives passed through male ignorance and end up distancing themselves.

Guida apaixona-se for a young stranger and decides to continue with him, leaving the family. Year to return, she was prevented by hair from belonging to the family nucleus again.

Enquanto isso, Eurídice, a irmã mais nova, built a seemingly "ideal" costume, exercising the parents of me, wife and filha, but leaving aside or great dream of being a pianist.

By counting unhappy misunderstanding, both passed through life all looking for one another.

Summary and critical analysis of the film To invisible life

A plot, defined as a "tropical melodrama", is seen by pleasing the public and critics to provide a sensuous, exciting experience that traces many reflections on the patriarchal system em we live.

It is about a romance film, meanwhile, or declared affection or love between irmãs It is a solidarity between women, who convention-se chamar hoje on sorority day.

In addition, the history seeks to show the distress of every society of the year or to show the situations pelas quais as personagens passam. Situations are those that fear the power to leave marks on their bodies and, above all, on their pisques.

Guida on the run

Logo does not start from the story, a young Guida is enchanted by Yorgos, a Greek mariner, and resolves to run away as for Grécia.

This decision was taken due to the impulsive and vibrant temperament of the personagem, who lives intense loves and enjoys life in all her power, or that goes against the conservative and polite education that she receives in her family, of Portuguese origin.

Assim, Guida leaves and leaves a letter for the country and for his firm Eurydice, who looks heartbroken.

Nesse moment, we identify the rebellious character of Guida, who is not content with that guarded life and seeks autonomy and prazer.

Or marriage of Eurydice

Já a irmã Eurídice is an introspective and behaved girl. Furthermore, she has serious knowledge and wishes to live in music, playing piano in Vienna, in Austria.

In any way, to fit into a society, she ends up marrying with Antenor (Gregório Duvivier). A festa de casamento is marked by euphoria, anxiety, melancholy and middle, pois barnacle-it is clearly that Eurídice não nutria sentimentos fortes pelo noivo.

A noite de núpcias and extremely impessoal, exhibiting a complete lack of harmony between the two.

But, for além disso, e o que é pior, it denotes sexual violence to which as women are subject, ainda that within the marriage (marital rape), or that it becomes a invisibilized aggression.

Here, there is a complaint of the idea of ​​"posse" on the feminine body, as if that body belongs to or homem, and not to own woman.

In this context, it fits a widely disseminated expression not feminism: "meu corpo, minhas regras". Expressão that also applies in many other moments, for example when, later, Eurídice becomes pregnant and does not want to be me, but ends up following the pregnancy.

Or return of Guida

After some time, Guida returns to Rio de Janeiro, because of her relationship with her as a sailor, not as she expected. A young man, that nessa height is pregnant, he returned home to two countries.

At the beginning, his mother received a surprise, more to acolhe. Depois, a young man I attached seu pai, who was cleaning a peixe na varanda da casa.

Or patriarch, played by Antonio Fonseca, ao olhar his pregnant filha and perceiving that she was a husband, he was afraid of being expelled from home. When asked about Eurydice, or pai mind saying that she had moved to Vienna.

This is the two most intense moments of the film, counting with visceral atuações and symbolic elements that show us all the violence contained in the situation.

Some elements are shaped like either pai limpa or peixe and esrega suas mãos sujas not face of gravid filha, sharpening other non-public senses, além da visão.

A helplessness gives me a lie about Guida's paradeiro

A mãe das jovens is a woman equally silenced. She would like to be in contact with her, but she cannot confront her husband and ends up complying with her orders.

Also, when Eurydice asks about her signature, she does not tell that Guida has returned.

Eternal search for Eurídice e Guida

Thus, you will spend your whole life tempting to meet again. They nurture an immense love one another and we know that if they both existed, it would be very different if they are close, supporting each other in their dramas.

The development, friendship and partnership relationships with other women, that help us to continue in front.

Assim, Eurídice wants to hire a detective to find out information about Guida. Enquanto isso, to irmã wrote no more than two letters and sent home two countries, so that they could send them the correspondence to Vienna, where theoretically a Moorish pianist.

Such letters never foram you deliver e as duas têm to learn to deal with uma forced absence, the fruit of the violence of a macho and oppressive structure.

A participation of Fernanda Montenegro: Eurídice na velhice

Fernanda Montenegro is a weighty plotter. An acclaimed actress faz participação did not film like Eurídice na phase idosa.

Na history has a great passage of time that leads us to or burial of Antenor, Eurydice's husband. Then we see this imersa moment in lembranças and vazio.

She is in the presence of her husband, she and her filhos resolve to open the chest that Antenor hid and, to her surprise, all the letters that Guida has sent during her life.

Dessa maneira, Eurídice discovers that she had been deceived for so many years and that, in truth, her signature was closer than she imagined, dwelling in the same city, under the same scalding sun.

Eurydice is looking to find out about Guida's paradeiro, but unfortunately she has already died.

Fernanda Montenegro has not had a lot of fabric time, meanwhile, her magnificent performance sees "choir" or film, making a sit down of the emotions experienced by the duas irmãs and also by public hair.

Technical sheet and poster of To invisible life

Film title	To invisible life
Year of launch	2019
Address	Karim Aïnouz
Main cast	Carol Duarte, Julia Stockler, Gregório Duvivier, Fernanda Montenegro
Gender	drama, romance
Duration	2h20
Classification	16 years

Interview with director Karim Aïnouz and outstanding films

He confides in the interview that Karim Aïnouz ceded to Canal Brasil, telling a little about the film and the filming process.

O Ceará filmmaker is quite recognized and exhibits acclaimed films in his curriculum. See some of the productions that stand out in their costume:

• Madame Satã (2002)
• O céu de Suely (2006)
• I travel because I need to, I return because I love you (2009)
• A Praia do Futuro (2014)

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