Crime and Punishment: Essential Aspects of Dostoevsky's Work

Crime and Punishment É um romance published in 1866. He is the Russian writer and journalist Fyodor Dostoevsky. O livro tells the story of a crime committed by former student Rodion Ramanovich Raskolnikov and its consequences.

(watch out, this is artigo with spoilers)

Summary of Crime and Punishment

Or main person of the book is Ródion Ramanovich Raskolnikov, a very intelligent ex-student at home for two twenty years who lives in a misery in a tiny apartment in Pitsburg.

O prey needed to give up two studies due to the financial difficulties he faced. He accredits that he is destined for great ações, rather than misery or prevents him from reaching all or his potential.

Due to economic problems, Raskolnikov goes to help a senhora who lends at very high oaths and mistreats his new wife, thirty and a few years old.

Convinced that Velha has a terrible character and explores the vulneráveis ​​people that he wants to help, Raskolnikov decides to assassinate her.

O crime by Raskolnikov

A work of Dostoevsky from cedo places us a moral question: or assassination of a person would be morally wrong or objective fosse nobre? Raskolnikov accredits that all the superior people end up committing assassinations to achieve their objectives, which, not end, are great advances for humanity.

Convinced that he is two people, Raskolnikov has to kill Velha in order to get meios to achieve her potential and not morally condemning, even as he is against the law.

Raskolnikov passes, then, to plan or assassinate, being some of his greatest concerns about him or the psychological effect that this attack could cause nele. Or ex-student accredits that during the deposition of the assassination he was attacked by a kind of remorse, as was a doença.

Um assassinato fora de controle

Due to a fatality of fate, she ended up entering the crime dinner and, because she was a testament to the assassination, she was also stabbed to death. On the other hand, it is an agiota senhora, who was a premeditated assassination, or a crime gives an irmã happened to him, sem qualquer planejamento.

Raskolnikov becomes, therefore, responsible for two murders.

Does every crime deserve punishment?

Long days long pages of romance we see the character Raskolnikov having to deal with two assassinations committed and needing to justify for himself the escorts taken.

Also evident to the urgency of the personagem to hide or double crime. The literary romance opens space for a true deep survey of philosophical, moral and social questions that close to a crime. In the end, does all crime deserve punishment?

Films of Crime and Punishment

Several foram as cinematographic verses of Dostoevsky's classic, some opted for a more free adaptation (as or longametragem Hidden pages, 1994, by Sokurov), while other schools are limited to the history conceived by the writer.

As three versões mais consecrated foram as from 1959, directed by Denis Sanders, from 1970, by director Lev Kulidzhanov e o mais recente Crime and punishment (2002), assassinated by Menahem Golan.

Analyze Crime and Punishment

Dostoevsky's work-prima is of a complete complex and stands out, guaranteeing a place of prestige, there are no western works-primates. The philosophical content of the book adds to the narrative that, by itself, já é surpreendente.

O romance extrapolates to its function of pure entertainment and becomes a number of transmission of great philosophical questions.

A criminal psychology: a criminal mind

One of the most striking characteristics of romance is psychological foundation two personagens. Dostoevsky's work or the inner world was as important as the outer world.

This is a dedication to a description of internal dialogues, so that the romance approaches from an essay on human psychology.

Dostoevsky explores the psychological side in an exceptional way. After assassinating a woman, Raskolnikov entered a feverish state of delirium. A narrative accompanies this state, and the reader is involved in many quests and details that pass through the assassin's head.

Is it possible to have a crime sem punição?

Uma das main questões do romance é essa. Just as the criminal proves that the crime that he commits is morally correct and the same as he is clever enough to hide all the provas and not be uncovered with the crime that you commit, the ainda assim will be punished?

Or romance then acquire um philosophical side, from a test on morals and on a relationship of individuals with a company or close to it.

A non-romance society is an extremely moral and catholic, czarist and aristocratic Russia.

Just as Raskolnikov does not feel blamed for the crime he committed, a company exercises a moral pressure on him. At the presence of his signature and his wife in Pitsburg, logo na sequência do assassinato, is a reason for extreme disturbance for or ex-student. As women of his family are very religious and dear people. If possible, they will be aware of this vile act and reason for constant concern on the part of Raskolnikov.

Dostoevsky shows us that, as much as moral is something of the individual, it is linked to society, to the most intimate circles of conviviality. A possibility of disappointing someone you love is something that is also in the escorts das ações.

Is Raskolnikov certain of his innocence?

Another essential aspect is that Raskolnikov insists over the years of everything or romance that do not sit blamed assassinated hair and he seeks to escape punishment, even when he is still in prison.

Porém, his actions and his disturbance -which was calmed down from confiscation- showed us the contrary.

At last instância, it seems to us that Raskolnikov seeks punishment from the first second apos or crime. He does not take advantage of two bens roubados and a state of delirium.

To be confronted as a case, to his irritability and as his provocations of him quase or denounce. Or what face or reader to question or true desire of Raskolnikov nesses found was to be uncovered and sofrer or punishment.

Crime and Punishment e o social ensaio: os outros

Apart from two internal conflicts, Raskolnikov stands with many secondary people who delve into the questions of personalities and writers.

His family, together with his studies friend Razumíkhin and Sônia Marmeladova, form a kind of nucleus of support for Raskolnikov.

Therefore, as it is narrative and complex, this nucleus assumes various facets and is also responsible for psychologically tormenting the main person in his moral questions.

In relation to Raskolnikov with the signatories of his alleged applicants

Outras two marked personagens are the rich applicants of Raskolnikov's signature: Pyotr Petrovich Luzhin and Arkady Ivanovich Svidrigaïlov. Every um, a sua maneira, tries to subjugate Raskolnikov's irmã. These people entered into conflict as an ex-student who, in a certain way, tries to protect his firm.

Just as all the characters relate to Raskolnikov in one way or another, they are very independent in the narrative. This autonomy gera a deep foundation of the characteristics of two people. They do not exist purely and simply to fulfill a narrative role, but rather depth of human relationships e year romance.

This is how each personagem exists independently of the narrative. A grueling physical and moral description that Dostoevsky faces as two people helps to create an entire universe in their lives.

At most two dialogues are surprising, the people agem autonomously and not necessarily in accordance with the expectation of the reader.

Or realism or existentialism em Crime and Punishment

A narrative of Fyodor Dostoevsky é cheia de details nas descriptions two cenários, situations and personagens.

This description of a realistic take on the author's romances. What if we are going to sell everything here that is narrated.

The internal dialogues and the introspection of two characters in Dostoyevsky's work, for the time being, given an existentialist character to the work. This form of romance, in that the internal experience has full action in the narrative, will be adopted by all the great writers of the XX century.

Dostoevsky was the pioneer in this type of narrative and work Crime and Punishment It is a great example of the use of introspection by two people for construction of entanglement.

Fyodor Dostoevsky drinks from experiences of his own life to compor Crime and Punishment

Dostoevsky uses several of his own romances for us that help to give this realism to his narrative. Or that returns to the work of a writer um little autobiographical Dostoevsky's death was imprisoned in Russia in 1849, accused of conspiring against Czar.

The writer was sent to exile in Siberia and, depois, for the Cazaquistão, where he spent nine years. During this period he coexisted with assassins and other criminals. In his experience of him, he contacted us forced labor camps and other prisoners served as a basis for romance. Crime and Punishment.

Leia Crime and Punishment na whole

To work Crime and Punishment, by Fyodor Dostoevsky, is available for free download in pdf format.

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