American psychopath: analysis and explanation of the film
American Psycho It is a North American psychological horror film that was released in 2000. Directed by Mary Harron, who also participated in the adaptation of the story, to a narrative based on no homonymous by Bret Easton Ellis, published in 1992.
O longa-metragem became a highly acclaimed work for genre-loving hairs, with remarkable dinners that end up turning a reference to our culture and foram recreated in various films and series.
Currently, American Psycho I considered um film cultand ainda rende many discussions about his entanglement and surpreendente end.
Cartaz e sinopse de American Psycho
Patrick Bateman (Christian Bale) is a young, beautiful and extremely beautiful home, who works a great company of Wall street.
Despite leading a seemingly invejável life, frequenting the many restaurants in the city, Patrick hides a terrifying segre: his vontade to kill, which is increasing day after day.
Attention: from this point on, you will find spoilers!
Film analysis American Psycho
Focus on the figure of Patrick Bateman, a detestavel homem who considers himself a psychopath, a narrative I am also a critical portrait of the society that I create and feeds its fantasies of power and violence.
The last seconds of the film, the protagonist affirms that the story does not transmit any kind of education or training to burn to listen to. However, o longa-metragem explores various themes linked to the contemporary world and its untold forms of brutality.
Dinheiro, win and competition in Wall street
We know, from the beginning of the film, that Patrick is a successor who exercises a high position in our company. Wall street. His friends are all extremely similar: all white, the same day, wear clothes, make faces, and often are located in the elite.
Extremely privileged, all of them are born into end-of-life families and are studying at the universities, something that seems to be obvious or temporary.
Condescending and convinced that we deserve to be you melhores em tudo, as their conversations are marked hair comments classists, racists and anti-Semites, at the same time that they maintain a hypocritical discourse on social problems and against or materialism.
Within two locations of work, these homens live in a great climate rivalry and competition, feeling the need to overcome himself, constantly. Na verdade, they compete with the minimum costs, as they manage to reserve a table or a more exclusive restaurant or one that is not the best card for a visit.
Assim, your friends seem to be barely Convenience links. Na verdade, Patrick mistrusts that his noiva or brought with him two friends of the group, but he does not care, because the own is a case with another's love.
Quite a few years old, your companions, or the protagonist, will reveal a more inventive, violent and cruel side than you. When he's not bar, he smiles at the woman that he's serving, but when she's upset, he misses that he wanted to kill her like a faca.
Or his behavior escalates when he finds a resident of rua e começa a humilhá-lo, believing that he is the only one to blame for his poverty. Afterwards, Patrick declares: "I have nothing in common with you." You must affirm to sua supposed superiorityHe kills him for the first time, snorting or homem I don't give up.
Obsessão with appearances and lack of empathy
American Psycho He grants us access to Bateman's mind of the darkest recollections through two constant serious interior monologues. In this way, we discover that the protagonist is considered someone who does not sit in contact with his emotions, that "he is not there".
At the age of 27, Bateman faced his morning beauty routine, showing concern in caring for the image and fighting the tempo brands. It is not his luxurious and imaculate apartment, making it clear that life gives him all facade, a way to "encaixar" and, by isso, to hide.
He had all the characteristics of a human being - blood, flesh, skin, hair - plus a unique, clear and identifiable emotion, except for gain and aversion.
Former Harvard alumnus and two donors from the company, Patrick specifies to maintain a normality image to disguise the serious crimes of it. Likewise, he confesses that he is feeling "lethal" and increasingly uncontrolled: "Acho that a minha mask of sanity is ready to wriggle out."
Contempt and violence against women
Patrick Bateman's position is like others and, as a rule, aggressive and unpleasant, she becomes ainda pior as women. To his secretariat, for example, he is two more memorable souls: either the protagonist is constantly criticizing or the way she dresses and behaves, fazendo questão de diminui-la.
To his conduct of him is of superiority and dominance perant or female sex, turning as women the seus principais alvos. A noiva, for example, it seems to be a mere object or accessory to keep appearances.
At the same time that Bateman is intimately wrapped, to his attention he is hardly focused, not his own reflection, not spello, or the possibility of inflicting on other people.
At your sight, extremely macho, and shared hairs of your friends, who do not inibem in fazer piada on their supposed inferiority and superficiality of women:
There are no women with personalities ...
Nesse dialogue, or protagonist chega himself to quote a famous serial killer About his desire to vitimar women, something that he faced with naturalness other hairs.
Patrick Bateman: um serial killer to release
O protagonist assumes, at a certain moment, that he will be similar to his colleagues (and easily confused com eles) é uma vantagem. However, when Paul Allen, an employee of the same company, or treats the hair of another person, Patrick is gone.
Assim, he takes advantage or mistake of identity and or invitation to jantar, planning carefully to her death. When he goes to meet his house, you move white and are covered with lençóis e or chão com jornais; Patrick chega himself to wear a waterproof cape, so as not to fasten a dress during or at all.
Além da confusão dos nomes, Allen woke up to his fury because he got a reservation for a large restaurant that he refused to receive, therefore teria mais status do that ele.
Depois de roubar as suas chaves, he decides to go to the apartment of the victim, to simulate a flight to another country, and to inveja He increases to or perceives that his apartment is older. As of day, or local becomes or seu novo hiding and for which Bateman happens to take victims. The same chega to confess, for two of them:
É impossível, in this world we live in, I have empathy for other people ...
Quickly, at Paul's house, he passed through all or part of the blood and hidden corpses in our arms. In this passage that arises at the mythical supper of the assassin as an electric mountain range, which became very well known.
How to spend two days, Patrick Bateman surrenders totally to violent instincts he gradually becomes a less functional human being and capable of managing social obligations.
Confissão de um American Psycho
He gave up a totally out of control dinner, with random shots, that Patrick Bateman took to or his limit. In a sequence of two shots, he began to be pursued and managed to hide without writing. Aí, or protagonist despairs and He resolves to flirt for or advocate e count everything.
Among the many prayers and watercress, he deixa a message to the electronic secretariat, confessing all the serious crimes with repentant details: “Sou um homem muito doente!”.
It is interesting to repair a total solidão deste homem, na absence of significant relationships In his life, he was only going to go through his civil servants for a few years.
Final and explanation of the film American Psycho
Na manhã Seguinte, Bateman go back to the apartment by Paul Allen to hide the proven crime, but I found something surprising: the premises were painted, renovated and available for sale. Visibly disturbed, he ends up being expelled by the woman who is showing or moving the visitors.
Now for that matter, Patrick links up to his secretariat by checking and advising that he is not going to work. Ela fica distrustful and resolves mexer nas coisas dele, finding an agenda com desires full of brutality. On this occasion, Bateman found his advocate of a restaurant and will confront him about the message he has left for him.
Or homem also confused with another person and cai na gargalhada, faking that to jump it would have been more credible to involve another person. It passes to discredit Bateman as someone entediente and covarde, incapable of committing any crime.
Patrick rebuts and reveals his identity to him, reinforcing that he killed Paul Allen. O advogado responds, as a major indifference, that Paul is alive and living in London, telling that they had been together weeks before.
This is how we perceive that, provavelmente, os crimes não foram reais. A narrative foi, então, imagined hair protagonist: we assist às suas fantasies of violence that no chegaram to happen in real life.
We are in the same circles as before, Bateman ends the film confessing that his lover "is constant and sharp" and because of this he wanted to bruise the others. The protagonist adds that "this confession does not mean anything", nem will provoke a taste.
What will it be, then, to message that we can throw away? Patrick Bateman é um homem enlouquecido hair "American sonho", somebody that got deep numa life of appearances and futilities. In spite of everything or money and success, he failed to develop deep ties with no change to his emotional frustration.
Technical data sheet of American Psycho
Qualification |
American Psycho |
| Year of production | 2000 |
| Directed by | Mary Harron |
| Duration | 102 minutes |
| Classification | Over 18 years old |
| Gender | Horror, Suspense |
| Country of Origin | United States of America |
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- Film Laranja Mecânica
