5 most important works by María BLANCHARD

Maria Gutierrez-Cueto Blanchard (Santander, 1881-Paris, 1932) is considered one of the great names of cubismAlthough she achieved notoriety after her death and the study of her figure by the feminist María Laffite, Countess of Campo Alange, who wrote a biography of the artist in 1944. Currently, she is an artist who is the subject of numerous investigations, in addition to exhibiting her works in museums around the world and being highly valued in the most prestigious auction houses.

In this lesson of unPROFESOR.com we offer you a selection of the most important works of María Blanchard so that you can recognize the basic characteristics of her unique and personal style.

Index

1. What are the most important works of María Blanchard
2. The Communicant (1914)
3. Woman with a Fan (1916)
4. Nature morte cubiste (1917)
5. The Nude Before Children (1924)
6. The embroiderer (1925-1926)

Maria Blanchard she is characterized by using

Between the main works of Maria Blanchard The ones listed below are highlighted.

In a Teacher we discover others cubism artists featured

This painting is located in the Museo Nacional Centro de Arte Reina Sofía and is one of the paintings that Maria Laffitte, biographer of the author, had as one of her favorites.

the communicant It is an oil on canvas that has dimensions of 180x124 centimeters. A painting marking the beginning of the use of a dark and haunting palette, treating a theme like first communion without any kind of tenderness or regard.

The girl is represented with a line and a sudden and violent color as a way of showing the painter's rejection of her conventions and preconceived ideas.

This oil on canvas presents a decomposition of a figure in multiple planes according to different points of view and with a chromatic intensity of bright tones. A painting in which the influence of the works of John Gray of the year 1915.

This painting has two very similar versions, one that is exhibited in the Museo Reina Sofía, and another that belongs to a private collection. Undoubtedly, another of the best works of María Blanchard.

This work is one of his last works of his cubist period, giving way to a figurative stage in which it will remain until his death. María was one of the pioneers of the avant-garde of the 20th century, although she was not well known and she had little visibility since her family withdrew all of her work from the market. In addition, the critics treated the painter in a disdainful way as she was a woman and did not fit in with the eminently masculine world of art at that time.

The painting is an oil on canvas that has dimensions of 54x32 centimeters. Diego Rivera pointed out that, along with Picasso, María had produced the best works of cubism. This work is a still life, a classic genre among cubists as it allows them to capture objects in a schematic but recognizable way. They are represented with flat colors and fine lines. You can appreciate the influence of Juan Gris and his way of making compositions. A style that shows us a constructive character of the work, establishing a kind of dialogue between the geometric elements and the contours, in the style of the so-called plastic rhymes of Gray.

This is a rare work within the artistic production of María Blanchard since the artist barely carried out nudes. This genre was considered inappropriate to be performed by women.

María Blanchard was inspired by the Titian's Venus and she created a work more full of irony than eroticism. Thus, in the work there appears a half-naked woman reclining in the classical style, a reified and unreal woman, whose rest is interrupted by two children.

the embroiderer It is another of the most important works by María Blanchard. It is an oil on canvas that is framed in a stage considered as figurative movement Return to order. A movement in which it is still possible to trace cubist elements.

The work has dimensions of 81 by 60 centimeters and is added to other works such as La communicant, La Bretona or La Joven peinándose, among others.

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• ATENCIA CONDE-PUMPIDO, Belén, et al. Maria Blanchard. The woman, the deformed, the forgotten. 2022.
• AZCOAGA, Enrique. María Blanchard, a chilling painter. Fine Arts, 1976, no 54, p. 36-39.
• CAAMAÑO Alegre, Bo. Federico García Lorca and María Blanchard: "Two soul mates". Confluence, 2012, p. 146-157.MADARIAGA DE LA CAMPA, B. The art and inner world of María Blanchard, Altamira 84 (2013) Preprint version, 2013, p. 343.
• DE ROS, Xon. Primitivism and modernism: the legacy of María Blanchard. Peter Lang, 2007.
• MONGE ZAPATA, A. María Blanchard, a woman in the vanguard. Reason and faith, 2013, vol. 267, no. 1373, p. 265-269.SALAZAR HERRERÍA, MJ. María Blanchard: painting as the foundation of a life. 2000. Doctoral Thesis. UNED. National University of Distance Education.
• SÁEZ ANGULO, J, María Blanchard, the most valued Spanish painter.