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Chega de Saudade: analysis of music written by Vinicius de Moraes

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Chega de Saudade It is a theme with lyrics by Vinicius de Moraes and music by Antônio Carlos Jobim, composed in 1956. Recorded by various artists, the song became famous sobretudo na versão de João Gilberto, from 1958. In his voice, I ended up being considered the founder of Bossa Nova.

Até hoje, continues to be a number of national music, more listened to moments of melancholy, in which we are feeling in the absence of something.

You also adore Chega de Saudade? Then come to know more about music.

Chega de Saudade: music and lyrics

Chega de saudade João Gilberto

Vai, minha sadness
He says that he can't be
Diz-lhe numa prece
That she came back
Because it is not posso mais sofrer

Chega de saudade
A reality is that there is no peace
There is no beauty
It is sadness and melancholy
That no sai de mim, no sai de mim, no sai

More, it is ela to turn
What a beautiful thing, what a cute Louca
Pois have less peixinhos to swim not sea
Do you beijinhos that eu darei na su boca

Inside two meus arms
You hug me to be a thousand huggers

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Apertado assim, colado assim, calado assim
Abraços e beijinhos, e carinhos sem ter fim
What is to finish with this business of você viver sem mim

There is no peace
There is no beauty
It is sadness and melancholy
That no sai de mim, no sai de mim, no sai

Inside two meus arms
You hug me to be a thousand huggers
Apertado assim, colado assim, calado assim
Abraços e beijinhos, e carinhos sem ter fim
What is to finish with this business of você viver sem mim

I do not want more than this business of you longe de mim
Let's leave the business of você viver sem mim

Analyze gives music Chega de Saudade

The music follows the structure of a choro, a popular musical genre also known as "chorinho" that emerged from the 19th century, not from Rio de Janeiro. O choro is characterized by its improvisações e modelações, combining influences of different rhythms.

First part

Vai, minha sadness
He says that he can't be
Diz-lhe numa prece
That she came back
Because it is not posso mais sofrer

Chega de saudade
A reality is that there is no peace
There is no beauty
It is sadness and melancholy
That no sai de mim, no sai de mim, no sai

Chega de Saudade é or desabafo of a lyrical subject that is sofrendo com in the absence of a beloved, on which he separated. Personifying sadness, he fails to say that he is going to try to help the woman who loves him and tells about the state that he is in.

He implores her to swallow the lover of volta because, he says, or his lyrical I enter num state of apathy, I am not being able to take advantage of life nem see or side pumped coisas.

Peel his words from him, we perceive that he was imprisoned in nostalgia, to which he seems eternally condemned. He accredits, however, that to salvação he can be on his way.

Second part

More, it is ela to turn
What a beautiful thing, what a cute Louca
Pois have less peixinhos to swim not sea
Do you beijinhos that eu darei na su boca

Inside two meus arms
You hug me to be a thousand huggers
Apertado assim, colado assim, calado assim
Abraços e beijinhos, e carinhos sem ter fim
What is to finish with this business of você viver sem mim

Começa, then, to fantasize with the possibility of voltarem to be together. Imagining future happinessHere is what faria lists as a woman loved by her side again.

Uma das characteristics that fazem de Chega de Saudade a song like little is notorious delicacy com que or lyrical subject fala about revering or being loved. Isso fica more explicit, for example, how I use two diminutives ("peixinhos", "beijinhos").

Imagine, assim, or loving reencounter as a magical moment, welcoming a dull with beijos, hugs and "carinhos sem ter fim".

Part three

I do not want more than this business of you longe de mim
Let's leave the business of você viver sem mim

Not the end of the song, or the little guy goes straight to her, repeating that he is not trying any more to separation. In this way, music seems to be a declaration of love and, possibly, a attempt to recover mulher de quem el gosta.

Chega de Saudade e a Bossa Nova

Chega de Saudade It is based on music that started Bossa Nova, a Brazilian musical genre that emerged in the 1950s. Among the breeders of the movement is João Gilberto, accompanied by Tom Jobim and Vinícius de Moraes, the song composers.

Capa do disco Chega de Saudade, 1959.
Disc layer Chega de Saudade, 1959.

Released no homônimo album, from 1959, or a theme of note in a way like Gilberto sings and pela batida that he created no violão. It was isso, in the end, that Bossa Nova was trying: a new way of singing and playing samba.

A gravação de João Gilberto was, in this way, the entrance portal for a new musical universe that ended up being celebrated by the inner world.

You want to know other themes of the musical genre, so trust most important music from Bossa Nova.

History and other music verses

Initially the music was recorded in April 1958 by Elizeth Cardoso, with João Gilberto no violão. Or theme was released no disc Song of Love Demais, same year.

Elizeth Cardoso & João Gilberto - CHEGA DE SAUDADE - Antonio Carlos Jobim and Vinícius de Moraes

Some months after, or musician recorded his version of him, who saw him become more famous and also open doors for Bossa Nova. At the same time, the song was also recorded by the vocal ensemble Os Cariocas, two older Brazilians.

Chega de Saudade

Later, Chega de Saudade It was recorded by various Brazilian and international artists, in quite different versions. Uma days we can't stop mentioning Antônio Carlos Jobim, who masterfully interprets music that he has compiled.

Tom Jobim - Chega de saudade (Ao Vivo em Montreal)

About João Gilberto

João Gilberto Prado Pereira de Oliveira (June 10, 1931 - July 6, 2019) was a brilliant Brazilian musician and composer.

Creative, innovative and talented, he is considered an essential figure in the evolution of national music and also founder of Bossa Nova.

João Gilberto e a mulher, 1964
João Gilberto and a first woman, Astrud, in 1964. (Jornal do Brasil)

Or his work, marked by a singular sound, was also a two major responsible for the dissemination of Brazilian music for the rest of the world.

Beloved not Brazil, or musician was deeply admired in other places, such as the United States of America and Europe, where he won several awards.

Genial culture do Spotify

Você é fã de Bossa Nova? We too! Escute the music that we select na playlist below:

Melhores musicas da Bossa Nova

Conheça also

  • Garota de Ipanema music
  • Poem Sonnet of Fidelidade, by Vinicius de Moraes
  • Melhores poems by Vinicius de Moraes
  • Conto A Terceira Margem Do Rio, by Guimarães Rosa
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