Jean-Luc Godard e os seus 10 maiores films

Jean-Luc Godard (1930), um dos principais nomes da Nouvelle vague (ou Nova Onda) do cinema francês, is a famous director and Franco-Swiss roteirist.

Hair innovative character from his works that defy the norms and the molds of commercial cinema, or director that Atingiu or international succession in the decades of 60 and 70 became a great influence for the gerações future.

At present, Godard's films continue to be used as fundamental references for you in the seventh art.

1. Harassed (1960)

Harassed, or first longa-metragem do diretor, is a black and white film of police drama. A narrative follows Michel's story, um criminal who is on the run from the police, depois to kill and roubar.

Nas streets of Paris, the reunion Patricia, uma North American student How he got wrapped up in the past, and he needs to convince her to lend help.

The production lasted less than a month and the process was quite unusual: either the rotation was not coming soon, or the director was saving and taxing the dinners. In this way, you cannot test the texts, but only have access practically at the time of filming.

2. Uma Mulher é uma Mulher (1961)

The comedy and romance musical was the first film a cores do diretor e teve as inspiration for a North American long-term film of the 1930s, Partners not Loveby Ernst Lubitsch.

Angela and Émile são um casal de namorados that is in a complex situation: ela sonha engrave, but not want to be filhos. Um love triangle He was formed with Alfred's check, or my friend of Émile, who can be a solution or raise new problems ...

With Anna Karina, one of the most iconic atrizes da Nouvelle Vague, not leading role, Uma Mulher é uma Mulher It is considered one of two major films by Godard.

3. Viver a Vida (1962)

Or drama Viver a Vida Also starring Anna Karina, star of the cinema with which director lived a brief and fruitful marriage, between the years of 1961 and 1965.

Neste film, she plays the role of Nana, a young woman who abandons her husband and wife to leave I'm looking for your great dream: build a succession career as an actress.

Not so much, here is what awaits uma life of privacy and tragedy Narrated us 12 episodes of the longa-metragem that is considered one of the two greatest successes of the career of the actress.

4. O Desprezo (1963)

The famous drama starring Brigitte Bardot was inspired by the homonymous novel by Italian author Alberto Moravia. Paul and Camille moved to Rome when he was hired to work as a roteirista not new film by Austrian director Fritz Lang (played by himself).

OR Parisian casal that has been in crise, he distances himself ainda mais for the cause of change: it rises or falls. A third element called Jeremy Prokosch, or North American filmmaker, has caused even more trouble among them.

Fallen about complex relationships, or director is also reflected on or own cinema The ways in which Italian breeders were subjugated by North American power.

5. Band à Parte (1964)

Or longa-metragem, based not romance Fool's Gold (1958) by Dolores Hitchens, is an inescapable work of drama and comedy that uses elements of cinema not to go.

A narrative tells the story of Odile, a young man that Franz meets during an English classroom. With help from a friend, please, Arthur, they resolvem commit um roubo.

Another trio continues to be entertained by some iconic film dinners such as the moment when I run from the Louvre Museum or its choreographed dances.

6. Alphaville (1965)

Or famous scientific fiction film é uma dystopia with peculiar contours: From history to the future, or long-metragem was filmed on the streets of Paris, with special accessories and effects.

A narrative tem place in Alphaville, uma city ​​that is controlled by artificial intelligence girl Alpha 60. Technology, raised by Professor Von Braun, establishes a ditatorial system that aims to eliminate emotions and individualities.

The protagonist of the story is Lemmy Caution, an anti-hero that part of the resistance and needs to fulfill several missions, in order to defeat the inventor and destroy his creation of him.

7. O Demônio das Onze Horas (1965)

Inspired by a work Obsessão, North American Lionel White, or drama is considered a fundamental film not cinema da Nouvelle vague.

A history of romance and tragedy seals us meanders of desire and two love relationships. Or protagonist, Ferdinand, is a family pai who decides leave everything behind and run away with another woman, Marianne.

Moved pela paixão avassaladora, he ends up wrapping no world of crime Thank you for nova companheira and the house needs to live, fleeing from the police.

8. Male, Female (1966)

O longa-metragem franco-swedish drama e romance, based on two works by French Guy de Maupassant, é um portrait of Paris during the 1960s.

Produced during the social agitation that preceded the May 68 student movement, or a film illustrates the revolution of mentalities and the renewal of values ​​that are underway among young people.

A narrative focuses on Paul and Madeleine: an idealistic young man who abandoned or served in the military and a pop singer who played as a star. From the relationship two dois, or longa-metragem reflete on topics such as freedom, love and politics.

9. Adeus à Linguagem (2014)

Part of the most recent film production of the director, Adeus à Linguagem é An experimental non-3D drama film.

A narrative tells the story of uma married woman living in a prohibited romance com outro homem. One of the most prominent characteristics of the longa-metragem and the two characters will be interpreted by two pairs of ators.

In this way, as a film divided into two parts, or the viewer has access to two similar verses, more different, of the same relationship.

10. Imagem e Palavra (2018)

The most recent film by Godard até à data continues to challenge the conventions and the "squared" ideas about what cinema can or should be.

It's about uma video collagem, movie dinners, pictures and music Accompanied by a narration in voice off.

The same time that it broke on you landmark historical events last two centuries, or longa-metragem thinks or own role of cinematographic art and its responsibility in representing ourselves in a critical and politicized way.

About Jean-Luc Godard e o seu cinema

Jean-Luc Godard was born in Paris, not on December 3, 1930, but he spent a large part of his childhood in Switzerland. Member of a family supplied, returned to the country during a youth and began to integrate a cultural elite of the time.

There, he entered into contact with artists and thinkers from more diverse areas, feeding his people about philosophical, social and political questions from the world of business.

Depois de ter estudado Etnologia na Sorbonne, Jean-Luc began to work as film critic a famous magazine Cahiers du Cinéma.

In this period, we do not get comments about French productions and the way we are concentrated, we are directors and we are always molds. At the end of the 50s, Godard resolved to place "a mão na massa" and became a director of cinema, tendo becoming two more influential nomes da Nouvelle vague.

The seus films of him ficaram become hair with their disruptive and innovative character. Among its characteristics, the abrupt cuts, the singular dialogues and the camera movements stand out. O seu cinema of him is also marked by several moments in which he breaks to the fourth wall (direct interaction as pubic) through olhares or even monologues directed for a camera.

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