Meaning of Abaporu, by Tarsila do Amaral

Abaporu It is a classic Brazilian modernism painting, by the artist Tarsila do Amaral. Considered a work-first of the author, the canvas was painted in oil in 1928 to be offered to her então husband, or writer Oswald de Andrade.

We do not see the valorization of brachial work (watch out for me, huge ones) and the devaluation of mental work (fix a tiny head).

Find out below a deeper analysis of the work and the details behind the creation.

Meaning of Abaporuby Tarsila do Amaral

Or it does not give me a work of Tupi-Guarani origin and it means "homem who eats people"(cannibal or cannibal). O title of cloth and result of a junção dos termos aba (homem), for (people) and ú (eat).

Abaporu of Tarsila do Amaral — *Abaporu*by Tarsila do Amaral.

A canvas was painted by Tarsila em janeiro in 1928 and offered to her husband, or writer Oswald de Andrade, as an anniversary present.

When Oswald received the canvas, he was immediately delighted and told that it was the best painting that Tarsila had never painted. The elements that make up the fabric, especially the unusual figure in the center, awakened Oswald to the idea of the creation of the Anthropophagic Movement.

instagram story viewer

The Movement consisted of the swallowing of foreign culture, incorporating the Brazilian reality to give rise to a new, transformed, modern and representative culture of our culture.

Conheça um pouco mais da life and work of Tarsila do Amaral.

Work Analysis Abaporu

This work marks the anthropophagic phase of the painter Tarsila de Amaral who occurred between 1928 and 1930. It is possible to identify characteristic traces of artists such as the escort of cores fortes, a inclusion of imaginary themes and a alteration of reality.

In painting we see a home with great condolences and me, and ainda or sun and a cactus. These elements can represent the physical work that was or was a major part of the Brazilian populace of that period.

On the other hand, a small head can mean lack of critical thinking, which is limited to working with force, but I am thinking a lot, being at that time a possible criticism of society from that time.

O homem em Abaporu represented conveys a certain melancholy, pois or position of the head and expression denoting some sadness or depression. Além disso, o pé grande also can reveal a strong connection of the human being with the earth.

A technique of gigantism has never been practiced before by Tarsila na tela To black, painted in 1923:

The black A painting, painted years before Abaporu, had traces of gigantism that would later be intensified. — Or quadro *To black*, painted years before *Abaporu*, já trazia traços of gigantism that viriam to be intensified later.

How many cores used in AbaporuIt seems to have a clear allusion to Brazilian culture because it stands out for either green, or yellow or blue, the predominant colors of the Brazilian flag.

The cactus faces a reference to the vegetation of dry regions, as in the Northeast, and the sun symbolizes the harsh rotation of rural workers.

Tarsila, in correspondence exchanged in 1924, made it clear to her wife to become a painter of her land:

I feel more and more Brazilian every time: I want to be a painter from minha terra. As I am grateful for being able to pass it on to the fazenda minha infância todo. Thus reminiscences of this tempo are becoming precious to me. I want, in art, to be a caipirinha [da fazenda] of São Bernardo, jumping with bonecas de mato, like the last painting that is painted.

Many art critics costumam associate the fabric of Tarsila do Amaral with a famous sculpture O Thinker, by Rodin, some chegam to suggest that Abaporu is the same rewrite of the famous French sculptor's statue.

Fact is that in both children we see only a single protagonist, lonely, thoughtful and with a supportive head with a similar body posture.

Or thinker, by Rodin. Many critics observe a semelhança between the sculpture of the French artist and the canvas Abaporu, by Tarsila do Amaral. — *Or thinker*by Rodin. Many critics observe a semelhança between a sculpture by a French artist and a canvas *Abaporu*by Tarsila do Amaral.

Detailed observation of Abaporu

1. Cactus

The cactus is a characteristic element of the northeastern flora and, therefore, an image symbolically used to portray Brazil.

As is a typical plant of arid places, or cactus is a lembrança da dry and gives resistance and establishes a parallel as the Brazilian Povo, celebrated for its capacity of resistance.

It is worth mentioning that the cactus portrayed by Tarsila é, also like o chão, verde, a very expensive national identity due to its forte presença na bandeira.

2. Sun

Symbol of heat and energy that favors life, or sun painted by Tarsila also impõe conditions of work during hard years of work in rural areas.

It is curious that the figure of the sun is similar to the representation of an olho, which is positioned above the figure of the cactus, seeming to observe dinner.

Na composition of the work, or place escolhido for the sole of centrality and intermediate between the cactus and the human face. It seems that light emanates and allows life both flora and fauna.

Or amarelo do sol - as well as blue do céu - is also present in the cor of the national flag, printing the work more um traço de brasilidade.

3. Small head

A deformed head is two elements that give more attention to the disproportionate body imagined by Tarsila. Not by chance, a painter nomeou or a little subject as a "monstrous figure".

It is not possible to distinguish bem as feições da creature questão, for isso we do not know it is a question of a homem or of a woman.

Sem boca, it is not possible to interpret with certainty the expression of the personagem with the head of the alfinete, except for the hair fate to be with a face supported without the arm (would it be a sign of tiredness?).

Alheio (a) year that is happening around, or face also does not appear orelhas and is very close to the sun. A number of theories that are most widely disclosed among specialists and that a small head is only a condition of devaluation of intellectual work not in our country.

4. Pé e mão enormous

Or protagonist (or protagonist?) Escorted by Tarsila is an extremely disproportionate figure, We are specially trained to compare the dimensions of the head and two direct members (the skeleton members are omitted).

Ele (a) sprouts da Terra, assentado (a) no chão, assim como o cactus, showing-se intimately linked (a) to or alone.

The most extended condolences highlight the support of the Brazilian worker, to too much importance given to the force of the arm and the physical work in opposition to the devaluation of the intellectual work.

Outra possible reading for the enormous size of the painter's desire to subline the home connection with Terra.

Historic context

Abaporu It was painted in the 1920s, a special period for the country that lived or enclosure of the Velha Republic.

The Velha Republic lasted for many years, starting on the 15th of November 1889 (as a proclamation of the Republic) and was locked up with the Revolution of 1930, which saw Washington Luis, or last president of the Velha Republic.

Both Brazil and Brazil, especially the city of São Paulo, have long been going on for long periods of time or development. In the 1920s it was strongly marked by industrialization.

In artistic terms, 1922 was a key year for Brazilian intellectuals. In February 1922, the São Paulo Municipal Theater hosted the Modern Art Week, an event that brought together painters, sculptors, composers, musicians and writers. The event has been planned since the end of the previous year - 1921 - by Di Cavalcanti and Marinette Prado (wife of Paulo Prado).

The artists will come together as a wish for a radical break with contemporary art, which we consider to be conservative. In common, you intellectuals trace a cultural baggage full of lessons learned in Europe. A plot of two artists had spent seasons not long on the continent, then they will return home, leaving for practical the new things they have seen.

The Modern Art Week will participate in great names from the national cultural center such as:

Mário de Andrade (literature);
Oswald de Andrade (literature)
Sérgio Milliet (literature);
Menotti Del Picchia (literature);
Ronald Carvalho (literature);
Villa Lobos (music);
Victor Brecheret (sculpture);
Di Cavalcanti (painting);
Anita Malfatti (painting)
Vicente do Rego Monteiro (painting)

Tarsila do Amaral did not participate in the event because she was in Paris, but when she returned to Brazil, she joined Group Two Five. Anita Malfatti, her friend from painting classrooms, was introduced to the group that also had as members Mário de Andrade, Menotti del Picchia and Oswald de Andrade.

Tarsila turned off the writer Oswald de Andrade and you will end up getting married. In 1923, Grupo dos Cinco was dissolved because both Anita quanto or married Tarsila and Oswald immigrated to Paris.

Practical information on or chart

Or quadro Abaporu I was acquired in 1995 by Argentine collector Eduardo Constantini through a leilão made in New York. Or is it worth selling? Mere 1.5 thousand dollars.

Currently the fabric is exhibited at MALBA (Museum of Latin American Art of Buenos Aires). It is speculated that Tarsila's premium work is the most highly valued Brazilian work in the world, having reached the highest value of sale in the history of two businesses in painting in the country.

During the 2016 Olympics, it was held in Brazil, Abaporu you participate in the chamada exposition A cor do Brasil, made in Rio de Janeiro.

In March 2011, or Abaporu It was newly lent to the Brazilian government for MALBA. Since then, I saw fabric integrated into the exhibition Women, Artists and Brazilians, idealized by President Dilma Rousseff. The exhibition was held in the West Hall of the Palácio do Planalto, in Brasília, and brought together 80 works of the 20th century belonging to 49 Brazilian artists.

In terms of dimensions, or oil on canvas Abaporu It is eighty five centimeters high and seventy three centimeters long. Abaporu It is considered by many historians of art as the most important painting produced in Brazil.

Re-music of Abaporu by Romero Britto

OR Abaporu It has a great influence on various Brazilian artists. Romero Britto, painter and sculptor from Recife (Pernambuco) established in the United States, for example, produced a painting that is a re-writing of the work Abaporuby Tarsila do Amaral.