As 11 melhores Brazilian music of all tempos

We all do not know that Brazilian music is a source of talented children, it turns out to be a criminal escort for just eleven songs for this list.

In any case, we face the challenge or face it and select those that seem to us to be the most special compositions of all times.

1. Constructionby Chico Buarque

To song Construction, by Chico Buarque, was released in 1971 and was the main star of an album that carregava or title of music car chef. The letter is long and elaborated and tells the story of the life of a worker of civil construction.

Practically all composition is structured, not an exercise of comparison, or as repeated quasi-exaustão to characterize the daily life of the worker.

A song comes for telling the departure of the home worker for more one day of work and closes himself as a tragic and accidental death of the little man, who remains all or only temporarily.

Amou give it the last time
Beijou sua mulher as the last fosse
And each filho seu as fosse or unique
And travessou a rua com seu passo timido

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Subiu a construção como se fosse machine
Ergueu did not kick four solid walls
Tijolo com tijolo num magic design
Seus olhos dull of cement and tear

He sat down to rest like saturday
Comeu feijão with rice as a prince fosse
Bebeu e soluçou like a shipwrecked fosse
He danced and gargalhou like ouvisse music

E tropeçou no céu as fosse um bêbado
E flutuou no ar como se fosse um passaro
E se acabou no chão feito um flaccid pacote
Agonizou no meio do passeio public
Morreu na contramão, trapping or traffic

Amou give it the last time
Beijou sua mulher as she is the only one
And each filho seu of him as it was fosse or prodigal
And travessou a rua com seu passo bêbado

Subiu a construção as a solid fosse
Ergueu no patamar four magical walls
Tijolo com tijolo num logical draw
Seus olhos dull of cement and traffic

Sentou pra rest as a prince fosse
Comeu feijão with rice as it is fosse or maximum
Bebeu e soluçou as a fosse machine
Dançou e gargalhou as fosse or next

E tropeçou no céu como se ouvisse music
E flutuou will not be like it was saturday
E se acabou no chão feito um pacote timid
Agonizou no meio do passeio castaway
Morreu na contramão catching or public

Amou daquela see how you see the machine
He beijou sua mulher as a logical fosse
Ergueu no patamar four flabby walls
Feel to rest as you see a pass
E flutuou not ar as a prince fosse
E se finished no chão feito um pacote bêbado
Morreu na contramão atrapalhando or Saturday

For this to eat, for this to sleep
A certificate to be born and a concession to be born
For letting me breathe, for letting myself exist
Deus I paid

Pela cachaça de graça that people fear to swallow
Pela fumaça and a misfortune that people are afraid to cough
Pingent andaimes hairs that people were afraid of falling
Deus I paid

Pela mulher carpideira pra nos louvar e cuspir
And you peel bicheiras flies to beijar and cover us
And pela peace derradeira that enfim vai redeem us
Deus I paid

Conheça a In-depth analysis of Construção music, by Chico Buarque.

Take the opportunity to discover also other You will remember Chico Buarque's music.

2. Garota of Ipanema, by Antônio Carlos Jobim and Vinícius de Moraes

A classic from bossa nova two years sixties carioca, Garota of Ipanema It was exported to the four corners of the planet as a symbol of seeing. Music is a partnership between Antônio Carlos Jobim, responsible for music, and Vinícius de Moraes, author of the lyrics. Raised in 1962, a song foi, not the same year, also recorded in English.

O cenário gives music to the area south of Rio de Janeiro, more precisely to Praia de Ipanema. Helô Pinheiro was an inspiring muse, who lived and did not dance, and who attended to two homens who passed by.

Olha that coisa mais linda
Mais cheia de graça
É ela, menina
What do you see and what happens
Num twelve balanço
A caminho do mar

Moça do corpo dourado
Sun of Ipanema
O seu balanced é more than a poem
It is more beautiful than it is, I saw it pass

Ah, why are you sozinho?
Ah, why are you sad?
Ah, the beauty that exists
To beleza that não é só minha
That also happens sozinha

Ah, be ela soubesse
What when she happens
O world inteirinho is enche de graça
E fica more beautiful
Because of love

Do you want to unveil the history of the illustrious song of Bossa Nova? Discover everything about a Music Garota de Ipanema, by Tom Jobim and Vinicius de Moraes.

3. Happiness happinessby Caetano Veloso

A song that an icon of Brazilian tropicalism overcame the walls of time and ended up being made for the other historical period in which it was composted. The work of Caetano Veloso has lyrics and music by his authorship.

Conheça As major music from Tropicália.

The march was originally presented on October 21, 1967 in the Brazilian Popular Music Festival of TV Record and at the beginning it was held by the public. A few years ago, thanks to the plateia and, despite favoritism, it was fourth in the dispute. Caetano Veloso, a young unknown man, was greatly advanced for fame with the creation of a song Alegria, alegria.

Walking against or wind
Sem lenço e sem document
No sun of quase dezembro
Eu vou

Or the sun is distributed in crimes
Espaçonaves, guerrilhas
Pretty cardinals
Eu vou

Em faces of presidents
Em big beijos of love
Em dentes, pernas, bandeiras
Bomba e Brigitte Bardot

Or sun with magazine benches
I was filled with joy and preguiça
What a lot of news
Eu vou

Between photos and nomes
Os olhos cheios de cores
O peito cheio of loves you
Eu vou
Why not, why not

She thinks about marriage
I never went to school again
Sem lenço e sem document
Eu vou

I drink a Coca-Cola
She thinks about marriage
And a song consoles me
Eu vou

Between photos and nomes
Sem light e sem fuzil
Sem fome, sem telefone
No heart of Brazil

Ela nem knows até thoughti
To sing on television
Or sun is so beautiful
Eu vou

Sem lenço, sem document
Nothing no bag or no mine
I want to keep living, love
Eu vou

Why not, why not?
Why not, why not?
Why not, why not?

Find out more about a Music Alegria, Alegria, by Caetano Veloso.

4. Drãoby Gilberto Gil

Gilberto Gil managed to create a beautiful composition about two saddest moments in the life of a human being: a loving separation. Author of lyrics and music, Gil composed in 1981 in homage to former partner Sandra Gadelha. Or marriage of seven years survived in exile in London during the military period and rendered three fruits: Pedro, Preta and Maria.

A criação é, therefore, autobiographical, and is capable of transmitting peace, serenity and gratitude the same apostle or recém divorce. Drão, name given to Sandra by Maria Bethânia, to the lyrics of Gilberto Gil rhymes with grão. A repetição da grão word demystifies the idea that the end of a marriage is to the death of the relationship and sublinha that we find can be re-signified, fazendo nascer a new relationship.

Drão!
Or love gives people and like um grão
A mind of illusion
I was afraid to die to germinate
Plant nalgum place
Resuscitar no chão
Nossa likeness
Quem will be able to fazer that love to die
Nossa caminhadura
Hard walk
Pela noite dark

Drão!
I did not think of separation
Don't tear apart or heart
Or true love and vão
Be infinite
Immense monolith
Nossa architecture
Quem will be able to fazer that love to die
Nossa caminhadura
Tatame bed
Pela vida afora

Drão!
Os meninos são todos sãos
You sins são todos meus
Deus tastes like minha confissão
There is nothing to forgive
For isso the same, what has to do with more compaixão
Quem will be able to fazer
That love to die
I know love is like um grão
Morre, wheat is born
Live, morre pão
Drão!
Drão!

Find out more about a Music Drão, by Gilberto Gil.

5. I know that you will love, by Antônio Carlos Jobim and Vinícius de Moraes

Tom Jobim many times has established partnerships with other breeders, this composition was more a case of a beautiful one he found among his music and the lyrics of Vinícius de Moraes. Raised in 1959, the work is a very old romantic love for a lyricist who was an inveterate lover: Vinícius de Moraes happened nine times and passed through life as an avid freaked out.

To music I know that you will love You have a series of recordings and interpretations, perhaps the most famous version has been in charge of the Brazilian singer Maysa.

I know that you will love
For all my life, I will love you
In each goodbye, you will love
Desperately
I know that you will love

And each verse meu will be
Pra te dizer
That you know that you will love
For a lifetime

Eu I know that you will chorar
Every absence you, you will chorar
But each volta has to turn off
Or that this absence caused me

Eu sei que vou sofrer
To eternal misadventure of viver
Waiting for the nursery or the teu side
For a lifetime

6. Carcaráby João Batista do Vale

A composition of João Batista do Vale is a portrait of Northeastern culture and fez part of the Opinião show. A breeding is a tribute to a carcará pass - a species of rapina bird - very much found in the northeast. Or the breeder of the lyrics and the music of the nascent Maranhão, he was poor and very little studied. However, he created more than four hundred musics, some of them immortalized as Carcará and Pisa na fulô.

Originally recorded by Maria Bethânia in 1964, the song was re-recorded by a series of artists, including Zé Ramalho, Chico Buarque and Otto.

Carcará
Lá no sertão
É um bug that avoa that nem avião
É um pássaro evil
Tem o bico turned that nem gavião
Carcará
When you see roça burned
Sai flying, singing,
Carcará
Vai fazer sua caçada
Carcará eat I tried burnt cobra
When winter or winter time
O sertão no tem more roça queimada
Carcará mesmo assim num passa fome
You burrego that is born in the lowlands
Carcará
Hit, kill and eat
Carcará
Num vai morrer de fome
Carcará
More courage than home
Carcará
Hit, kill and eat
Carcará é evil, é courage
É a águia de la do meu sertão
Os burrego novinho num pode andá
Ele puxa or umbigo try to kill
Carcará
Hit, kill and eat
Carcará
Num vai morrer de fome
Carcará
More courage than home
Carcará

Relembre to the presentation of Maria Bethânia made in 1965:

7. O tempo não for, by Cazuza and Arnaldo Brandão

Raised in 1988, to music was the chef of the album of the same year of Cazuza. The letter served at the same time as social criticism and a personal challenge to live in a country undermined by corruption and hypocrisy. It is worth mentioning that the creation of the logo depois gives it a military status and by isso was found an extremely conservative population.

We note that the letter is a large autobiographical part and can be associated with the personal life of the singer. Not a year before he was raised, Cazuza discovered that he was a carrier of the HIV virus, and he had a very low level of fatality.

Shot against or sun
Sou forte, sou by chance
Minha Metralhadora Cheia of Mágoas
Eu sou um cara
Tired of running
In the opposite direction
Sem podium of chegada ou beijo de namorada
Eu sou mais um cara

More you will achar
That you have been defeated
I knew that he was still rolling the dice
Because o tempo, o tempo não para

Sim days, no days
Eu vou surviving sem um arranhão
Da caridade de quem hates me

A tua tá cheia pool of moments
Your ideas do not correspond to the facts
O tempo não para

Eu old or future repeat or past
Eu vejo um museum of great news
O tempo não for
No stop, no, no stop

I do not have data to commemorate
Sometimes the meus days são de par em par
Procuring agulha num palheiro

Nas noites de frio é melhor nem nascer
Nas of heat, it is escorted: and kill or die
And so we become Brazilian
Te chamam de Ladão, de Bicha, Maconheiro
Transformam or country inteiro num puteiro
Pois assim se ganha mais dinheiro

A tua tá cheia pool of moments
Your ideas do not correspond to the facts
O tempo não para

Eu old or future repeat or past
Eu vejo um museum of great news
O tempo não for
No stop, no, no stop

Sim days, no days
Eu vou surviving sem um arranhão
Da caridade de quem hates me

A tua tá cheia pool of moments
Your ideas do not correspond to the facts
O tempo não para

Eu old or future repeat or past
Eu vejo um museum of great news
O tempo não para
No stop, no, no stop

Conheça a Deep analysis of the music O Tempo Não Para, by Cazuza.

8. Aquarelaby Toquinho e Maurizio Fabrizio

Originally Toquinho created the first part of a music that was the subject of a Globo novel. Maurizio Fabrizio, an Italian who saw living in Brazil, ao ouvir a criação de Toquinho showed a similar composition and both then, resolved to put together or material that you have to compor Aquarela.

Music was first recorded in Italy as Acquarello, in 1983, establishing first place in the audience. Toquinho depois translated and adapted to lyrics and released to song in Brazil, where you also have immense success.

In 1983, a Faber Castell factory produced a commercial product that was also responsible for disseminating and consecrating ainda more or classic from Toquinho:

Numa folha qualquer
Eu desho um sol amarelo
E with five or six challenges
É easy fazer um castelo

I run or pencil around my hand
E me dou uma luva
E se faço chover, eat two cliffs
Tenho um guarda-chuva

Be um pinguinho de ink
Cai num pedacinho azul do papel
Num instant I imagine
Uma linda gaivota a voar no ceu

I'm flying, circling
A huge north-south curve
You are traveling
Havaí, Pequim or Istanbul

Pinto um sailing boat
Branco sailing
So much céu e mar
Num beijo blue

Between as nuvens I have emerged
A cute pink and gray bird
Tudo em volta colorindo
Eat your lights to pick

Just imagine he is leaving
Serene and cute
I know people love
Ele vai pousar

Numa folha qualquer
Eu desho um ship of departure
With some good friends
Bebendo de bem com a vida

From one America to another
I get to pass num second
Turn um simple compasso
E num circle eu faço o mundo

Um menino caminha
And walking through the wall
E ali logo em versus wait
Pela people or future is

The future is a spacecraft
That we tempt to pilot
No tem tempo nem piedade
Nem tem time to check

Sem ask for a license
Muda nossa vida
E Depois invites
To laugh or to laugh

Nessa estrada does not fit us
To know or to see or to see
O fim dela no one knows
Bem ao certain where I am going to give

Let's go everyone
Numa linda passarela
From a watercolor, what a day before
Will fade

Numa folha qualquer
Eu desho um sol amarelo
That will fade

E with five or six challenges
É easy fazer um castelo
That will fade

Turn um simple compasso
E num circle eu faço o mundo
That will fade

Discover a complete analysis of the Aquarela music.

9. I suspectby Tim Maia

Recorded in 1978, to dancing music I suspect, by Tim Maia, teve inspiração na canção Boot leg, recorded in 1956 North American hair soulman Booker T. The music of Tim Maia is part of the LP Disco Club, which includes the participation of the Black Rio Band, Hyldon and the guitarist Pepeu Gomes.

I suspect There were two major events of the Tijuana artist and passed to be a certain presence in all the lists of Rio de Janeiro night houses.

Pray balls, don't love me
Com esse papo, by emprego
I'm not selling, I'm not nessa
Or what eu do I want?
I suspect, I want to believe

Or what eu do I want? I suspect!
Or what eu do I want? I suspect!
Or what eu do I want? I suspect!
Or what eu do I want? I suspect!

Pray balls, don't love me
Com esse papo, by emprego
I'm not selling, I'm not nessa
Or what eu do I want? I suspect!

Or what eu do I want? I suspect!
Or what eu do I want? I suspect!
Or what eu do I want? I suspect!
Or what eu do I want? I suspect!

Or what eu do I want? I suspect!
Or what eu do I want? I suspect!
Or what eu do I want? I suspect!
Or what eu do I want? I suspect!

10. Tropical countryby Jorge Ben

A very well known music made by its first version, sung by Wilson Simonal, in July 1969. We note that music fell as a luva, not a historical moment that or country lived: the ufanist lyrics found a patriotic louvação that prevailed in the military, in front of the country since 1964.

Gal Costa also recorded a version of the song, as well as Ivete Sangalo, years later.

Moro num tropical country, abençoado by Deus
E pretty by nature, more than beauty
Em fevereiro (em fevereiro)
Carnival tem (carnival tem)

Tenho um fusca and um violão
Sou Flamengo
Tenho uma nêga
Chamada Tereza

Sambaby
Sambaby

Sou um menino of medium mentality
Pois é, but also I'm happy give life
Pois eu I do not devote anything to any
Pois é, pois eu sou happy
Very happy with me

Moro num tropical country, abençoado by Deus
E pretty by nature, more than beauty
Em fevereiro (em fevereiro)
Carnival tem (carnival tem)

Tenho um fusca and um violão
Sou Flamengo
Tenho uma nêga
Chamada Tereza

Sambaby
Sambaby

Eu posso not be a band leader
Pois é, but also the same at home
All my friends, my camaraderie, you respect me
Pois é, essa é a reason for sympathy
Do power, do something else and give joy

Sou Flamê
Tê uma nê
Chamá Terê
Sou Flamê
Tê uma nê
Chamá Terê

Do meu Brazil

Sou Flamengo
E tenho uma nêga
Chamada Tereza
Sou Flamengo
E tenho uma nêga
Chamada Tereza

11. Chão de gizby Zé Ramalho

Assim like Drão, by Gilberto Gil, Chão de giz narrates or end of a love affair. With lyrics and music authored by Zé Ramalho, also autobiographical music and helps to process or afastamento between a casal.

Not in the case of Chão de giz, the separation was due to the fact that a beloved woman was married and influential and was not willing to leave her relationship to play as a raptor that she met during the carnival. Or that for him it was a fleeting case, for Zé Ramalho it was a reason for enormous distress.

Music has been re-recorded by a series of artists such as Elba Ramalho and Zeca Baleiro.

Eu desço dessa solidão
Back coisas
About um Chão de Giz
Make mere fancies tolos
To torture me
Cropped photographs
Em jornais de folhas
Friend!

Eu vou te jogar
Number of saving confetes
Eu vou te jogar
Number of saving confetes

I shoot canhão bullets
It is useless, but it exists
Um grão-vizir
There are so many violet velhas
Sem um colibri
I wanted to use, what do you know
Uma força shirt
Ou de vênus

But you are not going to enjoy us
Barely a cigarette
Nem vou lhe beijar
Spending assim or meu batom

Agora hit
Um walk on canvas
You will knock out another time
I was always cornered
No seu calcanhar
Meus twenty years of boy
That's over, baby!
Freud explains

Don't you hold me down
Smoking barely a cigarette
Nem vou lhe beijar
Spending assim or meu batom

Quanto ao pano two confetes
Já passou meu carnival
And isso explains why or sex
This popular issue

No more, this indo embora!
No more, this indo embora!
No more, this indo embora!
No more!

Discover the original version of the study:

Conheça a In-depth analysis of the music Chão de giz, by Zé Ramalho.

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