A historia da dança ao longo do tempo

A dance is an expressive linguagem that uses bodily movements as a source of artistic and communicative elaboration. Além disso, é also a meio of entertainment and, many times, of social interaction.

Like other manifestations of art, dance achieves, in some cases, transmitting cultural values ​​of a specific povo, as well as translating into gestures a huge range of emotions and feelings.

Dança Contemporânea (pissed on the 20th century)

A dance that is currently performed is a contemporary dance class. As well as other manifestations of contemporary art, a dance sheet traced various references and inspirations, leading to the decade of the 60s.

A contemporary dance origin tends to be related to gestural investigations of North American artists do Judson Dance Theater. The group contacted dancers, visual artists and musicians, and introduced the dance dinner in New York, influencing the dance language that would follow.

Although there is hardly any development, not Brazil, it is common for this language to use some technical techniques such as floor work (work no chão). In this method, movements are explored in a low plane, using or chão as support.

Meanwhile, or more importantly, that contemporary dance can be understood as an expression that seeks to body consciousness, importing components that go along with technical aspects and valuing creativity and improvisation.

Uma dancer and highly acclaimed Brazilian choreographer, including internationally, is Deborah Colker. The artist founded Cia de Dança Deborah Colker, which in 1994 was its first appearance. The movements proposed by Deborah are instigating, and in some choreographies they challenge gravitas, working balance and trust in the team.

Outra company of contemporary Brazilian dance of great reconhecimento é o Corpo Group. Founded in 1975, in Minas Gerais, the group performs a careful work of choreography allied to music, generally to Brazilian popular music.

No show Tour, presented 2017 pela companhia, a trilha sonora foi composta pela banda Metá Metá The topic addressed was related to Exu, Entidade do Candomblé. Daí or does not “turn”, which refers both to body movement and to ritualistic event of African matrix.

Check out a report from Canal Curta that presents excerpts and explains the context of the show.

Modern Dance (first goal of the XX century)

The first goal of the 20th century, when modern art disposes of itself, tracing a new history on artistic creation in a general way, modern dance also arises in the US in Europe.

Assim, we can talk about modern dance, a set of expressões that seek to break with the rigidity of classical dance. For isso, various techniques were developed in order to achieve more fluidity and freedom of gesture, investigating human concerns and emotions on the basis.

I am even widening or leque of possibilities in modern dance, some characteristics are remembered. Nela, we tend to use the body center as eixo, ou seja, moving or trunk with torsions and dislocations. There is also an exploration of curfew, crouched or depressed movements, or that were not used at this time.

Foram many people who are responsible for this new way of raising and appreciating dance, one of them was the North American Isadora Duncan (1877-1927), considered a forerunner of modern dance.

Isadora has revolutionized the art of movement by tracing gestures that are more flexible and emotional. Furthermore, she abandoned the rigid costumes of the classic ballet, investing in light and esvoaçantes clothes, and free from two feet barefoot.

At present it is possible to appreciate her legacy through dancers who perform choreographies left by Isadora, as in Spanish Tamara Rojo ao perform or just Cinco Valsas de Brahms à Maneira de Isadora Duncan.

Dança no Romantismo (end of 18th century and 19th century)

At the time of romanticism, which emerged at the end of the 18th century, it was very fertile for classical dance in Europe, more precisely for dance. And when this type of dance is consolidated and becomes one of the most representative artistic expressões do period, transmitting all or sentimentality, idealization and tendency to "fugir da realidade", own two romantic.

The figurines nesses shows also contribute to raising two balés in an “açucarada” atmosphere romantics, with dancers bringing saias from tule, I tied panturrilha, sapatilhas from ponta and cabelos prisoners em cokes.

Two shows that stood out the most at the time were Giselle (ou Les Willis), performed for the first time in 1840 at the Paris National Opera.

A Dança tells the story of Giselle, a woman from Campesina who is turned off by a home and disappointed when she discovers that he was compromised. Além disso, there is a strong presence of spirits of young women virgens that will soon be married.

This was the first dance to be performed with all the dancers in sapatilhas de ponta, used to give the sensation of levitation in the box. Go to the interpretation of Giselle Pela Russian dancer Natalia Osipova in Royal Opera House.

It is also important to highlight that in other parts of the world there are different dance manifestations.

Not Brazil, for example, nineteenth century emmedies were emerging among the black populace escravizada or samba, dance and music with strong African influence.

Dança no Renascimento (between the sixteenth and seventeenth centuries)

It is not a Renaissance period that the dance came to be more outstanding artistically. Essa linguagem, previously rejecte and seen as herege, gives space between nobreza and passes to be configured as a symbol of status Social.

Also, surgem profissionais da dance and a major systematization of expression, with groups of scholars who are dedicated to creating standardized gestures and movements. That is the moment when I desponta or bleat.

Called from ticket In Italy, this way of dancing ganhou other territories, I stand out in France I do not know XVI.

Nesse context to dance also involved other languages, such as singing, poetry and orchestra.

I don't know how to follow the dance after two saloons and it happens to be presented in the boxes, when we start the dance shows.

Foi in French territory that was consolidated by fato essa dance, especially in the court of King Louis XIV. The monarch wraps itself intensely as a balé, becoming dancers.

His name is “King-Sun” emerged from a presentation no Ballet de la Nuit, em que trajava uma roupa muito chamativa e brillhante representing o astro-rei.

Dança na Idade Média (between sec V and XV)

Idade Media was a period in which the Catholic Church dited the rules of society. There was a strong moralizing sense and a dance, because it was used by the body, it was seen as a profane manifestation, related to pagan and heretical culture.

Meanwhile, the locals will continue to practice dances in popular festivals, generally in groups.

Likewise, we cast them to dance, it was practiced in celebrations, or that later it would give origin to dances of the court.

Danças Milenares (ancient times)

Before Christianity was configured as the greatest power of the western world and condemned dance as profane, that expression was, contrary hair, treated as sacred hairs povos da antiquity.

The civilizations of Mesopotâmia, India, Egypt and Greece a dance was considered a way to celebrate divinities, being carried out mainly in rituals.

Foram found paintings containing dance dinners both in Greek and Egyptian artifacts.

Dança Primitiva (na pré-historia)

The origin of the dance is due to primitive civilizations. We can consider that gestural language forms the first forms of communication between human beings, arising at the same time before the failure.

As indicated by two primordial dances, we can observe cave paintings that these civilizations deixaram us, some revealing groups of people dancing.

I certify that this manifestation is jointly with the first expressões musicais, pois, despite being able to exist separately from another, these are languages ​​that are supported.

Assim, stimulated hairs sons of nature, das palmas, da beaten do coração e demais barulhos, homens e Prehistoric women begin to move their bodies with a communicative intuition, of communication and also spiritual.

You can also be interested:

• Types of dance: styles more known in Brazil and in the world
• Contemporary dance
• Melhores dançarinos e dançarinas da historia
• Types of dance from salão most practiced in Brazil
• Folkloric dances in Brazil and in the world