The 5 most important WORKS of Pierre Auguste RENOIR

Pierre-Auguste Renoir (1841-1919), called the joy painterHe was one of the essential impressionist painters in the development of this artistic movement, becoming one of the most popular. An outstanding colorist who led to the creation of some of the most celebrated and timeless works for its exaltation of beauty and its mastery capturing the effects of light and movement, with serene compositions in which the hustle and bustle of Parisian modernity, family scenes and the female body were the protagonists.

In this lesson from a TEACHER we offer you an approach to the figure of Pierre Auguste Renoir and his most important works.

Index

1. Pierre Auguste Renoir, impressionist painter
2. Diana the Huntress (1867), one of Renoir's most important works
3. La Grenouillère (
4. The Box (1874), another well-known work by Renoir
5. Dancing at the Moulin de la Galette (1876)
6. The Great Bathers (1884-87)

Between the features highlights of Renoir's painting we highlight:

• Renoir, along with Claude Monet, was one of the key artists of Impressionism, distinguishing himself within the movement by the taste of it for reflecting so much the domestic intimacy as the fun and leisure of Paris at dances and parties, offering us an image of how the bourgeoisie lived and connecting with that middle-class audience.
• He was also the first impressionist to ascertain the limitations of basing art only on the effects of light and optical effects. Thus, Renoir also turned to composition, achieving a most monumental style and connected with Renaissance art.
• Renoir treats his characters very delicacy, always showing them in a smiling and happy attitude. Nails everyday scenes llenas of small, intimate and close gestures that generated great success for his works, especially in the United States.
• Some works in which the colorful, being a key figure for other great movements such as Fauvism and Cubism.
• His taste for beauty will fill your canvases with feminine nudes, resounding and sensual, connecting his work with painters as colorful as Raphael, Rubens and Eugène Delacroix, as well as Velazquez, Coubert and other classical artists whom he admired.

Renoir has a very extensive work, although he destroyed part of it during a strong creative crisis in the 1980s. Between his most representative works stands out Diana the Huntress (1867).

This is a work of Renoir's youth and in which the later characteristics of his style are not yet guessed. Thus, we are before a painting realistic and classic inspired by the style and work of Courbet in which Renoir represents Lise Tréhot, her mistress, like the Roman goddess Diana, a common subject of Rococo portraiture.

This canvas is the result of learning work at the Louvre studying the French masters of the 18th and 19th centuries.

La Grenouillére was a very popular place for outdoor bathing, a kind of thermal area frequented by both Monet and Renoir. Faced with the need to sell their works, they decided to paint leisure scenes of the bourgeois class in search of a new clientele, but the plus of taking advantage of the occasion to go to develop theories, techniques and practices of which later the Impressionism.

Monet and Renoir painted the same scene from the same point of view, but while the first focused on the effects of light on water, Renoir approaches the bathers and visitors of the resort, giving more important weight to the figures human. Figures drawn with a few quick strokes of the brush.

This brushstroke, the short brushstroke, the reflections in the water and the different lights tell us about those first moments of Impressionism and the role of Renoir in those first moments and how he forges his own style.

Another of Renoir's most important works is The box. It was Renoir's contribution to the first impressionist exhibition of that year, being received with great success.

A canvas in which Renoir represents an elegant couple in a theater box. The couple is made up Nini Gueule de Raie, a friend of Renoir's who will pose more times for the painter, and Edmond Renoir, brother of the painter. She stares at the viewer, while the young man looks with his binoculars at the audience in an attempt to show as the theater was a socialization space for the bourgeoisie, taking on a prominent role in Parisian life.

The game of gazes used in these spaces is well captured by Renoir: both the woman's showing off and being seen as well as the man's examination of the assistants.

This work is considered as a masterpiece by Renoir.The Dance at the Moulin de la Galette shows us the daily life of the elegant neighborhood of Montmartre. An open place even today in which the workers had fun and that the painter chose for the great challenge that he represented.

In the Moulin Renoir presents us with a large number of people, details and various points of view combined with the light of the sun and the movement of the numerous figures in the painting.

With a larger than usual size in Impressionist painting, Renoir tells us presents several scenes: couples dancing, friends drinking, standing groups, in a compositional complexity that reveals the mastery of him and his genius when portraying the society of his time and it is joy and serenity that permeates all of his work.

Similar, but more intimate, is another of his great works, the Lunch at the party on the boat (1881).

We finish this review of the best works of Renoir to talk about in this painting in which you can see that Renoir's desire to touch timelessness and bring the Renaissance structure to Impressionism. The three naked and resounding young women in the center of the picture rHe remembers Rubens' compositions.

A work that took him three years, making numerous preparatory drawings and sketches, and with a monumental result. Renoir was inspired by a relief by Françoise Girardon (1628 - 1715), entitled The Bath of the Nymphs and in the nudes of Ingres.

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• Neret, Gilles (2019), Renoir. Taschen
• Tobien, F (2000), Auguste Renoir. Editors
• Perrinleyre, P. (s.f) Renoir among women. From the modern ideal to the classical ideal. Collections of the d´Orsay and l´Orangerie museums. Mapfre Foundation