Sonnet Ora direis ouvir estrelas, by Olavo Bilac: análise do poem

Ora (direis) ouvir estrelas belongs to the collection of sonnets Milky Way that, for the time, is inserted not free of the esteem of the Brazilian writer Olavo Bilac.

O sonnet é o number XIII of Milky Way e ficou consecrated as the most famous part of the anthology entitled Poetry, published in 1888.

The verses of Bilac are a typical exemplar of Parnassian lyric.

Ora direis ouvir stars na whole

Pray (you will) ouvir stars! Certo
Perdeste or senso! "E eu vos direi, no entanto,
That, for ouvi-las, I woke up a lot
And I open the janelas, pale with fright ...

And we talk all at night, enquanto
To the milky way, like an open pale,
Cintila. E, ao vir do sol, saludoso e em pranto,
Inda that's how I try to have desert hair.

You will say agora: "Tresloucado friend!
What do you talk about eating them? What sense
Afraid what to say, when am I with you? "

E eu vos direi: "Amai to understand them!
Pois só quem ama pode ter ouvido
Able to understand and understand stars.

Analyze

Ora (direis) ouvir estrelas é o sonnet number XIII da colletânea de sonnets

Milky Way. I do not free Poetry, Milky Way is between Panoplias and Sarças de fogo.

It is said that the theme of love, inspiring nickname for two verses by Bilac, was the fruit of the paixão that the poet had by the poet Amélia de Oliveira (1868-1945), irmã by Alberto de Oliveira (1857-1937).

The dull verses transparecem or freak of a recém dull that dialogues as stars. Quem o ouve accuses o eu-lrico de devaneio:

Pray (you will) ouvir stars! Certo perdeste or senso! "

O eu-lrico does not link to accusation and further sublims your need to converse with stars leaving, even, open janelas for melhor ouvi-las. A conversation like the stars and longa, lies noite inside:

And we talk all at night, enquanto
To the milky way, like an open pale,
Cintila.

Sadness appears when the sun rises and becomes impossible to see. Or crammed then he recovers to his sadness and agony waiting for a night to fall again.

In the middle of the poem, blades are inserted to indicate to the interlocutor who is presently accused of disconnecting from reality to converse with stars. O eu-lrico então returns a complete answer:

E eu vos direi: "Amai to understand them!
Pois só quem ama pode ter ouvido
Able to understand and understand stars.

Ao same tempo that lacks of a particular feeling - or enchantment provoked by the beloved, or feeling of falling in love - or poem is constructed in a universal way, in such a way as to reach out to all those people that já tenha felt as such condition.

It is, therefore, about eternal verses, which do not lose validity, because they portray typically human and genuine feelings, independent of any time and place.

A beloved alluded to us verses of Ora (direis) ouvir estrelas não é nomeada, nem sequer we know any physical characteristic sua.

Or love sung by the poet receives heranças da restraint neoclassical, an opposition to sentimentality poured out romantico de outrora.

In termos formais, Bilac as a typical representative of Parnassianism follows a formal and stylistic rigor. A rhyme, for the time, is present in Via Láctea.

Declared poetry

Leia Milky Way na whole

You verses of Milky Way You are available for free download in PDF format.

Quem foi Olavo Bilac

Olavo Braz Martins dos Guimarães Bilac became aware of literary rodas just like Olavo Bilac, nasceu no December 16, 1865, not Rio de Janeiro, and died in the same city on December 28, 1918, years 53 years.

In 1881, he entered a Medicine course influenced by the country, which was a doctor and served in the Army during the non-Paraguayan War. However, Bilac ended up desisting from the fourth year of faculty and passed to invest or seu tempo working with literature and journalism.

In 1883, five years before the release of the Poetry, Olavo Bilac published his first non-daily poems by two students from the Faculty of Medicine in Rio de Janeiro. No year to follow, seu sonnet Net I was published on a daily basis News Gazette. Today, Bilac managed to place various verses in regional and national newspapers.

In 1885, the poet came to love with Amélia, who was an inspiration for his love verses. O rapacious also had a lot of success in artistic life, during the first two decades of the twentieth century, his sonnets were quite declaimed in us saraus and literary salons.

A poetic work by Bilac is not Parnassianism, therefore or author fez questão that his verses fossem hybrids and mixes to French tradition with a Lusitanian touch.

Olavo Bilac was one of the founders of the Brazilian Academy of Letters (ABL) and created a cadeira nº. 15, who feared Gonçalves Dias as patron.

Uma curiosidade: the poet was the author of the letter from Hino à Bandeira.

The poetic work of Olavo Bilac brings together the following publications:

• Poetry, 1888
• Chronicles and novels, 1894
• Sagres, 1898
• Criticism and fantasy, 1904
• Poems infantis, 1904
• Literary Conferences, 1906
• Versification Treaty, with Guimarães Passos, 1910
• Dictionary of rhymes, 1913
• Irony and piety, 1916
• Late, 1919

Conheça also

• Os melhores poems by Olavo Bilac
• The best love poems from Brazilian literature
• The most romantic poems of literature
• As pombas, by Raimundo Correia
• Poem Os sapos, by Manuel Bandeira
• Sujo poem, by Ferreira Gullar
• Poem Intimate Verses, by Augusto dos Anjos

Formed in Literature at the Pontifical Catholic University of Rio de Janeiro (2010), Master of Literature at the Federal University of Rio de Janeiro (2013) and doutora in Studies of Culture of the Pontifical Catholic University of Rio de Janeiro and of the Portuguese Catholic University of Lisbon (2018).