Análise do poem Eu, Label by Carlos Drummond de Andrade
Carlos Drummond de Andrade is considered one of the two greatest poets of national literature. Among his vast lyrical production of him, we find many compositions that are debruced on social themes, tracing um critical portrait do seu tempo of him.
Eu, Label
Em minha calça is ruined um nome
that I am not a batismo or a letter,
um nome... stranho.
Meu blouse traz drink letterhead
that you never put in your mouth, in this life.
Em minha t-shirt, a cigar brand
I don't smoke, I don't smoke.
Minhas meias falam de produto
that I never experienced
more are communicated to meus pés.
Meu tênis é proclaims colorful
from alguma coisa não provada
by this tester of longa idade.
Meu lenço, meu relógio, meu chaveiro,
minha gravata e belt e escova e pente,
meu flake, minha xícara,
Minha Towel of Banho and Sabonete,
meu isso, meu aquilo,
from a head to a bico dos sapatos,
são mensagens,
fancy lyrics,
visual screams,
orders of use, abuse, reoffending,
costume, habit, premência,
indispensable,
e fazem de mim homem-itinerant advertisement,
Escravo gives the announced material.
You are, you are in fashion.
It is twelve to be fashionable, but fashionable
it is necessary to deny my identity,
barter for a thousand, açambarcando
all registered trademarks,
all the logos of the market.
How innocent do I deimit myself to be
who used to be and knew me
so diverse of others, so mim-same,
to be thinking, feeling and solidário
with other diverse and conscious beings
of her human, invincible condition.
Agora sou I announce,
now vulgar, now bizarre,
in national language or in any language
(qualquer, mainly).
E nisto buy me, I shoot glory
of minha annulação.
Não sou - vê lá - hired advertisement.
Eu é that pamperingly paid
to advertise, to sell
in bars festive praias pergulas swimming pools,
e bem à vista i show this label
global no corpo who give up
to be a dress and sandália de uma essência
so alive, independent,
that fashion or some suborno compromises.
Onde terei jogado fora
my taste and ability to escort,
Minhas idiossyncrasies tão pessoais,
tão minhas no rosto se espelhavam,
in every gesture, every olhar,
every vinco da roupa
did you summarize an aesthetic?
I am stitched, I am woven,
I am universally taxed,
saio da estamparia, not from home,
da showcase threw me, put me back,
pulsating object plus object
that is offered as a sign of outros
static objects, priced.
For showing me assim, you are proud
of being non-eu, more industrial artigo,
Peço que meu nome retifiquem.
Já não me convém or title of homem.
Meu nome novo é coisa.
Eu sou a coisa, coisamente.
Analysis and interpretation of the poem Eu, Label
Part of the lyrical production of second generation of modernism Brasiliro, this is a two poems by Drummond that focuses on contemporary society and its ways of living and functioning.
Through the use of free verse and daily vocabulary, the composition seeks to approximate real life and portray it, also containing a tom of irony and denouncement.
Not its own title, as well as our initial verses, we notice that this little guy has not yet identified his hair, but he has two products that he uses and displays.
Em minha calça is ruined um nome
that I am not a batismo or a letter,
um nome... stranho.
How to take consciousness, ou tivesse an epiphany, this eu-lyrical barnacle that as a result of him refer to products that he has never experienced and for years that perhaps nem tivesse access. Ou seja, ends up promoting things that nem dry conhecesse, only because they are valued socially.
Olhando em volta, he goes on listing products that he or she uses daily, and that has a label or a brand. You verses seem to sublimate that or capitalist system influence the most trivia aspects of nossa rotina.
Appealing years from each um, to propaganda Chega everywhere, with "messages, / fallacious letters, / visual screams" that confuse individuals and capture their attention.
Perante all isso, as some fright is demonstrated, or subject verifies that he virou um "itinerant homem-announcement" in order to follow two serious pairs.
You are, you are in fashion.
It is twelve to be fashionable, but fashionable
it is necessary to deny my identity,
To be framed, the discovery that he ended up losing himself. In the name of futilities and conventions that barely made appearances, he was detaching himself from his being, gives his soul.
This eu-lyrical, which can represent cities of the inner world and of various eras, reflects on the ways in which we fell as armadilhas do consumerism.
If we repair, we contribute to this system, because we feel the need to prove our value or success through ostentation by bens materiais.
This type of mentality can lead us to ignore our sentiments and até or frustration alheio, nullifying our more human and solid side.
Não sou - vê lá - hired advertisement.
Eu é that pamperingly paid
to advertise, to sell
As a sarcastic tom, or subject it reinforces that we compact with this scheme, the same when we are not benefited by it, only to feel integrated.
Dazzled hairs, objects, many people who take care of their own essence, something that "fashion or some suborno" should compromise or place in play.
Assim, or eu-lyrical questions or what happens with him and also with this collective form of agitation and thinking, which exposes totally inverted priorities.
Lost continuous movement of standardization, Verify that he deixou of critical spirit, he is equal to everyone or the world, he is "gosto and capacity of escort".
Já não me convém or title of homem.
Meu nome novo é coisa.
Deprived of a sense of individuality, or identity, this little guy ends his composition by announcing that he has become a "coisa".
This would be, then, the absolute victory of capitalism: o human being that turns product, which faces itself as a mere object.
Meaning and message of the poem
This is a composition of Drummond nas quais or poetic subject expresses his views of him on the world. Dono de um olhar attentive and deceived, he comments on the effects that capitalist logic causes us to cidadãos.
A reality that we all live in permanent competition, and whose value is proven through money and luxury objects, ends up promoting desumanization.
Through the media, we are led to or exacerbated consumption, as is this fosse or the only way to find happiness. Aos few, or "ter" vai overlapped or "ser" and we leave aside or more important: here that cannot be bought, that does not fear.
Escute, abaixo, or declaimed poem by author Paulo Autran:
About Carlos Drummond de Andrade
Appointed as the greatest Brazilian poet of the 20th century, Carlos Drummond de Andrade (1902 - 1987) is a fundamental author of our literary panorama.
O modernist rejeitava various formulas and lyrical traditions of ancient gerações, translating his verses to daily life and to rotina of great cities.
Giving voice to timeless emotions such as love, nostalgia and solidity, his verses were also traversed by political and social comments about the time in which he lived.
Be you gosta do poeta, take the opportunity to also confer:
- Melhores poems by Carlos Drummond de Andrade
- Poems by Carlos Drummond de Andrade about amizade
- Poem E agora, José? by Carlos Drummond de Andrade
- Poem Congresso Internacional do Medo by Carlos Drummond de Andrade
