Manuel Bandeira: 10 poems you will remember

Manuel Bandeira (1886-1968) foi um um two greatest Brazilian poets I have fied made hair large public especially hair famous verses Vou-me Embora pra Pasárgada and You toads.

But it is true that, além dessas duas great criações, the work of the poet includes a series of little poems known among the readers.

Na tentativa de preencher essa lacuna we select here 10 memorable poems by modernist writer Manuel Bandeira with their respective explanations.

1. You toads

Enfunando the papos,
Saem gives gloom,
Aos pulos, you toads.
The light dazzles you.

I'm hoarse that terrifies,
Berra or sapo-boi:
- "Meu pai foi à guerra!"
- "Não foi!" - "Foi!" - "Não foi!".

O sapo-tanoeiro,
Parnassian watered down,
Say: - "Meu cancioneiro
É bem martelado.

Sell ​​like cousin
Em eat you hiatuses!

Or poem You toads (or initial stretch found here reproduced) was raised in 1918 and was due to fail or be recited by Ronald de Carvalho during the emblematic Modern Art Week of 1922.

A clear criticism of Parnassianism (literary movement that definitely does not represent or poet), Bandeira constrói esse

ironic poem, which regular metric and is deeply sonorous.

It's about uma here parody, a funny way found eu-lyrical hair to differentiate poetry that he praticava daquela that is being produced até então.

Os sapos são, na verdade, metaphors for different types of poets (or modernist poet, or vague Parnassian poet, etc). Years long two verses we see you animated dialogue about how a poem was built.

Find out a deep analysis of poem Os sapos and confirm the recited verses:

2. Pneumothorax

Fever, hemoptise, dyspneia and night sweats.
To life inteira that could have been and that was not.
Cough, cough, cough.

Mandou chamar or doctor:
- Say thirty three.
- Thirty and three... thirty and three... thirty and three ...
- Breathe.

- O senhor tem a scavação no scabbed lung and or infiltrated direct lung.
- Então, doutor, não é possível tentar o pneumothorax?
- No. The only thing to do is to play an Argentine tango.

This very brief poem is also very well known by the author without the title or name of a medical procedure. Long years the first lines we see listed a series of symptoms.

In the first stanza or doente sofre sozinho, in the second part of the poem we attend a consultation as a doctor. O doutor gives instructions to the patient in an attempt to get the doctor diagnosed.

For fim, we witness sad confirmation. O patient still tries to find a solution for his problem, more or medical, and irreducible.

As a poetic tom and the same ironic tempo, he uses music as the only possible solution.

Read a complete analysis of Poem Pneumothorax, by Manuel Bandeira.

3. Or last poem

Assim eu wanted or meu last poem
What a terno fosse saying the simpler and less intentional things
That burning fosse like a solution of tears
Que tivesse a beleza das flores quase sem perfume
To purity da chama em that we consume more limpid diamonds
Two suicide bombers killed each other with an explanation.

A morte is a frequent theme of Bandeira's poetics, as well as, in aesthetic terms, we can bet or use of free verses. Or last poem It condenses these two characteristics of the poet, who intends to establish as a reader a relationship of fulfillment of this metalinguistic poem.

The verses acima are characteristic of um metapoem, of a lyric that is debruça on the same. O eu-lrico here tenta, no quase quase de baffling, of course here he would like to insert not his last poem.

Or interesting and to see that he would say how he wanted to build his poem, or little poetic subject, he built his own poem.

4. Vou-me embora pra Pasárgada

Vou-me embora pra Pasárgada
La sou amigo do rei
I have a mulher that I want
Na bed that escolherei

Vou-me embora pra Pasárgada
Vou-me embora pra Pasárgada
Here I am not happy
The existence is an adventure
In such an inconsequential way
Than Joana to Louca de Espanha
Rainha and fake insane
See to be counterparent
Da nora i never lived

E as a gymnastic farei
Andarei by bicycle
Montarei em brabo donkey
Subirei no pau-de-sebo
Tomarei banhos de mar!
And when i'm tired
Deito na beira do rio
I command chamar to mãe-d’água
Pra tell me the stories
That no tempo de eu menino
Rosa Vinha tell me
Vou-me embora pra Pasárgada

I am passionate about it
É outra civilização
Safe process item
To prevent conception
Automatic telephone tem
Tem alkaloid à vontade
Tem pretty prostitutes
For people to fall in love

And when I am more sad
Saddest of não ter jeito
Quando de noite me der
Vontade to kill me
- La sou amigo do rei -
Terei a mulher que eu quero
Na bed that escolherei
Vou-embora me pra Pasárgada.

Eis or most consecrated poem by Bandeira: Vou-embora me pra Pasárgada. Here we find an inegável escapism, um wish of the eu-lyrical of evasão, of sair da sua condição atual rumo to a highly idealized destination.

O nome do local is not free: Pasárgada was a Persian city (to be more precise, it was the capital of the Primeiro Império Persa). This is the poetic subject who takes refuge when he feels that he cannot give his daily account.

Traditionally this genre of poetry that clams to freedom of its own accord to a fugue for the field, to the poet's lyric Modernist, however, there are several elements that indicate that this leak would be in the direction of a technological city.

In Pasárgada, this space is deeply desired, there is no solidity and no eu-lyrical one can exercise limits to its sexuality.

Conheça or artigo Analysis of the poem Vou-me embora pra Pasárgada, by Manuel Bandeira.

5. Teresa

The first time I saw Teresa
Achei que ela tinha stupid legs
Achei also that to her face seemed a perna
When I saw Teresa de novo
Achei that you olhos of her was very much more velhos than or rest of the body
(You olhos of her nasceram e ficaram of ten years waiting for the rest of the body nascesse)
The third time I didn't see anything else
Os céus se mixuraram com a terra
The spirit of Deus turned to move on the face of the waters.

Finally a love poem! Manuel Bandeira ao compor Teresa She demonstrated, in verses, how she is given or found loving.

Demystifying the night of love at first sight, or eu-lyrical it shows not exactly poem or that he felt the first time he met Teresa.

The second time that he also turned, or poetic subject, he seems to have not finished, nothing enchanted, with physical attributes, that he would be transformed into his beloved.

In the last stanza that we testify or enchantment of the eu-lyrical, that does not achieve the most disbelief to parceira and sim or turbilhão of affections provoked by the presence of the.

6. Or impossível carinho

Escuta, I don't want to tell you or I wish
I just want to tell you, my tenderness
Ah it starts with so much happiness that you give me
Eu you can report
-Eu soubesse report -
No heart torn apart
As pure joys of your childhood!

A love poem that covers years of feelings lived during childhood, that is the nickname that moves Or impossível carinho. Either eu-lyrical does not reveal the physical or psychological aspect of the loved one, or that we know only a description of the feeling that it takes away.

Já pela primeira palavra we see that or little subject is going to someone, to donate his affection. He is the one who wants him to share or the most intimate desire that results from feeling of gratitude. A moça face how he feels so bem that or that sprouts nele é a vontade to give back all the boom that she receives.

As alegrias da infância são or oásis sonhado, or place of plenitude that the poetic subject intends to offer to his loved one as a form of gratitude.

7. Poetics

Estou farto do restrained lyricism
Do lyricism bem behaved
Do lirismo public functionary with free of ponto expediente
protocol and expressions of appreciation to Mr. Director.
Estou farto do lyricism that to find out no dictionary or
how much vernacular of a vowel.
Abaixo os purists

All the words above all the universal barbarisms
All the constructions above all the syntaxes of exception
All of you rhythms, you will immerse yourself

Estou farto do lirismo namorador
Political
Rickety
Syphilitic
Of all lyricism that capitulates to or that wants to be left out
of itself
Of rest não é lirismo
It will be counted by the tabela de co-senos secretário
do lover exemplar com cem model letters
There are different ways to please women, etc.

I want before or two loucos lyricism
Or lyricism two bêbados
Or difficult and pungent lyricism two bêbedos
Or lyricism two clowns of Shakespeare

- I do not want more to know about lyricism than I do not want to be liberated.

Us verses of Poetics, Manuel Bandeira debruça on his own process of writing the poem. Here o eu-lyrical emphasizes here that he appreciates and that he is repulsed not within the lyrical sphere.

Tido like um two most important poems of Brazilian Modernism, Poetics This is a non-poetic portrait of Manuel Bandeira as well as of all a generation of writers who do not identify themselves as having been produced at this time.

Written quase as a kind of manifestoOn the other hand, Bandeira denies a rigid, severe composition that meets rigorous standards (such as those of Parnassians) inasmuch as The other side celebrates free verses, informal language and contemporary sense of freedom from experienced poets.

8. Art of loving

If you want to feel the happiness of loving, create your soul.
A soul that ravages or love.
Only with God she can find satisfaction.
Not our soul.
Só em Deus - ou fora do mundo.
As souls are incommunicado.
Deixa or teu corpo understand-se com outro corpo.
Because the bodies understand each other, but not the souls.

This love poem by Bandeira is marked by sadness and joy: we have observed two verses a long time ago. impossibilidade two lovers will communicate, on the other hand we celebrate or fato two bodies will understand each other despite the limitations gives communication.

O little lyrical subject here part of the press I suppose that there is a basic division between soul and body. A soul, second or eu-lyrical, is capable of finding support in God or not supernatural in not in some human being.

Diante dessa lamentável condição, or poem suggests that your bodies - or contrary to souls - are capable of understanding each other. Or title Art of loving, it deals precisely with the opposition, the body and the soul, and the place of two affections, the equação

9. Disenchantment

Eu faço verses like quem chora
Disappointment... disenchantment ...
Date o meu livro, is by now
No tens motif nenhum de pranto.

Meu verse é sangue. Burning volume ...
Sadness esparsa... remorso vão ...
You could see me. Bitter and hot
Fall, drop by drop, do coração.

In these verses of rouca angústia,
Assim two lips to life runs,
Leaving an acrid taste in the mouth.
- Eu faço verses like quem morre.

Disenchantment I considered um metapoem, ou seja, a poem that seeks to discredit or own literary breeding process.

Us verses about and how the reader was invited to visit the poet and writer understand how engrenagens that movem to written.

Literature, in any case, acts as a kind of escape valve, or place where or subject finds encouragement for its deep relief. Through the reading of the poem we are capable of enforcing the poet, who works to transform his serious disorders into words.

10. Consoada

When unwelcome you give people to check
(Não sei las las ou caroável),
maybe eu had medo.
Maybe you will laugh, or say:
- Hello, iniludível!
O meu dia foi bom, pode a noite descer.
(A noite com os seus spells.)
You will find washing or field, a clean house,
At the table,
Like every thing in its place.

Or poem, all constructed from a metaphor, deals with a hard topic: a prepação para a chegada da morte. It is curious to the escort of the title, quite symbolic: to consoled the banquet that takes place on the night of Natal or on the eve of Ano-Novo.

Either it takes a written form of informality, intimidation and spontaneity: or eu-lyrical, it makes clear the possible reactions that it would have received from Undesired. The verses, there, are built on the basis of two oppositions-chave: life and death, or day and night.

We can conclude, after reading two few verses, that on the other hand it seemed to be made up of an inevitable death appearance, or a lyrical subject that does not wish to be seen.

Conheça also

• Poem Trem de ferro, by Manuel Bandeira
• Fundamental Brazilian poets
• Great poems of Brazilian modernism
• Important artists of Modern Art Week
• The best love poems from Brazilian literature
• Poem O Bicho, by Manuel Bandeira